Saturday, November 29, 2014
Jamie Saft, Steve Swallow and Bobby Previte - The New Standard
(RareNoiseRecords RNR 041. CD review by Andy Boeckstaens)
Keyboard player Jamie Saft is best known as a member of New York’s exploratory and experimental music scene; he appeared in London last year to mark the 60th birthday of John Zorn.
The New Standard demonstrates Saft’s ability to thrive in a conventional jazz setting. His long-term collaborator Bobby Previte is a versatile drummer who has worked with the likes of Tim Berne and Lew Soloff; and the legendary electric bassist Steve Swallow will need no introduction to most readers. What a great band it is!
The flavour of the session is revealed after the first few seconds. The opener, Clarissa, is a flowing swinger on which Saft’s thoughtful chording and imaginative right-hand flurries on piano bring to mind Horace Silver and Hampton Hawes. The other thing that strikes you is the gorgeous sound, which has a rare immediacy. Swallow always has a distinctive tone, but rarely has the gentle buzz of his bass sounded this warm. And Previte’s drums come across with astonishing presence.
The disc consists of ten original compositions: seven come from Saft’s pen; the others are credited to the trio. Most are straightforward blowing vehicles, ideal for the participants to stretch out and enjoy themselves. The leader says that the high level of improvisation “gives the album a special kind of magic”. Previte expands: “We did the entire record in three hours. Some tunes were completely improvised, some....brought in by Jamie...were sketches, really....we never ever talked about how to start or how to end”.
read more: http://news360.com/digestarticle/N3prRubNeEi0xOsHb5qlbQ
Posted by jazzofilo at Saturday, November 29, 2014 0 comments
Labels: Bobby Previte, Jamie Saft, Steve Swallow
Sunday, February 28, 2010
Bobby Previte Pan Atlantic
By Josef Woodard
Drummer/bandleader Bobby Previte has crossed between various scenes, from John Zorn’s Downtown NYC to Charlie Hunter’s jam-friendly world. With his latest album, Pan Atlantic (Palmetto Digital), Previte taps into his European connections, touching on Germany (saxophonist Wolfgang Puschnig), France (keyboardist Benoit Delbecq), Denmark (electric bassist Nils Davidsen) and Italy (trombonist Gianluca Petrella).
With the vibe-setting opener “Deep Lake,” which sets up a groove only to deconstruct it amidst Puschnig’s craggy bursts, Previte sets the stage of this project’s conceptual flavoring and mid-’70s Miles Davis atmosphere, which is more about stewing artfully than blowing mightily. Perhaps the most commanding voice in the band is that of young firebrand trombonist Petrella, one of the more skilled boundary-crossing jazz musicians around, whose handling of pure jazz, hip-hop/funk variations and the avant-garde bonds easily with Previte’s aesthetic. Petrella stretches out on “Stay on Path” and the aptly named tone poem “Question Mark,” while Delbecq issues muscular, harmonically tensed solos on “The Eternity Clause” and the title tune, tweaking the Rhodes sound into a Live/Evil-ish place. His solo Rhodes piece, “Veltin,” closes the album with an uncharacteristically stripped-down, benediction-like meditation.
All in all, Pan Atlantic is one of the more enticing and experimental of Previte’s recent musical adventures. The avant-jam-band and post-downtown schools go Euro, to provocative effect.
http://jazztimes.com/sections/albums/articles/25786-bobby-previte-pan-atlantic
Posted by jazzofilo at Sunday, February 28, 2010 0 comments
Labels: Bobby Previte
