In Praise of Steve Allen

Reprinted from http://jazzwax.com

Despite living with television sets for nearly 65 years, most of us dread being in front of a camera. We love criticizing people on TV but wouldn't dream of switching places with them. Those who have been interviewed on national TV know what a jarring experience it is. Much prep work is required to keep from forgetting what you want to say or sounding like an idiot. [Pictured above and throughout: Steve Allen]

Our TV phobia is warranted. No other medium exposes liars, frauds and fools faster, which is why we admire those who are smooth and likable on the screen. The truth is the likable part is a lot harder than the smart stuff. To be likable, you need natural confidence, a take-charge demeanor, fluid body language and just the right amount of self-deprecation.

Today's news and talk shows feature seasoned on-camera talent with a few of these qualities. And yet none comes close to the ease and charm of Steve Allen—who began his long TV career in 1949, revolutionized the medium and died in 2000. Allen has always been a target of baby boomer derision, particularly among jazz fans. Many view him as a slick and smarmy, glossy-talking corporate type who chose to play cocktail jazz while Jack Kerouac read [pictured above], was a bit casual with Count Basie and didn't quite know what to make of Bill Evans in July 1969.

To be sure, Allen's personality could be large, but much of the Allen animosity seems unfair. In addition to being cozy on camera, Allen had a fast unscripted wit; wrote dozens of books; could play respectable piano, vibes and trumpet; was a prolific songwriter; was a solid actor; could sing; knew pop and jazz inside and out; and was genuinely funny—apply humor in a way that appealed to both highly educated and working-class audiences. He was too tall for most of his wedding-cake guests—forcing him to lean sideways to reduce his towering height. And he was much brighter than those stars, many of whom seemed helpless without a script or instrument. But Allen knew all of this and eventually backed off to let his guests shine, instinctively aware that he wasn't the reason viewers tuned in. 

Think of your favorite TV personality today and compare him or her to Allen on the following clips. When you do, you'll likely see him in a different light. Despite all of his talents, Allen always played the gifted amateur—fully cognizant of his role to bridge the space between the stage and the seats. He also knew there was a fine line between impressing TV audiences and rubbing it in. Let's not forget that much of what Allen invented on TV—man-on-the-street interviews, skits and conversational banter—is still in use today.

Perhaps the secret of Allen's enduring appeal was keeping his ego on a short leash and remaining cheery in a commanding sort of way. There was something purely American about him—optimistic, entrepreneurial and eager to learn after leaping. He was obviously the brightest guy in the room but never became a know-it-all—a difficult feat to pull off.

Today's on-air talent would do themselves a world of good watching hours of Steve Allen—a relaxed host who could think on his feet and used his intellect to make the viewer feel good. 

Here's Allen in action in what must be the longest dolly shot in TV history (thanks to Jim Eigo for sending it along)...

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Used with permission by Marc Myers

Ralph Earl Sutton....

Ralph Earl Sutton was an outstanding pianist in the great tradition of Harlem stride giants James P. Johnson and Fats Waller.

Ralph Sutton was born in Hamburg, Missouri on November 4th, 1922. His career got under way when he joined Jack Teagarden in 1941 while he was still in college. During the '40s he attracted widespread attention, thanks to his participation in a series of radio shows hosted by jazz writer Rudi Blesh, This is Jazz. He had a trio with Albert Nicholas, and beginning in 1948 he worked eight years as intermission pianist at Eddie Condon's club in New York. Later he worked for Bob Scobey and, in 1963, was featured at the first Dick Gibson Jazz Party in Denver. This led to the formation of the World's Greatest Jazz Band in 1968, of which Sutton was a founding member.

Thereafter, Sutton's star rose. He recorded a series of albums and toured the world, solo and in a variety of settings. His musical partners in these ventures included Ruby Braff, Jay McShann, Kenny Davern, and Peanuts Hucko.
On TV, Ralph appeared on the Dick Cavett Show, the Ed Sullivan Show, the Tonight Show starring Johnny Carson, the Steve Allen Show, and the Today Show. He appeared at Town Hall and the 92nd Street Y in New York, the Boston Symphony Hall, and the Hollywood Bowl in Los Angeles. He recorded for Arbors, RCA Victor, Columbia, Verve, Decca, and Commodore, among others. In 1993, Ralph was inducted into the New Jersey Jazz Hall of Fame.
Ralph Sutton died in Evergreen, CO on December 30, 2001, at the age of 79.

Ralph Gleason wrote in the San Francisco Chronicle:
Ralph Earl Sutton is without a doubt the greatest exponent today of the two hands and ten fingers style of jazz piano playing...undoubtedly one of the best pianists in jazz today...he swings...tremendous personal beat and drive...Andre Previn once referred to Sutton as one of the few jazz pianists who had complete mastery of his instrument. Sutton plays with both hands and ten fingers, a full harmonic sense and a delightful wit in his solos. He can swing a band, too.

Stephen Singular wrote in the Denver Post:
...Sutton, a stubborn, dedicated perfectionist, committed to playing his own kind of piano, which is not just stride or ragtime, not just modern or traditional, not just solo or accompanist, but all those things and more.
http://www.riverwalkjazz.org/site/PageServer?pagename=profiles_sutton