Thursday, October 31, 2013

Paul Carlon ….

La Rumba is a Lovesome Thing - Tribute to Billy Strayhorn 
It's hard to measure in mere words the worth of an artist like Billy Strayhorn (1915 - 67). The music he gave to the world speaks so clearly and with such incredible musical imagination; so let me at least try to put into words what this project has meant to me. Taking on a Strayhorn tribute record is a pretty big mountain to climb; Billy's enormous importance to American music as a composer and profound integrity as a human being set the bar very high indeed as a model to aspire to. 

His body of work does not particularly need "reimagining"; the way he imagined it is, even this many decades on, about as good as it gets. I can only offer my restless mind as the motive for this 'Latin side of' tribute; and my curiosity, in wondering what the Ellington band might have sounded like had they all been born en la Havana. 

For this CD is also a tribute to the profound influence Latin America has had on me. The music of Brazil, Puerto Rico, Peru, Colombia, Argentina, and particularly Cuba, has mesmerized me over the last fifteen to twenty years. I feel I have still barely scratched the surface in understanding the beautiful intricacies of these magnificent musical cultures. 

The musicians on this album are all part of a New York City musical family. The core members of the group, known on previous releases as the Paul Carlon Octet, have been working together for, in most cases, ten years or more. In vocalist Christelle Durandy I have found the perfect foil for the colors and energy of the band. 

As to the special guests: Chembo Corniel and I met playing in Harvie S's band; I am lucky to have his experience and deep feel here. And equally lucky to have Benjamin Lapidus on board. I've learned an awful lot playing in Ben's group Sonido Isleño for the last ten years, so he was a natural fit for this project. Pedrito Martinez and I met around 1999 when we were both part of Juan Pablo Torres' concert at the Town Hall, Cuba Without Frontiers; we continued working together several years later in the Ileana Santamaría Orchestra. 

And the expertise of Obanilu Ire, who came on board on Christelle's recommendation, turned out to be a perfect fit as well. In the two years that have passed since I decided that a Strayhorn record would be this group's next recording project, we have gone through a very organic process of workshopping, rehearsing, and performing these songs live, adapting them to fit the unique personalities involved. I've spent many hours as well editing and rewriting them as they developed and as various aspects revealed themselves more fully. 


Music comes from the heart, and it is our great pleasure to share how we feel about Billy, from our hearts to yours, on this album. It is also my personal privilege to be recording and performing with such big-hearted human beings. Many thanks to Ben, Beaver, Chembo, Mark, Anton, Mike, Christelle, Pedrito, John, Dave, Alex, Obanilu, and Ryan. A very special thanks also to my wife Lavita for all her love and support.
Read more: http://www.zohomusic.com/cds_detail.php?cds_id=124

Monday, August 19, 2013

Music Reviews: Paul Carlon, The Jimmy Amadie Trio, and Bob Mover

By Jack Goodstein, BLOGCRITICS.ORG
Published 10:00 pm, Friday, August 16, 2013

Saxophonist Paul Carlon leads a varied assortment of musicians in a salute to the music of Duke Ellington stalwart Billy Strayhorn in this new album. Instead of a straightforward jazz approach, Carlon has a concept. In some sense, it is an analogue to what some stage directors feel they need to do when staging Shakespeare. Hamlet has been done so often, you can't just do it straight. How about setting it in a prison in Georgia?

Strayhorn's music, so iconic, is like a Shakespeare play. What, he asks, would Strayhorn's music sound like had he been born in Havana (a concept those of us in Western Pennsylvania might find less than thrilling)? This album is the answer-Strayhorn with a Cuban touch. Turns out that played straight or with Afro-Latin rhythms, Strayhorn's music (even some of the less well known tunes) is as good as it gets.

Of the 10 songs on the album, probably the best known is the classic "Take the A Train," here played in a Cuban 6/8 rhythm and featuring solos from Mike Fahie on trombone and Dave Ambrosio on acoustic bass. Christelle Durandy does vocal work on five tracks, including "Day Dream," "Passion Flower," and "A Flower is a Lovesome Thing." "Chelsea Bridge" gets some interesting solo work from trumpeter Alex Norris.

Read more: http://www.seattlepi.com/lifestyle/blogcritics/article/Music-Reviews-Paul-Carlon-The-Jimmy-Amadie-4740314.php