Histories of Jazz.....

This I did not read in no book or reviewed specialized and well late caught the fact in a presented program of television of the night, I do not remember the channel, for the actress Irene Ravache, I go many years there. It was a program of done interviews it are of the country, and this especially dedicated to the culture of grapes and the manufacture of wines. I was not interested myself of beginning but, opening the program the actress informed that one of the biggest croppers of grapes in California had in its resume to have been musician of the orchestra of Glenn Miller. I waited anxious for this interview and of certain form I was rewarded. The musician was the trumpeter Lee Knowles of who never hears to speak but, for he saw of the doubts I was to confer in the Hot Discography de Charles Delaunay and there the metal section was its name integrating. Before entering in the subject wine, it came the question on the participation of the musician in the orchestra of Glenn Miller and what it could count to the viewers on the famous band. E Knowles said that although to have many histories, detached of the subject “In the mood”, of authorship of Ed Garland, one of the biggest successes of the band. It informed that after an exhausting night of assays, the tired musicians already had had that to return to the studio therefore they had fond the partitions of the original arrangement of the subject and Glenn Miller did not want to leave stops later.

They had seated in its chairs, they had opened the partitions and obeying the signal of the teacher they had executed the subject. Knowles clarified that nobody liked music. Some found it other discouraged ones for the fatigue repetitive opted to its exclusion of the repertoire but, Glenn Miller insisted on the assay of the subject, trying to liven up its friends. Until somebody suggested that they changed the end of the subject, inserting that sequência of trompetes. As in a magician pass the environment it moved. The musicians, mainly the trumpeters, had given everything and the subject was ready in few minutes. Thus, in first of August of 1939 the orchestra recorded that one that would be one of its bigger successes. They had touched in the writing of “In the mood”:
Clyde Hurley, Red McKinkle, Lee Knowles (tps)
Glenn Miller, Paul Tanner, Al Mastren (tbs)
Al Klink, Hal McIntyre, Tex Beneke, Wilbur Schwartz, Harold Tenison (sxs)
Chummy McGregor (p), Richard Fisher (g) - Rolly Bundock (b), Moe Purtill (dm)
http://www.charutojazz.blogspot.com/