Jelell! This Wolof expression means something along the lines of “Take it!” or “Grab it!” or “Seize the moment,” but, like so many of the world’s great untranslatable words, carries a richer, deeper, contextual meaning. It’s that contextual core, that powerful frame of reference, that drives this album, Leni Stern’s 20th full-length release and her deepest foray into African music yet.
On Jelell (release date: Nov. 26th), German-born Berklee-educated guitarist and n’goni player Leni Stern’s African Trio is completed by world-renowned electric bassist Mamadou Ba, a pillar of the NY African music scene and long-time musical director for Harry Belafonte, and Alioune Faye, who lives in the Bronx but comes from a large Senegalese family of musicians. Also featured on the album, which was recorded in its entirety in Dakar, Senegal, is a sabar ensemble made up of Faye’s five percussionist brothers.
The complex but seemingly effortless rhythm patterns played out by this band of brothers provides the spine of the music, a polyrhythmic foundation stone from which Stern’s elegant, jazz-infused melodic improvisations can spring. This combination makes for a beat-heavy get-up-and-move album that is simultaneously profound and utterly danceable.
The complex but seemingly effortless rhythm patterns played out by this band of brothers provides the spine of the music, a polyrhythmic foundation stone from which Stern’s elegant, jazz-infused melodic improvisations can spring. This combination makes for a beat-heavy get-up-and-move album that is simultaneously profound and utterly danceable.
The songs on Jelell are topically diverse but all carry a fundamental theme of interconnectivity and the idea that life is, at its core, similar all around the world. Families, love, hunger, thirst, and even sport are touched upon and brought to life by the driving, rollicking rhythms of the band and Stern’s authentic, heartfelt songwriting, powerful vocals, and virtuosic playing.
“Baonaan” is a traditional rain invocation from Northern Senegal, given a contemporary, guitar-driven edge in this elegant reworking. Several years ago, during a period of painful and intense drought, Stern was invited by Baaba Maal to play a concert in the region to help raise awareness to the dire situation. “People were starving because all the livestock died. The rivers dried out and there were no fish.” She learned this song, which asks the Gods to send water, and made it her own, bringing in some English lyrics and her signature intricate guitar riffs. As of recently, the rains have, in fact, returned, but the region always remains at risk for further drought.
“Baonaan” is a traditional rain invocation from Northern Senegal, given a contemporary, guitar-driven edge in this elegant reworking. Several years ago, during a period of painful and intense drought, Stern was invited by Baaba Maal to play a concert in the region to help raise awareness to the dire situation. “People were starving because all the livestock died. The rivers dried out and there were no fish.” She learned this song, which asks the Gods to send water, and made it her own, bringing in some English lyrics and her signature intricate guitar riffs. As of recently, the rains have, in fact, returned, but the region always remains at risk for further drought.
Read more: https://www.storyamp.com/dispatch/1098dde56a57f835226e994bc46a0fc4
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