Published: October 18, 2009
R. Kelly was aiming to have a new album, “Untitled” (Jive), out by now. Its release has been postponed until Dec. 1, but the dates for his Ladies Make Some Noise! tour stayed fixed, and the delay of the record either freed or forced him to put more emphasis on his nonmusical life in his show at the WaMu Theater at Madison Square Garden on Friday.
Last year Mr. Kelly was acquitted of child pornography charges in Chicago. “I was kind of scared to bring it up,” he announced deep into the show, looking suddenly cautious, “but this is the first tour since my court case.”
He gathered some bravado. “They said, ‘Don’t bring it up.’ ” He swore. “I’m a grown man. I’m still here.”
Finally he was getting somewhere. Mr. Kelly had been running through medleys, something he has often done in the past; he roamed the stage with Andre Boykins, one of his longtime collaborators, leading the crowd in tag-team singalongs.
For a long while the show was calculated to impress upon the audience the volume of clever lyrics he has written, but without sustaining any particular cleverness. Though he was funny about once every five minutes, putting on operatic tones for nasty lyrics and dealing out lubricious parts of his repertory— “So Sexy,” “Hotel,” “I’m a Flirt,” “Freaky in the Club,” “Wonderful,” his new single “Number One” — the show was lordly and self-satisfied while proceeding in fragments. It was doing something new for R. Kelly: making him boring.
Complete on: http://www.nytimes.com/2009/10/19/arts/music/19kelly.html?_r=1&partner=rss&emc=rss
Monday, October 19, 2009
A Stream of Medleys, a Flash of Sincerity
Posted by jazzofilo at Monday, October 19, 2009
Labels: R. Kelly
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