Larry Coryell dies aged 73

[NEWS / PRESS RELEASE] ‘Godfather of Fusion’ Larry Coryell dies aged 73 https://t.co/q6giOwRmnW pic.twitter.com/L32bbbMucn

— JazzMusicArchives (@JazzMusicArch) 22 de fevereiro de 2017

Jazz Guitar Icon #LarryCoryell

RECORDING: Jazz Guitar Icon Larry Coryell to Release New Studio Album "Barefoot Man: Sanpak... https://t.co/89bPOxeYXT via @AllAboutJazz

— The Jazz Spotlight (@JazzSpotlight) October 7, 2016

#LarryCoryell - Dragon Gate

Larry Coryell - Dragon Gate (jazz guitar) https://t.co/zGepkfV1Va

— AddictedToJazz (@AddictedToJazz) August 20, 2016

Larry Coryell & Nate Najar in Concert

A staple on the music scene since the 1960s, guitarist Larry Coryell is one of the pioneers of jazz fusion. He brought what amounted to a nearly alien sensibility to jazz electric guitar playing, a hard-edged, cutting tone, phrasing and note-bending that owed as much to blues, rock and even country as it did to earlier, smoother bop influences.

Coryell has recorded more than 100 albums, including collaborations with Gary Burton, John McLaughlin, Charles Mingus, Herbie Mann, Sonny Rollins and dozens of other luminaries.

Nate Najar is one of the few contemporary musicians playing jazz on the classical guitar. His Candid Records release Blues For Night People - The Nate Najar Trio Remembers Charlie Byrd introduced him to the international stage, including performances at Ronnie Scott's Jazz Club and the 2013 London Jazz Festival.

Larry Coryell ....

“Larry Coryell is the most innovative guitarist since Charlie Christian.” – Whitney Balliett

As one of the pioneers of jazz-rock — perhaps the pioneer in the ears of some — Larry Coryell deserves a special place in the history books. He brought what amounted to a nearly alien sensibility to jazz electric guitar playing in the 1960s, a hard-edged, cutting tone, phrasing and note-bending that owed as much to blues, rock and even country as it did to earlier, smoother bop influences. Yet as a true eclectic, armed with a brilliant technique, he is comfortable in almost every style, covering almost every base from the most decibel-heavy, distortion-laden electric work to the most delicate, soothing, intricate lines on acoustic guitar. Unfortunately, a lot of his most crucial electric work from the ’60s and ’70s is missing on CD, tied up by the erratic reissue schemes of Vanguard, RCA and other labels, and by jazz-rock’s myopically low level of status in the CD era (although that mindset is slowly changing).

Born in Galveston, Texas on April 2, 1943 Coryell grew up in the Seattle, Washington area where his mother introduced him to the piano at the tender age of 4. He switched to guitar and played rock music while in his teens. He didn’t consider himself good enough to pursue a music career and studied journalism at The University of Washington while simultaneously taking private guitar lessons. By 1965 he had relocated to New York City and began taking classical guitar lessons which would figure prominently in later stages of his career. Although citing Chet Atkins and Chuck Berry as early influences he also took cues from jazzmen such as John Coltrane and Wes Montgomery. He was also inspired by the popular music of the day by the Beatles, The Byrds and Bob Dylan and worked diligently to meld both rock and jazz stylings into his technique.

This was reflected on his debut recording performance on drummer Chico Hamilton’s album ” The Dealer” where he sounded like chuck Berry at times with his almost distorted “fat” tone. Also in 1966 he formed a psychedelic band called The Free Spirits on which he also sang vocals, played the sitar and did most of the composing. Although conceptually the band’s music conformed to the psychedelic formula with titles like “Bad News Cat” and” I’m Gonna Be Free” it foreshadowed jazz rock with more complex soloing by Coryell and Sax/flute player Jim Pepper.

However, it wasn’t until three years later after apprenticing on albums by Vibraphonist Gary Burton and flutist Herbie Mann and gigging with the likes of Jack Bruce and others that Coryell established his multifarious musical voice, releasing two solo albums which mixed jazz, classical and rock ingredients. In late 1969 he recorded “Spaces”, the album for which he is most noted.

It was a guitar blow-out which also included John McLaughlin who was also sitting on the fence between rock and jazz at the time and the cogitative result formed what many aficionados consider to be the embryo from which the fusion jazz movement of the 1970s emerged. It contained insane tempos and fiery guitar exchanges which were often beyond category not to mention some innovating acoustic bass work by Miroslav Vitous and power drumming by Billy Cobham both of whom were to make contributions to Jazz rock throughout the `70s.

His career, however, began in era of guitar rock, where he was able to rise for a time with legends such as Jimi Hendrix, Carlos Santana, and Eric Clapton. As this era came to a close, his musical expression took him on a diverse journey, and though he did not receive the level of commercial fame the aformentioned musicians had, he was still able to make his mark in music by way of the jazz & fusion world. His music continues to influence musicians and fans internationally and will continue to do so for a very long time.

read more: http://www.intouchhome.com/artists/larry-coryell#.VL5iTMazf9t

Larry Coryell ...

“Larry Coryell is the most innovative guitarist since Charlie Christian.” 

– Whitney Balliett

As one of the pioneers of jazz-rock — perhaps the pioneer in the ears of some — Larry Coryell deserves a special place in the history books. He brought what amounted to a nearly alien sensibility to jazz electric guitar playing in the 1960s, a hard-edged, cutting tone, phrasing and note-bending that owed as much to blues, rock and even country as it did to earlier, smoother bop influences. Yet as a true eclectic, armed with a brilliant technique, he is comfortable in almost every style, covering almost every base from the most decibel-heavy, distortion-laden electric work to the most delicate, soothing, intricate lines on acoustic guitar. Unfortunately, a lot of his most crucial electric work from the ’60s and ’70s is missing on CD, tied up by the erratic reissue schemes of Vanguard, RCA and other labels, and by jazz-rock’s myopically low level of status in the CD era (although that mindset is slowly changing).

Born in Galveston, Texas on April 2, 1943 Coryell grew up in the Seattle, Washington area where his mother introduced him to the piano at the tender age of 4. He switched to guitar and played rock music while in his teens. He didn’t consider himself good enough to pursue a music career and studied journalism at The University of Washington while simultaneously taking private guitar lessons. By 1965 he had relocated to New York City and began taking classical guitar lessons which would figure prominently in later stages of his career. Although citing Chet Atkins and Chuck Berry as early influences he also took cues from jazzmen such as John Coltrane and Wes Montgomery. He was also inspired by the popular music of the day by the Beatles, The Byrds and Bob Dylan and worked diligently to meld both rock and jazz stylings into his technique.

This was reflected on his debut recording performance on drummer Chico Hamilton’s album ” The Dealer” where he sounded like chuck Berry at times with his almost distorted “fat” tone. Also in 1966 he formed a psychedelic band called The Free Spirits on which he also sang vocals, played the sitar and did most of the composing. Although conceptually the band’s music conformed to the psychedelic formula with titles like “Bad News Cat” and” I’m Gonna Be Free” it foreshadowed jazz rock with more complex soloing by Coryell and Sax/flute player Jim Pepper. However, it wasn’t until three years later after apprenticing on albums by Vibraphonist Gary Burton and flutist Herbie Mann and gigging with the likes of Jack Bruce and others that Coryell established his multifarious musical voice, releasing two solo albums which mixed jazz, classical and rock ingredients.

In late 1969 he recorded “Spaces”, the album for which he is most noted. It was a guitar blow-out which also included John McLaughlin who was also sitting on the fence between rock and jazz at the time and the cogitative result formed what many aficionados consider to be the embryo from which the fusion jazz movement of the 1970s emerged. It contained insane tempos and fiery guitar exchanges which were often beyond category not to mention some innovating acoustic bass work by Miroslav Vitous and power drumming by Billy Cobham both of whom were to make contributions to Jazz rock throughout the `70s.

His career, however, began in era of guitar rock, where he was able to rise for a time with legends such as Jimi Hendrix, Carlos Santana, and Eric Clapton. As this era came to a close, his musical expression took him on a diverse journey, and though he did not receive the level of commercial fame the aformentioned musicians had, he was still able to make his mark in music by way of the jazz & fusion world. His music continues to influence musicians and fans internationally and will continue to do so for a very long time.

read more: http://www.intouchhome.com/artists/larry-coryell#.VJSfmANAB

Larry arrived in New York City via Seattle in 1965....

LARRY CORYELL is one of the world's acknowledged guitar masters. He has recorded more than 75 albums over the past 40 years as a bandleader, soloist and 'featured accompanist'. Hailed by his legion of fans as one of "the guitar gods" in the late 1970s and as a "truly Renaissance musician who excels at all styles of playing", he has also been christened as "a true pioneer of rock-jazz fusion" by the New York Times, and dubbed "the Godfather of Fusion" by Dan Ouellette of Down Beat Magazine.

Born in Galveston, Texas, Larry tried his hand at a number of instruments before settling on the guitar. He credits Chet Atkins, Chuck Berry and (later on) Wes Montgomery, as his prime influences. Photo: Les Paul & Larry Coryell

Larry arrived in New York City via Seattle in 1965, and began honing his formidable instrumental skill as the basis for his musical expression. To master every aspect of the guitar, Larry also studied classical guitar with Leonid Bolotine. After developing the first incarnation of his virtuoso technique Larry played his "first big time job" with Killer Joe Piro. National recognition then came during his tenure with the Gary Burton Quartet in 1967.

The late 60s thru early 70s saw Larry as one of the most in-demand guitarists in Rock, Jazz and all musical genres. During that time Larry was part of Rock's experimentation, and toured with Jack Bruce, and was featured in sessions with Jimmy Webb, the 5th Dimension, Charles Mingus, Billy Cobham, Chick Corea and John McLaughlin. Through the albums produced during this period, Larry Coryell emerged as a profound music prophet who merged Rock, Jazz, Eastern modes and scales and free-form improv flashing Classical riffs.

In 1974 Larry formed The 11th House , the most popular and successful Fusion band of its time, which included his friend and colleague Randy Brecker. After The 11th House disbanded, Larry was signed by Clive Davis for Arista Records, where he made a series of solo albums, followed by a direct-to-disc recording with the Brecker Brothers.

Larry Coryell's recordings and live concert performances have run the gamut from clubs large and small, and concert venues large and small from the 1980s thru today. A regular headliner at the Blue Note and Iridium in New York City, Catalina's in L.A., Blues Alley in Washington DC and Ronnie Scott’s in London to Porgie & Bess’ in Vienna. Larry is also no stranger to the huge open-air music festivals in the FarEast, Europe, Brazil, even sell-out appearances at London's Barbican.

In 2007 The Hal Leonard Corporation released Larry’s Autobiography “Improvising, My Life In Music” and a retrospective print folio of Larry's own compositions, with works representing the full span of his 40 years-and-counting as a professional musician, composer and innovator. Going back to his former alma mater , the University of Washington, Larry has brought his knowledge and professional technique to top-level music students in recent years, adding to his stature as "one who can DO, as well as teach" already established by his 2 hard-cover books on the subject published by Miller- Freeman.

Larry has designed and is spokesman for his own professional line of guitars made by Cort. He also endorses Parker Guitars, Sibelius Music Software, DR Strings and the Henriksen “Jazz Amp”.

The most recent recordings Larry has done are available on Chesky Records (“Impressions”, “Traffic“ & “Electric“), Rhombus Records (“Laid Back & Blues” ), HighNote ("Cedars Of Avalon"), and Favored Nations("Tricycles").


Larry Coryell at Lakeland College in Kirtland, Ohio
February 23, 2007
Filmed by Historic Preservation Video.