06/28/14
Brad Farberman
Even the most singular art has precedents and inspirations. Case in point: the Steve Lehman Octet, which releases its sophomore album, Mise en Abîme, on June 24. Distinguished by abrasive horns, crooked drum grooves, spooky vibraphone and the leader’s sweet but unsettled alto saxophone, the eight-piece—trumpeter Jonathan Finlayson, trombonist Tim Albright, tuba player Jose Davila, tenor saxophonist Mark Shim, vibraphonist Chris Dingman, bassist Drew Gress, drummer Tyshawn Sorey and Lehman on alto and live electronics—makes fuzzy, funky music that seems to have dropped from outer space.
But three of the tunes on Abîme (Pi) are indebted to pianist Bud Powell, “Beyond All Limits” is partially inspired by the Woody Shaw song of the same name, yet another piece is dedicated to the African drummer Brice Wassy, and fastened to Lehman’s original composition “Chimera” is an arrangement of “Luchini,” by New York hip-hop group Camp Lo.
Though he only realized it after the fact, the leader borrowed this idea from one of his foremost influences. “I don’t even think about it, but when I do think about it, it’s very clear to me that that’s just something I just took for granted from all the Jackie McLean records where he has [vibraphonist] Bobby Hutcherson,” explains Lehman, 35, at his in-laws’ home in Hoboken. “And he’s actually the first one to really do that. He and [multireedist Eric] Dolphy used Bobby as the main chordal instrument.”
read more: http://jazztimes.com/articles/132169-steve-lehman-s-otherworldly-octet-music-stands-on-bop-tradition
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