A Woody Herman alumnus, John Vanore

"Vanore’s strong trumpet solo accentuates his pristine melodic sense, yet while the large ensemble’s response to his lines makes an immediate impact, guitarist Greg Kettinger’s pointed underpinning lines quietly make the sharpest, and most lingering, statement." —Aaron Cohen, Downbeat

"Ambitious writing and arranging for the 12-piece ensemble by Philly-based trumpeter, John Vanore. Hauntingly beautiful…well crafted…stirring orchestration…edgy…swinging." —Bill Milkowski, Jazz Times

“…their sheer excellence exemplifies creativity in compostion and craftsmanship in the art of arranging…this music is rooted in its heritage while boldly forward looking.” —Thomas Conrad, CD Review

A Woody Herman alumnus, John has a strong place in his heart for the power and energy that is part of being a big band. His passion for improvising draws him to the intimacy and interplay of the small group.

As a student of Dennis Sandole, composition and the development of a personal soloist identity were and remain the driving force in Vanore’s writing and playing. “Curosity” is more than an album title”, Vanore says. “It is my credo!” With hunger for knowledge and accomplishment that is un-relentless, it was decided to write for and create a “new” group, based on the concept of the intimacy of a small group with the fire power of a big band. (of course, the influence of being in Woody’s band). It was decided to call the group “Abstract Truth.”

While attending a summer program, while in college, directed by Oliver Nelson, John experienced the pivotal moment of his career—making the decision to pursue music. Nelson’s unique identity was inspirational.   Then, studies with Dennis Sandole forged and intensified the same type of identity thinking.

The phrase alone “abstract truth” is a great definition of how jazz exists. The abstract nature of sound, itself -- the honesty (truth) of the improviser. Composition and improvisation—their relationship for storytelling and shaping a landscape of sound are fundamental to the commitment to the development of the unique voice that is Äbstract Truth.

After Woody’s band, John became a mainstay in the trumpet sections for performers visiting Philadelphia–Tony Bennett, Mel Torme, Sammy Davis, Michel LeGrand, Louis Bellson, and others.  He has also recorded and produced for EMI, Wyndham Hill, Miramax and has received a Gold Record for his work with Atlantic Records.

Read more: http://www.johnvanore.net/press.html

"Curiosity" is the continued work of John Vanore and the band Abstract Truth....

"Curiosity" is the continued work of John Vanore and the band Abstract Truth. The concept is the intimacy of the small group backed by the explosive power of the big band. The compositions enable the featured artists to express themselves fully and the big band provides the emphasis for the theme of the composition. Vanore and Abstract Truth conjure up the energy of the legendary big bands, including Woody Herman's various Herds. What is different is the Miles Davis-like sensitivity to the melodies and solos. The expressiveness that Vanore injects into the solos gives the listener places to land between the energetic movements. Those places to land are wonderful islands of musicality.

The first track, "Curiosity" features Vanore on trumpet and tenor saxophonist, Mike Falcone as well as Joe Nero on drums. This track sets the structure and tone of the rest of the work. Frankly, I liked this form and the fact that the songs were not long rambling pieces but were executed to bring the message out, and take it home strongly and in a timely manner. Craig Thomas establishes the tempo and tone on acoustic bass in "Dream Dancing". The horns provide a chorus of voices for emphasis. Ron Thomas' piano work is commendable throughout the CD, but as a counterpoint to the soft tones of Craig's bass and Jose Vidal's trombone work to make this piece a small group success.

"Rude" gets funky and gives the horns something to blow about. Michael Mee on alto injects the raw energy into the composition. The opening notes of the melody of "Return" harkened back to the Miles Davis/Gil Evans collaborations. Ron Thomas holds your attention perfectly with his manipulation of this beautiful melody. You could lay back and listen to the two Thomases work this song all day.

Just when you settle into the warm embrace of "Return", the next track gives you a shot of adreniline to make sure you are listening. "Misdemeanor" is what the big band is all about, energy! Featured artist Michael Mee delivers a strong solo on alto sax. This song moves, fast and slow, but always moves. I loved the dynamics of this song, the speed stays in there even when the volume is down. George Barnett on French horn delivers a powerful solo full of energy, and yet subtle in the undertones of a French horn.

In "Simone" Vanore delivers the full promise of "Curiosity", excellent small group execution bolstered by the energy of his big band and complex textures of melody and dynamics. This composition is for me the highlight of the CD. Mike Falcone's solo is strong and accents the small group element and ties it nicely back to the big band environment.

"Origami" is an interesting little melody that lets the horns play a little bit. But just when you think you are done, and the CD is closing out, "Motion Potion" gets uncorked and the juices start flowing again. This piece is powerful, driving and has "Herd" written all over it. The intermingling of the horns at various changes, and with pulsing dynamics lead up to Thomas' piano work, taking on the role of melody and tempo driver. Listening to "Motion Potion" I was challenged to think of the last time I heard a big band format feature such individual excellence and ensemble precision. Not even Marsalis and the Lincoln Center Orchestra can claim this degree of freshness, skill and execution. It is totally refreshing to see the use of this format of Jazz music in the day and age of individuality and self expression. "Curiosity" is just that, its success is the success of the concept and the players working together. Chuck Vecoli JazzReview.com

JOHN VANORE & Abstract Truth/Curiosity: A very interesting old school cat that came up under Woody Herman, he’s adjusted to the new reality of our times and set out to make a small group sound like a big band. He’s succeeded on that score. With chops to spare, he turns in a solidly swinging set of originals that has you paying attention even though you probably come to this set as a clean slate. High octane, mainstream jazz that adds zip anytime you put it on, this is one of those uber cool diamond in the rough dates that jumps out at you (well, me) from the mail bag and demands attention. Groovy stuff throughout. - CHRIS SPECTOR MIDWESTRECORD.COM

Composer, bandleader and trumpeter John Vanore has created a unique ensemble, "Abstract Truth" with a forward looking mission. A woody Herman alumnus, Vanore has a strong place in his heart for the power and energy that is part of being in a big band. His passion for improvising draws him to the intimacy and interplay of the small group. Abstract Truth, as he calls his group in homage to Oliver Nelson, is the vehicle to realize the merging of those concepts. - Alonzo Weston ST. JOE PRESS

From Jim Eigo - Jazz Promo Services