Sunday, July 6, 2014

At first listen, what sets Jill Barber ....

At first listen, what sets Jill Barber apart is her distinctive voice. But it's her ability to write an immediately memorable song that has made her one of Canada's most recognizable artists.
 
 On Fool's Gold, her 6th studio album, Jill continues to explore different musical styles, from traditional country, to jazz and Motown, though she rarely works neatly within the confines of any one genre. Instead she writes in the spirit of the Brill Building era where hook and melody reigned.
 
 “I can't help but feel nostalgic for other eras of music. When I listen to Etta James, or Ray Charles or Carole King, I feel almost intoxicated. It stirs something in me. When I write my own music, my greatest hope is that it ends up becoming the perfect soundtrack to some great romance, or at the very least a great cocktail party.”
 
 Fool's Gold was produced in Toronto by Jill's longtime collaborators and bandmates Les Cooper (For All Time, Chances, Mischievous Moon) and Drew Jurecka (Chansons).
 
 "Nobody knows me better musically than Les and Drew. We've spent years living and breathing music in the studio, on the stage and on the back porch. We speak the same musical short-hand. But most importantly I trust them, I really trust them.”
 

 Much of the album was made at a distance, as Jill was spending some much-needed time at home in Vancouver with her husband CBC Radio personality Grant Lawrence and their newborn baby son Joshua. Many of the early demo recordings that were made for Fool's Gold feature a baby cooing in the background.
 
 “I won't try to kid you about how hard it is to be a new mother, and work at the same time. Time becomes the new economy. For that reason, much of the making of this record came down to instinct. If it felt right, we just went with it. No second-guessing. It's a good way to make music.”
 
 Jill's songs have always set a romantic mood, and on Fool's Gold, the romance is still very much alive, but she also introduces a new sexy Motown-inspired sound on the lead single “Broken for Good.”
 
 “What I love about Motown is that musically, it knows exactly how to deliver a message: with a strong backbeat, punctuated by horns, a driving bass line and an immediate pop appeal. It will ultimately get inside your soul but first it'll just make you want to move your body. I wanted to write some killer songs with this approach and give myself and my band a chance to rock a little.”

 "The Careless One” is a song born out of a collaboration with Nashville, TN-based Canadian musician Steve Dawson. Barber and Dawson combined forces with the CBC to pay tribute to the 60th Anniversary of the passing of Hank Williams with a concert of old time country music. During the process Jill was inspired by the often plaintive songs of heartache that define that musical landscape.
 
 “I dreamed up the kind of song that I could imagine Patsy Cline singing. One full of resignation and sorrow, but not bitterness. It hurts me to sing it, just a little. But that's how I know it is a keeper.”
 
 Jill Barber has become renowned for writing songs that evoke feelings of a bygone era. The songs on Fool's Gold are delivered by that distinct, evocative voice of an artist who has drawn inspiration from a cross section of musical genres. Regardless of Jill's influences, the one thing you are always assured of is that you know a Jill Barber song when you hear it, and chances are, you'll never forget it.

JUL
13th
2014
Québec, Québec
Festival d'été de Québec
JUL
26th
2014
Calgary, AB
The Calgary Folk Festival
July 24th-27th
AUG
8th
2014
Charlottetown, PE
Celebration Zone
SEP
22nd
2014
Ann Arbor, MI, US
The Ark
SEP
24th
2014
Cambridge, MA, US
Regattabar - The Charles Hotel
SEP
25th
2014
New York, NY, US
Joe's Pub

Friday, February 5, 2010

Canadian chanteuse Jill Barber....

If you believe they don’t write songs like they used to, here is new hope for old romantics. On her new album Chances, Canadian chanteuse Jill Barber picks up the torch where the golden age of music left off. Taking a giant step forward from the typical confines of the singer-songwriter , Jill delivers an album of ten original, fully orchestrated songs that strongly evoke – and could themselves become - classics. From the moment you hear her sultry voice on the opening title track, you are transported to another time and place. “The best songs ever written are the ones that somehow transcend time and fashion, “says Jill. ”They may be old, but they haven’t aged.

It is that timeless quality that I aspire to in my own songwriting. A seasoned performer with a growing fan base across North America and the UK, Jill gained acclaim as a 2008 double-Juno nominee and multiple East Coast Music Award winner for previous releases For All Time (2006) and Oh Heart (2004). In February 2008, Jill was given the extraordinary chance to perform in concert with Symphony Nova Scotia as part of its Pops Series. The results evoked the rich sounds of Patsy Cline, Edith Piaf and Etta James. It was clear that Jill, previously a self-proclaimed “smoky folkie”, had reached a new level. To recreate the magic of a live orchestra, Jill enlisted producer and long-time collaborator Les Cooper.

His gorgeous arrangements for a skilled backing band with a 10-piece string section were recorded live at The Glenn Gould Studio. Exquisite guest vocals by the Good Lovelies and The Sojourners and a special appearance by Ron Sexsmith contribute to a contemporary album of songs that capture the lush sounds of a bygone era. “Now I can finally claim to be making ‘popular music’. So what if it’s only what was popular 50 or 60 years ago,” says Jill, who composed many of the songs during an intensive three-week artist residency at The Banff Centre For the Arts. “They were kind enough to give me a studio space and leave me to my own devices. It gave me a chance to devote myself entirely to the writing process.” Also a first, Jill co-wrote a number of songs with producer Les Cooper and renowned singer-songwriter, Ron Sexsmith, who has also collaborated with Elvis Costello and Coldplay. “At first I was a little intimidated to work with Ron, but when we sat down to work, we had such a good time that I forgot what it was I was nervous about. We wrote five or six songs together in short order. Three of them appear on this album.” (“Chances,” “Old Flame,” and “One More Time”.)

Jill chose the album title Chances as befitting her approach to both music and matters of the heart. “ “Chances” is a love song, but it’s really about the mysterious role that chances play in our lives.” Recently, Jill took another chance and relocated from her adopted home of Halifax to Vancouver, as a result of the chance meeting that inspired the song. “I am drawn to write about love because it is a theme for the ages. Romance, on the other hand, seems to have gone out of style in much of modern music. I like to think of myself as a hopeful romantic, rather than a helpless one.”
http://www.jillbarber.com/


http://www.goear.com/listen/5184191/oh-my-my-jill-barber