By Lou Fancher
Lamorinda is getting ready to bebop, boogie-woogie and blow once again, as the Orinda Jazz Festival bursts on the local music scene on Sept. 18, just one month after the first Moraga Jazz Festival.
In August, 400 jazz lovers packed into Moraga's New Rheem Theatre, raising support for Joplin, Miss. hurricane victims and for upgrades to the theater's sound system.
The hopes and expectations of Beau Behan and Carol Alban, co-founders of both festivals, also skyrocketed.
"Carol and I believe there is a tremendous following and support for jazz in the Lamorinda community, especially after the success of the Moraga Jazz Festival. We feel strongly that Orinda is prime for it," Behan said. The upcoming festival takes place at the Orinda Theatre.
Relying on the impeccable connections of Alban, a flutist who has appeared at Carnegie Hall and Lincoln Center, the Orinda Jazz Festival will showcase two-time Grammy winner Mads Tolling on the violin; Frank Martin, keyboardist for Sting and Al Jarreau, among others; and the entire George Cole Quintet with gypsy jazz guitarist Cole in the lead. Joining them will be Alban and other professional guest artists. In a special segment, titled "Community Showcase", winners of the Sept. 11 "Orinda Idol" contest and select local jazz students will appear.
indefinitely. Their success is based entirely on the generosity of committed volunteers and sponsors.
Behan and Alban, operating on limited timelines, are building a reputation for "flash festivals" while establishing traditions they hope will continue
"Without the tremendous support from these musicians and performers who are donating their time and energy on a pro bono basis ... we would not be able to launch it," Behan admitted.
Tolling, who performs with San Francisco's Turtle Island Quartet when not traveling the globe with his own quartet, didn't hesitate when Alban invited him to perform. With the victims of Hurricane Irene and the Orinda Arts Council lined up to receive most of the funds raised, Tolling said money that works itself into school music programs was the hook.
"It seems like in every place the music gets cut, so that's definitely a place I want to focus," he said. "We're also businessmen and women: if you just stay home, you're not networking."
Tolling spent his first 20 years growing up in Copenhagen, Denmark, tuning his ear to the Danish jazz-violin of Kristian Jørgensen.
"Lots of jazz, no fiddle music," Tolling explained, about his years before moving to the United States to study at Berklee College of Music in Boston. "I wasn't hip to the fiddle scene, but the jazz I could jump right in and play directly."
The ability to thrive in unfamiliar territory served Tolling well when he was invited to join Turtle Island in 2003. The quartet needed a violist, so the pioneering musician stashed his violin, auditioned, landed the gig, and crammed.
"I played six hours a day for two weeks, so it was a learning curve," he laughed.
With his own band, Tolling combines violin with the standard jazz combo of guitar, acoustic bass, and drums. He likens the sound to a combination of the Mahavishnu Orchestra -- known for their rich chords, diverse rhythms and rock elements -- and the note-dense fiddle style of Béla Fleck, an American banjo player.
"I'm writing beyond standards, exploring the possibilities of the guitar, writing through composed music, and combining different styles," he said.
Working with great musicians, Tolling found a correlation between his passion for sports and his music.
"I love tennis, soccer, basketball; the obvious link is that you're on a team," he exclaimed. "Especially in jazz, you're really riding on the other players."
"The Playmakers," Tolling's 2009 release, features bass legend Stanley Clarke, Yellowjackets founder Russell Ferrante and vibist Stefon Harris as guest artists.
"Everything sounds so good with great musicians," Tolling said. "It taught me not to overwrite and to let them come up with certain things themselves. I'm more controlling, usually, so that was a good stretch."
The two-hour concert in Orinda will offer another opportunity for flexibility. Tolling will bring "Danish Dessert," a piece he said is "not too hard" and one that will allow Alban and the other artists to "collaborate and expand."
Behan, convinced that music festivals are a powerful medium for bringing communities together to support a worthwhile cause with great entertainment, has only one stretch in mind -- reaching out to promote Lamorinda's booming appetite for jazz.
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