The bands here was no different. Toninho Horta (From Ton To Tom), Toninho Horta & Joyce (Without You), Ivan Lins (Jobiniando - part), Echo & The Bunnymen (Other Tones), Marcos Resende (About Jobim And Other Masters - in part) is some cases. Could be more. If it were not for the difficulty and challenge that the music of Jobim requires. Do not just be just one disk of bossa nova. One has to add something, a new condiment, fertilizer, if only to change the font color, or at least, as the French say, a ton sur ton.
The popping of the revolution, 1964, Wanda Sá e Roberto Menescal did a remarkable disc of bossa-nova, vaguely - the natural acoustics of a studio kept the street noise was recorded on the records. Even in this climate, in December, the country was a boy in Buenos Aires, which, immediately, fell in love with our music - the other passion, Botafogo, would be obvious. Victor Biglione became one of the major and most original guitarists in Brazil. Refine your path because there is unnecessary here. Unless the fact of having participated in one of the productions CJUB in the old Mistura Fina, via David Benech. What comes to your case is the latest CD, A Guitar In Tom (Delira Music, 2009). Beside Barrozo Sergio (bass) and André Tandeta (drums), Biglione retouch - give retouches in - the music of Jobim.
When Nat Cole in 1937, with Oscar Moore and Wesley Prince, almost officially the formation of trio, jazz thanked. Since then, piano, bass and drums mark the format. The eventual replacement of the piano for the guitar is not so common. And so the initial idea of Biglione. "I changed some harmonies and pointed some melodic elements, but without falling into that thing too much of deconstruction. There was also the intention not to refer to old albums of Brazilian trios. "The flow of the battery, for example, there could be neither Edison Machado, neither Milton Banana, or Dom Um Romao. Nor could it.
The atmosphere of the work clearly brings a seasoned jazz. That was the difference in the performances of Biglione, Barrozo and Tandeta. "I can only wish that the work of listening is as enjoyable as you prá was for us to record this record," says Tandeta. The mere hearing of Ligia, which opens the CD, is more than enough to realize that the goals of the difficult mission were fully achieved. Tandeta a drummer is correct, sensitive, precise, leaving the two at will, safe. The same for the Barrozo - "Sergio was instrumental in bossa nova, he recorded with everyone. It is an anchor, important to achieve a result through the alley, but that does not fall in that thing rescue sounding old, "says Biglione.
In a guitar tone is nice and creative from start to finish. It has all the ingredients that make a hard final, binding. It is no coincidence that Biglione was thrilled with our incomparable critical LOC. It is no coincidence that the launch show at Sala Baden Powell was recorded and will soon appear on TV Brazil. It is no coincidence that the Delira is reviewing proposals for the issue in international markets. It is no coincidence that our Sazza confesses: "I think one of the best or the best tribute to our teacher in the form of sovereign trio. An passant, Pat Martino, in my opinion one of the biggest influences of Biglione, sign the CD with praise. Brazilian music thanks.
Uma Gitarra no Tom (One Guitar No Tom) - Delira Music, 2009
Victor Biglione - guitar, arrangements
Sergio Barrozo - bass
André Tandeta - drums
01. Ligia
02. Mojave
03. Vivo Sonhando
04. Fotografia
05. Água De Beber
06. Chovendo Na Roseira
07. Samba De Uma Nota Só
08. Look To The Sky – Olha Pro Céu
09. Só Danço Samba
10. Tema De Amor De Gabriela
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