Sunday, November 6, 2011

Jazz guitarist Kenny Burrell, at 80


Longtime Angeleno Kenny Burrell, who turned 80 this summer, has been recording as a jazz guitarist for six decades; he’s long been one of the masters of the instrument and is now one of the last links to jazz’s heroic age.
He speaks in an Arts & Books profile about his roots in Detroit, the meaning of the blues, his birthday concert at UCLA’s Royce Hall, his years at the university and his hopes for the future.
Burrell was shaped by hearing a number of important guitarists – the blazingly innovative Charlie Christian, the lush, chordal Oscar Moore – while very young, but also by the blues scene in his hometown and elsewhere; he often heard T-Bone Walker and John Lee Hooker while growing up.
But somehow, he says, “I was not influenced very much by guitar players.” His other main inspirations – “Parker, Miles, Lester Young” – were all horn players, and Burrell often plays a single-line, horn-like
He discusses his philosophy of music in the profile, his dedication to balancing head and heart and his reputation for disciplined improvisations. “When I first became aware of music and began listening to recordings, everything was three, four, five minutes – max. And I learned, great artists can say a lot in that time. I’ve got through a lot of generations of music. But I come from a generation for which performaces were not overly long.”
His latest album, “Tenderly,” is a concert for solo guitar recorded in Pasadena’s Boston Court. It includes standards like “Autumn Leaves,” a medley of songs associated with Billie Holiday, and a montage by Burrell’s hero, Duke Ellington. This is reflective, lyrical music, a long way from the soulful ‘60s Burrell of “Chitlins Con Carne,” but powerful in its own way.
And even today, 60 years after he began recording with Dizzy Gillespie, music remains mysterious to Burrell. “It goes into that part of us that’s the spirit. That’s what will speak to people really loud. That’s a combination of knowledge and feeling. And there’s a deeper thing that we don’t understand – that pulls our own knowledge and feelings together. If you’re lucky you can express that.”
-- Scott Timberg
Photo Credit: Katie Falkenberg / For The Times

Sunday, July 10, 2011

UCLA and Kenny Burrell: A Merger In Jazz Education

Ed Hamilton on the creation of a jazz studies department at UCLA

by Ed Hamilton
A musical merger of higher education has been established at one of the last major universities to include jazz into their curriculum—UCLA. The Jazz Studies Dept. under Director Dr. Kenny Burrell, The Herb Alpert School of Music and the Thelonious Monk Institute guided by Herbie Hancock, have all joined forces in providing not only jazz, but all around musical learning for all students seeking the realms of higher educational degrees in music.

Jazz education was brought to UCLA when guitarist Kenny Burrell started teaching “Ellingtonia”, a class on Duke Ellington in 1978. “It was Thad Jones who turned my ear to the inner sound of Ellington; he was one of my heroes that really succeeded in the music business,” Burrell stated. “Number one, he is a jazz musician plus he is an African American, a citizen of the world, a role model, a great businessman.

He is American many times over.” He presented the idea to Dr. Claudia Mitchell Kernan, Director of the Center on Afro-American Studies. With this brainchild, Burrell taught for 18 years until UCLA created the Jazz Studies Department in 1996, and appointed him Director. By this time he was a world-renowned performer and recording artist, who had recorded for the Blue Note and Verve labels with John Coltrane, Jimmy Smith and Stanley Turrentine.

The creation of a Jazz Studies Department was a realization of a goal he set for himself while studying music in the ‘50’s. “When I was in college at Wayne State, I was disturbed by the fact that jazz was not getting legitimate attention like other forms of music,” he recalled. “I made a pledge to myself that if I ever had the chance, I would try to do something to help solve that problem.

The Jazz Studies Dept. would offer graduating musicians a diverse range of activities including careers and graduate studies in jazz performance, composition, arranging, research and teaching, as well as becoming a great musician.” Burrell went on to say that, “With Ellingtonia, I would not only be teaching the students about jazz, but giving them an example of a role model who they could learn lessons from even if they weren’t in music.”
Full on: http://jazztimes.com/articles/28034-ucla-and-kenny-burrell-a-merger-in-jazz-education