Music is created "in the dynamic plane of the present." - #AaronGoldberg #jazzquotes #jazz #piano #jazzpiano— Jazz Standard (@JazzStandardNYC) September 9, 2016
Monday, September 12, 2016
#AaronGoldberg
Posted by jazzofilo at Monday, September 12, 2016 0 comments
Labels: Aaron Goldberg
#AaronGoldberg Trio on ...
#caught Aaron Goldberg Trio on our stage #lastnight . thanks to toby_mh for capturing this… https://t.co/ilfpSdj3Jl— Jazz Standard (@JazzStandardNYC) September 11, 2016
Posted by jazzofilo at Monday, September 12, 2016 0 comments
Labels: Aaron Goldberg
Friday, May 20, 2016
Common Ground (Zach Brock)
Published on Feb 1, 2013
Zach Brock Quartet featuring Aaron Goldberg, Matt Penman, and Eric Harland, 12/11/12, NYC
Posted by jazzofilo at Friday, May 20, 2016 0 comments
Labels: Aaron Goldberg, Eric Harland, Matt Penman, Zach Brock
Tuesday, February 3, 2015
Aaron Goldberg, The Now, album review
Jazz musician Aaron Goldberg Photo: aarongoldberg.c
By Ivan Hewett, Jazz Critic11:20AM GMT 03 Feb 2015
Aaron Goldberg is one of that younger generation of super-aware and self-conscious American jazz pianists. They’re terribly serious, and tend to harp on about things we know already, such as the fact that jazz "lives in the moment". They know the tradition inside out, but can’t help coming at it from a distance because they know so many other things too.
The PR blurb tells us Goldberg graduated from Harvard, "with a focus on Mind, Brain and Behaviour". There are signs Goldberg knows the tougher end of classical music as well, such as the strict canon he inserts in Parker’s Perhaps. When he takes a familiar chord-change pattern, like the one from Joe Henderson’s Serenity, he cuts one bar from it just to keep us on our toes, and makes a whole new number out of it.
So for all Goldberg’s stated emphasis on ‘risk’ this is a very polished album, divided between his own compositions, a few jazz standards, and some delightful reworkings of Brazilian songs. The best of these is Chico Buarque’s gently sad Trocando Em Miudos Buarque, which Goldberg makes into something interestingly dark. Like everything on the disc it shows a fleet quality which goes beyond a delicate touch, though Goldberg has that too. It's a speed of both finger and brain, which in Warne Marsh’s Background Music in particular is astounding.
read more: http://news360.com/digestarticle/zHsPT5Xoe0Wl4ApRn1WYwQ
Posted by jazzofilo at Tuesday, February 03, 2015 0 comments
Labels: Aaron Goldberg
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