For some, jazz is a form of music defined by
innovation. It's a language of hybrid invention, about a relentless quest for a
new style, a new movement, a new expression. Alternately, there's a powerful
argument for jazz as a tradition: a language of core values, worthy of a
lifetime of respectful study, representative of a century of African-American
cultural achievement. As the prevailing aesthetic outlook has it, both are
equally valid; jazz is tradition and innovation, at once.
Over the last 30 years, it's hard to think of anyone
who embodies this duality better than composer and pianist Geri Allen. As often
as she's been lionized for the freshness of her playing, she's also been
admired for the respect she's shown for its living history. WBGO and NPR Music
featured the Geri Allen Trio in the Live at the Village Vanguard series
of live on-air radio/online video broadcasts on Wednesday, Sept. 7.
Sunday, September 11, 2011
Geri Allen Trio: Live At The Village Vanguard
Allen is known for her immense musical vocabulary. A
recent example: In 2010, she released two distinct albums.
One was the enveloping solo piano record Flying
Toward the Sound, a suite of original, somewhat abstract works
inspired by Herbie Hancock, McCoy Tyner and Cecil Taylor. The other was Geri
Allen and Timeline Live, a quartet recording with a new twist which
is actually an old one: One band member is a percussive tap dancer. Her bassist
for this trio hit, Kenny Davis, serves as lieutenant in several of her bands,
including Timeline. And drummer Jeff "Tain" Watts played with Allen
even before he played on breakout recordings with Wynton and Branford Marsalis.
Like many successful musicians from Detroit, Allen was
mentored by trumpeter Marcus Belgrave, and attended Cass Technical High School,
the city's magnet institution for performing arts.
She also did some study in Washington, D.C., and
Pittsburgh, but her career as a performer took off when she moved to New York.
That's where she began to attract the attention of peers and elders alike: Her
C.V. includes work with Ornette Coleman, Betty Carter, Paul Motian and Charlie
Haden, Charles Lloyd, Mary Wilson of The Supremes, members of the Black Rock
Coalition and many of the players who helped develop the M-Base philosophy.
Now 54, Allen has put together a discography nearing
20 records as a leader alone, and she is currently a professor at the
University of Michigan. But she still tours often, and the Village Vanguard is
a regular destination for her. She cut a live trio record there in December
1990, which means she's been playing the downtown Manhattan club for at least
20 years. http://www.npr.org/2011/08/31/140086797/geri-allen-trio-live-at-the-village-vanguard&sc=nl&cc=jn-20110911
Listen on: http://www.npr.org/2011/08/31/140086797/geri-allen-trio-live-at-the-village-vanguard
Posted by jazzofilo at Sunday, September 11, 2011
Labels: Geri Allen
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