Wednesday, November 22, 2017

Marquis Hill, Rez Abbasi, Eric Alexander ...

photo: SARAH ESCARRAZ

By NATE CHINEN • NOV 13, 2017
Marquis Hill, “Coming Out Of The Universe”


Marquis Hill emerged as a clarion new voice on trumpet several years ago, and then proved himself a great bandleader besides, at the helm of a group he calls the Blacktet. Originally from Chicago and now an adopted New Yorker, Hill has just announced a new EP, Meditation Tape, due out on Dec. 1. Featuring regular partners like drummer Makaya McCraven and bassist Junius Paul, the new music coasts on a cosmic-Afrocentric plane. Consider the lead single, which premieres here — a blissed-out groove odyssey that turns out to be the framework for some wisdom from an elder, the drummer Marvin “Bugalu” Smith. “I believe that the universe is reading your emotional content, and it responds to that,” he says. “The universe and us are the same.”

read more at: http://wbgo.org/post/universal-truths-and-heated-dialogue-marquis-hill-rez-abbasi-eric-alexander-more#stream/0

Wednesday, July 21, 2010

Guitarists Are Choice Picks at CareFusion Newport Jazz Festival....

CareFusion Newport Jazz Festival, Set for August 6 -8 in Newport, RI
Freelance Writer Eugene Holley, Jr. takes a look at a new generation of guitarists performing at CareFusion Newport Jazz Festival.
NEWPORT, RI - In Oklahoma in the 1930s, Charlie Christian plugged in, and was the first to swing the body electric. Half a world away, an inventive Belgian Gypsy with a battle-scarred hand named Django Reinhardt put his percussive, six-string citizenship on his axe. A couple of decades later, Wes Montgomery's thumb unfurled new chordal colors.

And today, Pat Metheny, John McLaughlin and Pat Martino - contrary to the manufacturers of those video games - are the real guitar heroes. Today, well into the change of the century, The CareFusion Newport Jazz Festival showcases Rez Abbasi and Julian Lage: a new generation of Rez Abbasi guitarists, who have mastered the plectral heritage of those aforementioned masters, while elaborating and expanding on jazz by adding Afro-Latin, classical and world genres into their mix.

Surprise is the modus operandi of the Pakistan-born/LA-raised guitarist Rez Abbasi (b. 1965). Under his control the guitar is a six-stringed, caravanserai where Asia and the Americas converge, under his impressive and inclusive improvisational imprimatur.

He came to New York in the 80s, armed with a soulful style that beautifully blended the best of Pat Metheny, Bill Frissell and Jim Hall, with a comprehensive knowledge of his ancestral homeland region's sub-continental syncopations and song forms, which are on ample display on his latest and sixth CD as a leader, Things to Come (Sunnyside), which, The New York Times wrote, "was a strong statement ... with a taste for fluid introspection and slippery fusions." And DownBeat included it in its Recordings of the Decade list.

When Abassi and his quicksilver quartet featuring Bill Ware on vibes, bassist Stephan Crump and drummer Eric McPherson takes the stage on Saturday, August 7, at Fort Adams State Park, you will hear a fantastic fusion of East and West that points to the future, as it respects the past.

Bay Area-born Julian Lage (b. 1988) is a back-to-the-future phenom. He burst on the scene at the tender age of eight when he jammed with Santana and Pat Metheny as guitar prodigy, and Julian Lage (Photo Credit: Jimmy Katz) was the subject of an Oscar-nominated documentary, Jules at Eight in 1997, and worked with Gary Burton, Herbie Hancock, Taylor Eigsti and Bela Fleck.

Lage is something of a 21st century guitar polymath, in the sense that he applies his elegant, guitar lines, which unabashedly echoes the walking-on-eggshell solo simplicity of the great Ella Fitzgerald accompanist Joe Pass, in a number of intriguing musical contexts. There's ample aura evidence of Lage's all-world musicality on his major label debut, Sounding Point (Emarcy), which embraces Arabic modalities, Miles Davis, Neil Hefti and Elliot Smith.

In a review of Sounding Point, The Washington Post wrote that Lage is "... a jazz newcomer more interested in elegance than in flash, more interested in instrumental storytelling than in virtuosity," which will be confirmed when he takes the stage with his group on Saturday, August 7. It will be like watching the birth of a new star dawning in the jazz galaxy.

Also, check out Howard Alden's splendid, full-bodied tone that always effortlessly swings in-the-pocket, when he performs with George Wein's Newport All-Stars on Saturday, August 7, at Fort Adams State Park.

Sponsored by CareFusion, a leading medical device company, and produced by George Wein's New Festival Productions, LLC, the CareFusion Newport Jazz Festival takes over Newport, RI, August 6 - 8 at the International Tennis Hall of Fame at Newport Casino and Fort Adams State Park. The CareFusion Newport Jazz Festival features Herbie Hancock; Chick Corea Freedom Band with Kenny Garrett, Christian McBride & Roy Haynes; Ahmad Jamal; Wynton Marsalis Quintet with special guest Dave Brubeck; Chris Botti; Jamie Cullum; Maria Schneider Orchestra; Arturo O'Farrill and the Afro-Latin Jazz Orchestra with special guest Jon Faddis and many more.
For more information and the complete schedule, log on to http://www.newportjazzfest.net/.

Media Contact: Carolyn McClair/ (917) 686-0854 / Info@CarolynMcClairPR.com

Saturday, September 12, 2009

Album Review: Rez Abbasi's 'Things To Come'

Guitarist Rez Abbasi was born in Karachi, Pakistan, and grew up in California listening to rock music. Pianist Vijay Iyer and saxophonist Rudresh Mahanthappa, both of Indian heritage, join him on his latest album, Things To Come. The music fuses South Asian, rock, and jazz influences, and its extended, sinuous melodies swirl through vacillating rhythmic courses.

Throughout the recording, two qualities are present: capriciousness, resulting from abrupt structural shifts, and, an inviting and pleasing harmonic atmosphere. Gliding lines run headlong into rhythmically jagged brambles, and rock beats briefly disappear, to return soon after as tripping, uneven palpitations. The harmonic textures, on the other hand, tend to be sweeping and grand, and provide a sense of stability where the rhythms do not.
This harmonic stability frames the improvisations of Iyer and Mahanthrappa in a way that makes their playing, stunning as it is challenging, sound more initially alluring. Their solos dart agitatedly, but with slightly less of the sense of urgency and trepidation that often characterizes their own music. Abbasi’s playing is marked by a contrasting lyricism that falls more in line with the vocal style of his wife Kiran Ahwulia, featured on four of the tracks.

Highlights:
•”Dream Suite” – the opening track of the album, this piece sets the capricious tone of the album, filtering through different levels of intensity with each soloist, and alternating between a driving, off-kilter rock beat, and intermissions of craggy rhythmic breaks. The song climaxes with a solo by Mahanthrappa, in which he at times adopts the nasal timbre of a traditional Indian shenai, and erupts into frenzied flares.

•”Things To Come” – a duet between Abbasi and Ahwhulia, this short piece is haunting and beautiful. It blossoms while tethered to a drone, and provides a respite from the rhythmic propulsion in the other tracks.
•”Realities of Chromaticism” – unraveling gradually out of an angular sequence of chords, on this song drummer Dan Weiss flirts with the pulse for long periods, grasping it tightly and then abandoning it, and allowing it to morph into a blazing and angry clip, and then hammer away at one third of the implied tempo. The piece is mercurial and ominous, with hints of serenity scattered throughout, and colored with Mike Block’s cello.
Release Date:
August 25th, 2009 on Sunnyside Records

Personnel:
•Rez Abbasi – Guitars
•Rudresh Mahanthappa – Alto Saxophone
•Vijay Iyer – Piano
•Johannes Weidenmueller – Bass
•Dan Weiss – Drums
•Kiran Ahluwalia – Vocals
•Mike Block – Cello

Track List:
1.Dream Suite
2.Air Traffic
3.Hard Colors
4.Things To Come
5.Why Me Why Them
6.Within Sanity
7.Realities of Chromaticism
8.Insulin
http://jazz.about.com/od/2009releases/fr/RezAbassiThingstoCome.htm

Rez Abbasi's "You People"


Rez Abbasi' s trio playing 'You People" at the Cornelia St Cafe, NYC - May 19th, 2007Sam Barsh organ;
Dan Weiss drums.