EP The Rhythm of Samba, Camilla Inês explores his
versatility and leaves the listener with like want more
The four-track EP "The Rhythm of Samba" surprises those who know Camilla through "Jazzmine" his first album. Here, standards like "Speak Low" and "Cry Me a River" earned a delicious touch of Brazilianness that alone justified the rewriting by a rookie, music already so well known in so many great voices. Now, it's like she percorresse the other way, starting from very Brazilian ground toward American jazz elements.
If "Jazzmine" suggested half-light and indoors, "The Rhythm of Samba" is more sun heat fireplace, refers to light and breeze. This is evident from the corner of Camilla Agnes, more open, sometimes more torn, coming to remind young Elza Soares in suingada (and high point of the disc) with the song "Talvez Eu Te Encontre Por Aí" her partnership with Roberto Menescal. Or the track that gives title to the work, a samba-jazz signed by Jorge Camargo and Gladir Cabral, who bears the name of EP "The Rhythm of Samba".
Of Gladir there is another delightful find in the short repertoire, "O Cartola Falou" whose lyrics make an interesting game ideas with lyrics and titles of classic samba of Rio's master. And J. Evaristo Neto is the author of the fourth track (second on the disc order), "Melhor Entender" a samba-song that leans towards line elbow pain and appears as a counterpoint in the high spirits of "The Rhythm of Samba".
Cristóvão Bastos (piano), João Lyra (guitar), Oswaldo Amorim (acoustic bass), Misael Barros (drums and percussion and production), Moisés Alves (flugelhorn) and Carlos Pial (cuíca and deaf) form a sharp team to support for the singer navigate with ease on this trip. Incidentally, the camaraderie was around production, made independently and based more on friendship than in figures. This "great collective effort to promote good music" as Camilla Inês sets. The mixing was made by the experienced Vitor Farias and mastering with Ricardo Garcia.
He was born "The Rhythm of Samba", which has only a "defect: it's too good to be so short. But considering the mishaps of an independent production, it is already enough to make the joy of a legion of admirers that only grows as Camilla Inês finds spaces to expose your music.
Rosualdo Rodrigues
Journalist
.jpg)
