"It turned up shoved into the back of an old Victrola record player cabinet along with a stack of other Blues records from the same time period," said long time Blues collector John Tefteller who purchased the record from "a local picker." Tefteller will make the songs available to the world again next year as part of his "Classic Blues Artwork From The 1920's" series of calendars which come with a free CD.
"The record is in decent shape with the only serious flaw being a small chip on the edge. It has seen its share of play on that old windup but still sounds great and it is an absolute two sided masterpiece," says Tefteller, who, since the mid-1970's, has been at the forefront of seeking out long missing Blues 78's and making them available to the public once again.
In addition to years of play and abuse, 80% or more were destroyed in the "scrap drives" of World War II, where the public was encouraged to turn in their old records to the government to be recycled as scrap for the war effort. (Masters of these recordings were also destroyed in the scrap drives.) To find any of them now is quite a challenge as many of them only exist in quantities of one to five copies. Some have yet to found at all. Eighty years later, the only way to hear these classic performances is to seek out a copy of the released RECORD and use modern technology to restore the sound to as listenable as possible.
J.D. Short was a hardcore Delta Blues musician born in Port Gibson, Mississippi in 1902. He made four two-sided 78's for the legendary Paramount record label of Port Washington, Wisconsin on June 1st, 1930. Until this discovery, only one of those four records was known to still exist - and only a single copy of that one exists as well -- also residing in Tefteller's collection. Short made another classic Blues record for Vocalion label, under the name of Jelly Jaw Short, as well as a few others for various labels in the 78 era. Short then briefly participated in the 1960's Blues Revival with songs released by Delmark Records of Chicago and Prestige/Bluesville of New Jersey, before his death in 1962 at the age of 60.
Peter Whelan, now retired former publisher of 78 Quarterly and a collector since the 1940's says it is "J.D. Short's best record! Tar Road Blues is intense and filled with unrelieved tension. Flagin' It To Georgia sneaks up on you, in the same way as Mattie Delaney's 'Tallahatchie River Blues,' which is considered by many to be the best female Blues record ever recorded."
Gayle Dean Wardlow, longtime Blues historian and author says, "This is best St. Louis record ever! Even though Short was born in Mississippi, he spent much of his life in the St. Louis area. He traveled to Paramount in Wisconsin to record and took fellow St. Louis Blues legend Henry Townsend with him. Paramount was the best place in the world to record because they were so casual and unhurried about it. You could relax, have a sip of whiskey and record at your leisure, without some New York producer telling you what to do and to get it done fast because a Country act is coming in to record next and they are waiting in the halls. I liked the Flagin' It To Georgia side best because it is so slow and intense. It doesn't matter what other labels any of these guys recorded on, they always did their very best when recording at Paramount."
Read more: http://www.tefteller.com
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