Tuesday, May 28, 2019

Catherine Russell

Friday, May 10, 2019

Catherine Russell

Tuesday, April 16, 2019

Catherine Russell’s album

Monday, March 11, 2019

Catherine Russell’s album “Alone Together”

Tuesday, March 7, 2017

Catherine Russell in Jazz Concert

Catherine Russell in Jazz Concert at Ritz Theatre and Museum in Jacksonville, FL March 10, 2017


Catherine Russell is a native New Yorker, born into musical royalty. Her father, the late Luis Russell, was born in Panama, emigrated to New Orleans and then New York City, becoming a legendary pianist/bandleader/arranger/composer and Louis Armstrong’s long-time collaborator and musical director. Her mother, Carline Ray, was a pioneering bassist/guitarist/vocalist and holder of advanced degrees from Julliard and Manhattan School of Music, who performed with international Sweethearts of Rhythm, Mary Lou Williams and Ruth Brown.

It is no surprise based on her pedigree, Catherine Russell is a one-of-a-kind musician and vocalist. A graduate of American Academy of Dramatic Arts, Catherine toured the world, performing and recording with David Bowie, Steely Dan, Cyndi Lauper, Jackson Browne, Michael Feinstein, Levon Helm, Paul Simon and many others.

In 2012, Catherine Russell won a Grammy Award for her appearance as a featured artist on the soundtrack for the HBO TV series Boardwalk Empire. Her sixth album, Harlem on My Mind, was released in September 2016, on the Jazz Village label and received a Grammy Nomination for Best Jazz Vocal Album. 

Tickets are on sale now and are available at the Tom Bush Family of Dealerships Box Offices located at the Ritz Theatre and Museum and the Veterans Memorial Arena, all Ticketmaster outlets, Sun City Events & Entertainment offices, charge online at www.ticketmaster.com.

Friday, September 16, 2016

#CatherineRussell 's latest release

Tuesday, April 5, 2016

Catherine Russell: Sunny Side of the Street

Friday, April 15

Join vocalist extraordinaire Catherine Russell for an historic walk on the “Sunny Side of the Street” in her long-awaited return to The Appel Room. For the occasion, Russell partners with vocalists Carolyn Leonhart (who has worked with groups as diverse as Steely Dan and Wax Poetic) and La Tanya Hall (associated with Bobby McFerrin, Michael Feinstein, and more).

The talented trio reunites for the first time since their time together on Steely Dan’s 2013 tour to perform Sy Oliver’s own re-arrangements of his most famous tunes, originally written for male vocal trios. These arrangements were lovingly reworked by Oliver himself for a female vocal trio of Catherine Russell, her late mother, Carline Ray, and Oliver’s late wife, Lillian Clark.

The updated music, including songs like “Ain’t She Sweet,” “Cheatin' on Me,” and “Opus One,” was performed only once by the original trio. Russell's all-star ensemble joins the show, featuring guitarist Matt Munisteri, pianist Mark Shane, bassist Tal Ronen, drummer Mark McLean, trumpeter Jon-Erik Kellso, trombonist John Allred, and Evan Arntzen on reeds. Tonight, you will experience this rare personal treasure of re-crafted classics, continuing a musical legacy intimately connected to both the arranger and Russell’s own personal heritage.

from: http://www.jazz.org/events/t-4188/Catherine-Russell-Sunny-Side-of-the-Street/

Thursday, March 17, 2016

Catherine Russell: Sunny Side of the Street

jazz at lincoln center orchestra

Friday, April 15

Join vocalist extraordinaire Catherine Russell for an historic walk on the “Sunny Side of the Street” in her long-awaited return to The Appel Room. For the occasion, Russell partners with vocalists Carolyn Leonhart (who has worked with groups as diverse as Steely Dan and Wax Poetic) and La Tanya Hall (associated with Bobby McFerrin, Michael Feinstein, and more). The talented trio reunites for the first time since their time together on Steely Dan’s 2013 tour to perform Sy Oliver’s own re-arrangements of his most famous tunes, originally written for male vocal trios.

These arrangements were lovingly reworked by Oliver himself for a female vocal trio of Catherine Russell, her late mother, Carline Ray, and Oliver’s late wife, Lillian Clark. The updated music, including songs like “Ain’t She Sweet,” “You’re Cheating on Me,” and “Opus One,” was performed only once by the original trio. Russell's all-star ensemble joins the show, featuring guitarist Matt Munisteri, pianist Mark Shane, bassist Tal Ronen, drummer Mark McLean, trumpeter Jon-Erik Kellso, trombonist John Allred, and Evan Arntzen on reeds. Tonight, you will experience this rare personal treasure of re-crafted classics, continuing a musical legacy intimately connected to both the arranger and Russell’s own personal heritage.

Tuesday, October 2, 2012

Catherine Russell, Virginia Mayhew On JazzSet

Photo: Margot Schulman/courtesy of the Kennedy Center

Listen to > LINK: http://www.npr.org/2012/09/27/130863665/catherine-russell-virginia-mayhew-on-jazzset


Catherine Russell is a lady born to music. Her father, Luis Russell (1902-63), was Louis Armstrong's orchestra leader beginning in the mid-1930s. Her mother, Carline Ray, is a bassist, singer, great all-around musician and a member of the International Sweethearts of Rhythm, the 1940s all-woman band that swung as hard as the men. "This Daughter of Jazz Is One Cool Cat," reads the headline of Nat Hentoff's profile for The Wall Street Journal.
Catherine brought it all to the Kennedy Center's 2010 Mary Lou Williams Women in Jazz Festival: a classic voice, in-the-pocket delivery and old songs including two by Mary Lou Williams herself. (Catherine's mother worked in Williams' band.)
In "We the People," lyricist Andy Razaf (1895-1973) speaks for voters: "We don't give a rap about tax-a-tion, long as legislators give the na-tion syn-co-pa-tion." "My Man's an Undertaker" was recorded by the Queen,Dinah Washington (1924-63). "Quiet Whiskey," from Wynonie Harris (1915-69), is the story of a bottle on the shelf. From the preamble, the story is told: "Things were fine 'til they took you down, opened you up and passed you around."
After Virginia Mayhew moved from San Francisco to New York in 1987, she won the Zoot Sims Scholarship at The New School, where, in her words, "I got to meet and study with the living legends of my record collection." She's been a busy saxophonist ever since. Among other gigs, she musically directs the Duke Ellington Legacy group led by Duke's grandson, Edward Kennedy Ellington II, whom she met in karate class. Mayhew has a black belt; she has stamina. The Kennedy Center and the U.S. Dept. of State twice sent her abroad as an official Jazz Ambassador, first to the former Soviet states and then to Southeast Asia.
For this set, Mayhew transcribed recordings in the Mary Lou Williamscollection at the Institute of Jazz Studies, Rutgers University in Newark, N.J. The research put Mayhew on the course for a new project, "Mary Lou Williams: The Next Hundred Years," from Virginia Mayhew.
Personnel: Virginia Mayhew, saxophone; Kenny Wessel, guitar; Harvie S, bass; Vince Ector, drums.
Credits
Thanks to Father Peter O'Brien and the Mary Lou Williams Foundation. The artistic director of the Mary Lou Williams Women in Jazz Festival at the John F. Kennedy Center for the Performing Arts in Washington, D.C., is Dr. Billy Taylor. Remixed in Surround Sound by Duke Markos.
http://www.npr.org/2012/09/27/130863665/catherine-russell-virginia-mayhew-on-jazzset

Sunday, March 25, 2012

Catherine Russell at Jazz at Lincoln Center

New York native vocalist Catherine Russell, will be the final performance of the 2011-12 season Jazz at Lincoln Center'sSingers Over Manhattan series in The Allen Room, March 30-31, 2012 at 7:30pm & 9:30pm. Born of music royalty, her father, Luis Russell, was Louis Armstrong's long time musical director and her mother, Carline Ray, performed with Mary Lou Williams andInternational Sweethearts of Rhythm. In 2006 her hit debut album Cat, paved the way for headlining jazz festivals and opening for music legends like Steely Dan and Paul Simon. With her fourth and newest album Strictly Romancin' released on Valentine's Day and a recent GRAMMY® nomination, there is no stopping her.
Russell's repertoire will pay homage to her father and Louis Armstrong, incorporating a reinvention of jazz and swing collaborations with a ten piece orchestra including Jon Erik-Kellso(trumpet), John Allred (trombone), Andy Farber (saxophone, arranger), Dan Block (saxophone, clarinet), Matt Munisteri (guitar, banjo, Music Director), Mark Shane (piano), Lee Hudson (bass), and Mark McLean (drums). Pre-show music in the Atrium provided by Javier Nero.
For more information on the 2011-12 season, visit jalc.org. The Allen Room at Frederick P. Rose Hall, home of Jazz at Lincoln Center, is located on Broadway at 60th Street, New York, New York. Ticket prices for The Allen Room are $65 for the 7:30pm sets and $55 for the 9:30pm sets.
All tickets can be purchased through jalc.org or CenterCharge at 212-721-6500, open daily from 10am to 9pm. Tickets can also be purchased at the Jazz at Lincoln Center Box Office, located on Broadway at 60th Street, ground floor. Box Office hours: Monday-Saturday from 10am to 6pm (or 30 minutes past curtain) and Sunday from noon to 6pm (or 30 minutes past curtain).
Sponsorship:
Jazz at Lincoln Center proudly acknowledges its major corporate partners: Bloomberg, Brooks Brothers, Centric, The Coca-Cola Company, Con Edison, Entergy, HSBC, Related, SiriusXM. Hot Seats is supported, in part, by public funds from the New York City Department of Cultural Affairs, in partnership with the City Council. MasterCard is the preferred card of Jazz at Lincoln Center.
http://www.allaboutjazz.com/php/news.php?id=95747


CD entitled Strictly Romancin'. Release date_Feb 14, 2012.
http://www.catherinerussell.net Catherine talks about her influences for this 14 song recording, her 4th for Harmonia Mundi's World Village label. Musicians include musical director, arranger, and guitarist/banjoist Matt Munisteri, pianist Mark Shane, bassist Lee Hudson, drummer Mark McLean. Horn section includes tenor saxophonist and arranger Andy Farber, trombonist John Allred, Jon-Erik Kellso who plays trumpet and arranged the horns on the Ellington classic "I'm Checkin' Out, Goom'bye", Dan block on alto sax/clarinet and special guests Joe Barbato on accordion, Aaron Weinstein on violin and Carline Ray sings a duet with Catherine on the Sister Rosetta Tharpe and Marie Knight classic "He's All I Need". Produced by Paul Kahn. video production by Ruthie Ristich and Allison Lund, Somerville MA.

Tuesday, March 30, 2010

Catherine Russell’s musical prowess transcends genre....

Catherine Russell’s musical prowess transcends genre. Accordingly, Cat, Ms. Russell’s 2006 debut album, on Harmonia Mundi’s World Village imprint, showcases a mature, one of a kind, vocalist, who defies easy categorization. Her singing encompasses jazz balladry, bordello blues, dance hall swing, jump blues, country, pop, and soul. Catherine Russell embodies the deepest heart of American music in a single voice.

A native New Yorker, Catherine was born in 1956 with an enviable jazz pedigree. Her father, the late Luis Russell, was a pioneering pianist, composer, and bandleader who sat at the center of several of the seminal bands of 20th century American jazz and popular music. In 1935, Louis Armstrong, a fellow transplant from New Orleans to New York, named Luis Russell as his musical director and Russell's orchestra as his backing group. Catherine's mother, Carline Ray, is an outstanding bassist and vocalist and holder of advanced degrees from Julliard and Manhattan School of Music. Carline has performed with Mary Lou Williams and Wynton Marsalis.
Ms. Russell attended the High School of Music and Art and later graduated with honors from American Academy of Dramatic Arts. Professional singing opportunities soon beckoned. Catherine toured Europe singing gospel music with a group fronted by Carrie Smith including Catherine's mother Carline Ray on bass.
Returning to New York City, Catherine sang blues and soul with Jimmy Vivino's Little Big Band where she met Donald Fagen in the fall of 1989. Soon after, Catherine joined Donald Fagen, performing in the N.Y. Rock N Soul Revue, which also included Boz Skaggs, Michael McDonald, Phoebe Snow and Chuck Jackson. When Donald Fagen returned to Steely Dan for tours of the U.S. and Japan, Catherine Russell came along as a backing vocalist. Catherine's growing reputation as a versatile and expressive singer led to a call from Paul Simon and a month long run in 1992 at the Paramount Theater in New York. Every night Catherine had the thrill to step out on a vocal duet with Paul Simon along with gospel legends The Mighty Clouds of Joy on "Slip Slidin' Away".
Today, Catherine Russell lives in Manhattan, her apartment walls adorned with the gold and platinum records on which she appears. She toured the globe with David Bowie as a vocalist and multiinstrumentalist on the hugely successful and critically acclaimed “A Reality Tour”, which earned the 1 top-grossing tour for the first half of 2004, according to Billboard. In addition, Ms. Russell has performed or recorded with a dizzyingly impressive array of trend setting artists, including Jackson Browne, Rosanne Cash, Cyndi Lauper, Joan Osborne, Michael Feinstein, Madonna, Al Green, J. Geils Band, Dolly Parton, and Isaac Hayes, among others. Catherine has also joined the faculty as Associate Professor of Voice at Berklee College of Music in Boston.

Catherine Russell is that rarest of entities – a genuine jazz and blues singer – who can sing virtually anything. Her voice is full blown feminity incarnate; a dusky, stalwart and soulful instrument that radiates interpretive power yet remains touchingly vulnerable. She launches fearlessly into each tune, getting inside the melody and capturing every emotion. Whether she’s shimmying through a barrelhouse stomper, channeling fifties R&B, dragging her weary heart through a torchy juke joint number, or kicking up her heels honky tonk style, Ms. Russell can stand comparison to her greatest forebears. As Grammy Award winning Jazz historian, Phil Schaap, crows in his liner notes, Sarah Vaughan, Bessie Smith, Ella Fitzgerald and Billie Holiday finally have a worthy descendant.

Program:
10 abr 2010 21:00 - Mohonk Mountain House New Paltz, New York
12 abr 2010 19:30 - Sing Into Spring Festival at Dizzy’s Club Coca-Cola New York, New York
15 abr 2010 20:00 - Scullers Jazz Club Boston, Massachusetts
16 abr 2010 20:00 - Narrows Center for The Arts Fall River, Massachusetts
6 mai 2010 19:30 - The Egg Center for Performing Arts Albany, New York
21 mai 2010 19:00 - Kennedy Center for The Performing Arts District of Columbia, Washington DC
22 mai 2010 20:00 - Arden Club at Gild Hall Arden, Delaware
27 mai 2010 18:30 - Riverwalk Jazz at Pearl Stable San Antonio, Texas
24 jun 2010 20:00 - JazzAscona Ascona, Switzerland

Influenes:
Momma said there are only two kinds of music...GOOD and BAD...that about sums it up for me. My influences range from Etta James to Beatles to Bob Dylan...Louis Armstrong to Louis Jordan to my dad Luis Russell. Just finished listening to Astor Piazolla w/Kronos Quartet! Bach, Bernstein, Handel, Ravel, Ellington, Gershwin...and of course Garcia/Hunter!!! I love opera, gospel, early music on traditional instruments, Irish and American string band music, Dirty Dozen Brass Band. Voices I love (can't name them all)...Nancy Wilson, Abbey Lincoln, Ruth Brown, Jackson Browne, Elvis Costello, Bobby Womack, Curtis Mayfield, Marvin Gaye, Frank Sinatra, Peggy Lee, Michael Feinstein, Al Green, Levon Helm, Oumou Sangare, Habib Koite, David Byrne, David Bowie, Willie Nelson, James Brown, George Jones, Patsy Cline, Stanley Brothers, Charlie Rich. I've saved most of my concert ticket stubs from the days when concerts were anywhere from $1 to $5...ah those were the days! But these are the days too...and I must say THIS! I'm blessed with the best friends anyone could have!!!
http://www.myspace.com/catrussell



Bessie Smith tune featuring Catherine Russell on vocals, Matt Munisteri on guitar, Howard Johnson on tuba, and Mark Shane on piano. From the album "Sentimental Streak" (World Village) - video by Anthony Pepitone at Joe's Pub in NYC 2-27-08.