Cesare Siepi Italian bass singer known for roles as Don Giovanni, Figaro

Siepi appeared in nearly 500 performances with the Metropolitan Opera. His interpretation of Mozart's rakish Don Giovanni was widely praised for its charm, wit and seductive power. The celebrated Italian bass singer who won over audiences worldwide in signature roles such as Don Giovanni and Figaro in “The Marriage of Figaro," has died. He was 87.

The opera singer died Monday at Piedmont Hospital in Atlanta, said his wife, Louellen. He had suffered a stroke about 10 days ago, she said.

Known for his warm and direct performance style, Siepi was a beloved staple at the Metropolitan Opera for almost 25 years, appearing in nearly 500 performances with the company. In addition, he was a regular at Covent Garden in London and the Vienna State Opera.

Siepi performed nearly all the major bass roles in the contemporary operatic repertoire. His interpretation of Mozart's rakish Don Giovanni was widely praised for its charm, wit and seductive power. His other signature roles included Philip II in “Don Carlo," Mephistopheles in “Faust" and Basilio in “The Barber of Seville." “I think he was one of the greatest basses of his time, if not the greatest," Martin Bernheimer, The Times' music critic from 1965 to 1996, said Monday. “He was never content just to sing, he created a character."

“He sings, easily and tastefully, with a type of voice that has virtually become extinct. He is a true basso," wrote Bernheimer in a review. “The tone is dark, smooth, rich, even, mellow. The production is steady. The range seems bottomless." Born Feb. 10, 1923, in Milan, Siepi was believed to be largely self-taught, though he reportedly spent time at the music conservatory in Milan. He made his debut in 1941 as Sparafucile in “Rigoletto" in Schio, Italy. During World War II, he fled to Switzerland because of his anti-fascist views, but returned to his homeland after the war to resume his operatic career.

During the late 1940s, he performed regularly at La Scala in Milan, where he sang in productions of “Aida," “Nabucco" and others. His association with La Scala would last his entire career.

Siepi's international career took off in 1950 when Rudolf Bing, the general manager of the Met, brought him to New York to perform in “Don Carlo." After that, there was hardly a season when he didn't perform with the company either at its home in New York or on tour.

In 1954, he made his debut with the San Francisco Opera as Padre Guardiano in “La Forza del Destino."
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