BACK AFTER 60 YEARS ERROLL GARNER'S THE COMPLETE CONCERT BY THE SEA DEBUTS #1 ON BILLBOARD JAZZ CHART AND #93 ON BILLBOARD's TOP 200 CHART
"A REVELATION" - NEW YORK TIMES
"5 Stars!" - MOJO
"A MUSICAL PHENONMENON" - THE GUARDIAN
FEATURED ON THE ALBUM PRODUCED BY GERI ALLEN AND STEVE ROSENTHAL
ARE 11 PREVIOUSLY UNRELEASED TRACKS, BONUS ANNOUNCER COMMENTARY, NEVER-BEFORE-HEARD INTERVIEWS WITH THE GARNER TRIO IMMEDIATELY FOLLOWING THE CONCERT
Iconic Jazz artist Erroll Garner's greatest concert album was already one of the best selling jazz albums of all time. The newly expanded album, The Complete Concert By The Sea, released jointly by Sony Legacy and Octave Music Publishing Corporation on September 18, 2015 - in celebration of the concert's 60th anniversary, debuts at #1 on Billboard's Jazz chart and #93 on the Top 200 Chart. Now available on Amazon: http://smarturl.it/EG_TCCBTS_Amzn
The overwhelmingly impressive and widespread media response to The Complete Concert by the Sea marks a triumphant return and resurgence for the prodigy, once revered mainly by jazz enthusiasts and critics. The New York Times' Nate Chinen raved that the new version, "greatly expands and improves on the original album." And in his stellar review of the album for NPR's Fresh Air Kevin Whitehead enthused, "Erroll Garner is consistently resourceful, and he's relentless - the Terminator of jazz pianists." The Wall Street Journal's Marc Myers says The Complete Concert by the Sea "is a delight for jazz and pop fans." According to Michael Simmon's 5-star review in Mojo, "When it comes to pure virtuosity, even peers maintain Garner was paramount and this set presents the proof in the proverbial pudding."
After 60 years, Erroll Garner is now being recognized as not only a pioneer within the jazz community but an important composer whose brilliance influenced music history.
"I don't think I need to tell you how significant a figure Erroll Garner is in the history of American music," Grammy award-winning writer Dan Morgenstern notes. "His artistry transcended categories over four decades. Without ever saying a word or indulging in showbiz trimmings, he could just play the piano and hold thousands enraptured."
FOR FURTHER INFORMATION PLEASE CONTACT:
Legacy Recordings/Media RelationsGabby Gibb, Media Relations
212-833-4597 Gabby.Gibb@sonymusic.com www.legacyrecordings.com
Jim Merlis, Big Hassle Media
818-445-3136 Jim@bighassle.com www.bighassle.com
Erroll Garner Jazz ProjectJocelyn Arem, Erroll Garner Jazz Project Senior Producer and Strategic Consultant
jocelyn@errollgarner.com www.errollgarner.com
University of PittsburghSharon Blake, University of Pittsburgh News Services
412-624-4364 blake@pitt.edu http://www.music.pitt.edu/graduate/jazz-studies |
Tuesday, September 29, 2015
ERROLL GARNER ....
Posted by jazzofilo at Tuesday, September 29, 2015 0 comments
Monday, September 28, 2015
Randy Bernsen's New Release
The album (along with his other releases) is available via Pledge Music, at PledgeMusic.com/Projects/RandyBernsen. More information can be found at RandyBernsen.com.
Or, buy the CD at CDBaby : www.CDBaby.com/cd/randybernsen5
GRACE NOTES marks Bernsen’s return to working on a bigger canvas with another all-star cast, including Yellowjackets co-founders Jimmy Haslip and Russell Ferrante, drummers Erskine, Gary Novak and Virgil Donati, keyboardists Scott Kinsey, Mac Chew and Colin James, saxophonist Steve Tavaglione, percussionists Luis Conte, Archie Pena and blues harmonica ace Rockin’ Jake. Florida homeboys Othello Molineaux, Bobby Thomas Jr. and Julius Pastorius (Jaco’s son) also make special guest appearances on his 12th album as a leader.
Posted by jazzofilo at Monday, September 28, 2015 0 comments
Nat Adderley Jr., Longineu Parsons & Vincent Herring
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Labels: Longineu Parsons, Nat Adderley Jr., Vincent Herring
Jon Batiste
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Labels: Jon Batiste
John Coltrane Quartet My Favorite Things
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Labels: John Coltrane
Sunday, September 20, 2015
NJ JazzList
Profile: Composer/Pianist Jason Moran
NJJazzList.com adds News&Review
In the News: Jon Batiste - jazz for the Late Show
Destination NYC: Mezzrow
Chick Corea and Bela Fleck in Princeton
Top NYC Jazz Venues: We You Get There
This week, JazzList has a link to a nice article on NYC jazz venues you should know about (if you don't already). Also, the venues page at JazzList sorts venues by area code so you can find venues close to you or close to your destination. We've also reinstalled driving directions compliments of Google. Put in your starting address and we'll get you there.
» Read more
Posted by jazzofilo at Sunday, September 20, 2015 0 comments
Terri Lyne Carrington - Mosaic Project LOVE and SOUL
Release spotlights vocalists Oleta Adams, Natalie Cole, Paula Cole, Lalah Hathaway, Chaka Khan, Ledisi, Chanté Moore, Valerie Simpson, Nancy Wilson, Jaguar Wright and Lizz Wright
After receiving worldwide praise and a GRAMMY for Best Jazz Vocal Album for her 2011 disc, The Mosaic Project, drummer extraordinaire Terri Lyne Carrington releases its hotly anticipated follow-up, The Mosaic Project: LOVE and SOUL, on August 7, 2015 via Concord Records. (International release dates may vary)
Like its predecessor, The Mosaic Project: LOVE and SOUL presents Carrington leading a rotating cast of superb female instrumentalists and vocalists that includes Oleta Adams, Natalie Cole, Paula Cole, Lalah Hathaway, Chaka Khan, Chanté Moore, Valerie Simpson, Nancy Wilson, Jaguar Wright and Lizz Wright, as well as saxophonist Tia Fuller, trumpeter Ingrid Jensen; bassists Meshell Ndegoecello and Linda Oh; and keyboardists Geri Allen, Patrice Rushen and Rachel Z.
On The Mosaic Project: LOVE and SOUL, Carrington juxtaposes her salute to female artists by paying homage to various male artists who have either influenced her professionally and/or informed her musicality, such as Nick Ashford, George Duke, Duke Ellington, Frank Sinatra, Luther Vandross and Bill Withers. “Whenever I do something that celebrates women, I never want it to feel like it’s something that excludes men,” she explains. “On this record, I consciously wanted to celebrate the various relationships women have with men either through original songs of mine or cover songs by male composers and song writers.” The male presence and perspective on The Mosaic Project: LOVE and SOUL is even more realized by Billy Dee Williams, who contributes insightful spoken-word interludes through the disc.
Carrington’s musicianship has already catapulted her into the upper echelon of jazz artists of her generation. But on The Mosaic Project: LOVE and SOUL, her gifts as a producer, songwriter, and arranger emerge more to the fore with a collection of tunes that places a greater emphasis on her love for R&B. “When I grew up I wanted to be Diana Ross,” she says as she explains her wide musical influences that range from classic music and straight-ahead jazz to R&B and hip-hop. “I loved all forms of Black music and eventually started listening from a production standpoint, finding Missy Elliot, Q-Tip and Questlove to be some of my favorites.”
iTunes: http://smarturl.it/MosaicLoveSoul
Facebook: https://www.facebook.com/TerriLyneCarrington
Official website: http://www.terrilynecarrington.com/ GRAMMY...
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Labels: Terri Lyne Carrington
Bradenton Blues Festival 2015
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Matthew Shipp
In the shadow of Cecil Taylor and Keith Jarrett, he has played out his individuality through three decades. He can be described as a cross between the two giants, but he exceeds both, with its ownership of the blues and the free expression's inherent possibilities. - Arild R. Andersen,
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Labels: Matthew Shipp
New Smyrna Beach!
NEW SMYRNA BEACH JAZZ FESTIVAL
Flagler Avenue, Canal Street Historic District, 3rd Avenue, S. Atlantic
and The North Causeway
Danielle Eva Jazz Trio
Dave Capp Project w/ France Neil
Dave Sheffield Trio
Doug Spoonamore
Duplicity Duo
Eddie Marshall and Tropical Jazz
Greg Parnell Septet w/ Charlie Bertini & Bobby Pickwood
Gus Simms
Harry Rios Trio
Jacqueline Jones
Jaime Hollis
Jeff Rupert Band w/ Davonda Simmons
Kayonne Riley & the Downtown Quartet
La Lucha
Lawrence App Duo
Marc Clermont & Airtight
Monica da Silva and Chad Alger
Pat Gullotta and his Stompin’ Dixie Swampcats
Ray Guiser Quartet
Reeds & Strings
Rich Walker Sextet
Rob Whiting’s Jazz Express
Smokin’ Torpedoes
Stetson U. Jazz Ensemble with Linda Cole
Sybil Gage
Thin Film Magnetism
Thom Chambers
Posted by jazzofilo at Sunday, September 20, 2015 0 comments
Myriam Phiro
-John di Martino (piano)
-Vinny Raniolo (guitar)
-Elias Bailey (bass)
-Rob Garcia (drums)
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Labels: Myriam Phiro
14th Annual "A Great Night in Harlem"
Apollo Theater
253 West 125th Street, New York, NY (btw 7th & 8th Ave.)
This night will transport you with thrilling moments of music and real life stories of musicians saved by JFA. Our 2015 show will include...
The first annual Clark & Gwen Terry Award for Merry Clayton
Musical Director: Steve Jordan
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Celebrated banjoist Cynthia Sayer
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Labels: Cynthia Sayer
Chris Greene ....
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Labels: Chris Greene
Saturday, September 19, 2015
Cissa Paz - Album Release Concert
Special guests on the album include world famous violinist Nicolas Krassik, the voices of the traditional group "Jongo da Serrinha" and New York based percussionist Davi Vieira, former member of Forro in the Dark. Performing with Cissa at the release concert will be a band of world-class musicians including JP Silva on 7-string guitar and Bandolin, Cuban-Venezuelan pianist Cesar Orozco, Leonardo Lucini on Bass, Pablo Oliveira on Cavaco, Lucas Ashby on drums, Matvei Sigalov on violin and Fernando Saci on percussion. DC-based Renowned progressive hip-hop and beatbox artist Christylez Bacon will be making a special guest appearance. This will be the first performance of the full album.
Posted by jazzofilo at Saturday, September 19, 2015 0 comments
Labels: Cissa Paz
Preview: Helsinki We Jazz & Tampere Jazz
Off the coast of Helsinki, young drummer Sami Nummela played solo in an abandoned 19th-century Russian building on an off-limits military island – a typically dramatic setting for the We Jazz collective to unveil the programme for its third annual festival. The group often stages its events in offbeat settings around the city. The weeklong series (7-13 December) includes shows at an art-house cinema, pianist Joonas Haavisto’s 30-square-metre flat, the old wooden headquarters of a loudspeaker company and aboard a tram circuiting the city. Another is the cosy Sävy café in the bohemian Kallio district, where Nummela and trumpeter Verneri Pohjola (pictured right by Aga Tomaszek) played solo sets later in the launch evening.
At the coffee shop, both played sets that were distinctively Finnish – laconic and controlled, yet suffused with subtle humour and warmth. Pohjola, suffering from a severe backache, played seated, accompanied by looping and ambient electronics, channelling Frippertronics in a silent way, meditative and occasionally etched with pain.
Nummela then offered an unusual set of standards in which the notes played mostly in his head – and ours. Traffic passing by supplied added instrumentation to tunes by Ellington, Monk and similarly minimalist bop drummer Denzil Best. The rest was fill-in-the-blanks, but as a shared creative process, not a gimmick. As Keith Richards said in a recent interview: “It’s what you don’t play.”
The drummer returns to the same café on 9 December with his new Bowman Trio, this year’s We Jazz Rising Star. The band is inspired by imaginary explorer Johan Bowman, who (purportedly) carried Edmund Hillary to the top of Everest in 1953. The feat is recounted in his notebook, reproduced in the festival magazine, setting the bar rather high as an improvisational metaphor.
Another 50s cool jazz-styled band, Teddy’s West Coasters, plays two nights earlier at Helsinki’s original opera house, the gingerbread 1879 Alexander Theatre. The band, led by drummer Teppo Mäkynen, are on a bill with eccentric poet-vocalist M.A. Numminen and pianist Vijay Iyer, returning a few months after a profound Pori Jazz performance. He’s the festival’s only international headliner besides German multi-instrumentalist Gunter Hampel.
read more: http://www.jazzjournal.co.uk/jazz-latest-news/967/preview-helsinki-we-jazz-amp-tampere-jazz
Posted by jazzofilo at Saturday, September 19, 2015 0 comments
All About Art Pepper Live at Fat Tuesday's
Posted by jazzofilo at Saturday, September 19, 2015 0 comments
Labels: Art Pepper
Thursday, September 17, 2015
Doo-wop ....
https://www.youtube.com/watch?v=TynUj...
Doo-wop (sometimes doo-wopp) is a style of vocal-based rhythm and blues music developed in African American communities in the 1940s, achieving mainstream popularity in the 1950s and early 1960s. Built upon vocal harmony, doo-wop was one of the most mainstream, pop-oriented R&B styles of the time. After finish this video I came to the conclusion that doo-wop didn't evolve much, but it's still nice to have all the top doo-wop songs wrapped up into one video.
Song list:
1953 The Orioles - Crying in the Chapel 0:05
1954 The Crew Cuts - Sh-Boom 0:30
1954 The Chords - Sh-Boom 0:55
1954 The Penguins - Earth Angel (Will You Be Mine) 1:20
1955 The Moonglows - Sincerely 1:45
1955 The Platters - The Great Pretender 2:10
1955 The Platters - Only You 2:35
1956 The Five Satins - In the Still of the Nite 3:00
1956 Frankie Lymon & The Teenagers - Why Do Fools Fall in Love? 3:25
1957 The Dominoes with Billy Ward - Star Dust 3:50
1957 Danny & The Juniors - At the Hop 4:15
1958 The Platters - Twilight Time 4:40
1958 The Platters - Smoke Gets in Your Eyes 5:05
1959 The Flamingos - I Only Have Eyes for You 5:30
1960 The Drifters - Save the Last Dance for Me 5:55
1961 The Marcels - Blue Moon 6:20
1962 Gene Chandler - Duke of Earl 6:45
1962 The Drifters - Up on the Roof 7:10
1963 The Drifters - On Broadway 7:35
1964 The Drifters - Under the Boardwalk 8:00
Dave's Music Data Base (source):
https://www.facebook.com/notes/daves-...
Posted by jazzofilo at Thursday, September 17, 2015 0 comments
Wednesday, September 16, 2015
Etta James - I'd Rather Be Blind
http://www.eagle-rock.com/artist/etta...
http://smarturl.it/EttaJamesdvd1993 -- http://smarturl.it/EttaJamesblu1993 -- http://smarturl.it/EttaJamescd1993
Etta James made many appearances at the Montreux Jazz Festival across her long and distinguished career from her first concert in 1975 through to her last in 2008.
This video focuses on the concert from 1975. It features many of her best loved tracks and songs that she is particularly associated with. Etta James was one of the most respected performers of her generation. In a career stretching over 60 years she was inducted into the Rock'n'Roll Hall Of Fame and the Blues Hall Of Fame, won 3 Grammys and received many more nominations and was named Female Blues Artist Of The Year on no less than 14 occasions.
Etta James sadly passed away after a long illness in January 2012 and this video is a fitting tribute to one of the greatest female vocalists of the 20th century.
Posted by jazzofilo at Wednesday, September 16, 2015 0 comments
Labels: Etta James
Mat Mathews ....
Jazz in America en in Nederland MAT MATHEWS JAZZ ACCORDION Just before the war ended and due to his anti-war political views, the Nazis incarcerated him in a work camp where he played accordion as a means of survival. He escaped by jumping out of a train and managed to hide in his parent's attic for 3 months until the war was over. After the war, Mat was determined become a professional Jazz musician.
His progress was remarkable in those difficult days that followed the war. With a Quartet, Mat broadcast for over a year on Radio Luxembourg. Mathews moved to the United States in 1952. He appeared as a soloist on many radio and television shows in the U.S., Italy,Scandinavia and Germany. He was the first accordionist to play at Birdland, with his combo, featuring Herbie Mann.
He appeared at the Newport Jazz Festival and did arrangements and recordings with Carmen McRea. Metronome Magazine voted Mathews "Musician of the Year" and one of his compositions was recorded by John Coltrane. He always strived for his own "beautiful sound and the right chords". Put that philosophy together with his devotion to the great American songbook and the standards of yesteryear, and you have the essence of Mat Mathews: Poet of the accordion.
http://matmathews.com/
From: http://jazzaccordionmasters.blogspot.com.br
Posted by jazzofilo at Wednesday, September 16, 2015 0 comments
Labels: Mat Mathews
Armando's ....
Photo: www.youtube.com
Playing for the door ain't easy, Claudio!
You heard right: The record label I founded 10 years ago, Crazy Monkey Productions (CMP), has signed a new artist! You and I will get to know more about Jet very soon. Though truth be told, as incredibly low maintenance as I am (I can build a small shelter out of sticks, start fire with an Indian drill and kill small animals with my bare hands before sauteing them) it can be difficult working with another singer (male, female or trans) on a label. What if she's a diva? Demanding? Your usual precious new empty ingenue scatting cryogenic promises to whiskered misters and dusty old Downbeat sifters?*
Well, the good news is that as far as I can tell, Jet is none of these. First of all it's quite possible she's ancient, which is reassuring. I mean in an ageless way. You wouldn't know it from her skin. Also she has a cardiocortical cross-dimensionality caused by a warping of continuity in the temporal fabric that binds the atoms we all time-share in this universe. So there is a big question mark around her, in my book. I know it may appear unprofessional to put this all out there. I'm just saying, she's a wild card, and this could really blow up in CMP's face.
All this means that Friday's tiny, inconsequential show, could in fact turn out to be a historic blip only the hip will trip to.
Please come out.
Siempre inventando,
Alexa
P.S. Really, if you can't come to Martinez Friday evening, I understand completely, so share the email and your good deed is done.
Posted by jazzofilo at Wednesday, September 16, 2015 0 comments
Monday, September 14, 2015
Johnny Meijer
From the 1950s onwards Johnny Meijer frequently toured abroad and earned the title King of the Accordion. Although the accordion is often associated with folk music, Meyer was versatile enough to play jazz and classical music. Twice he was accordion world champion in 1953 and 1954. Besides the popular songs, he also played fast swing numbers, Romanian music and classical pieces and was widely recognized as a virtuoso jazz accordionist.
In 1974 he recorded the Dutch Swing College Band Johnny Goes Dixie LP, which went gold. He will be remembered primarily as a live performer of folk music in Amsterdam. He was typically seen during performances with a cigar in his mouth, and his accordion (which can be seen at the Gert Nijkamp Muziekhuis in Apeldoorn) shows several burn marks as a result of this. In the last years of his life, Johnny Meyer was rarely invited to play large performances, mainly in connection with his short temper and his drinking, and thus the King of the Accordion saw out his final days mostly in silence, occasionally playing at weddings and parties.
http://youtu.be/CfUwn3IJScY
Posted by jazzofilo at Monday, September 14, 2015 0 comments
Labels: Johnny Meijer
Jane Ira Bloom
Posted by jazzofilo at Monday, September 14, 2015 0 comments
The Jazz Connect Conference
With a theme of “Fresh Horizons” the conference will again bring together a wide cross-section of the jazz community for over a dozen workshops and 5 plenary sessions, on a variety of ttimely and engaging subjects. Moderators and panelists include an impressive cross-section of artists and professionals. Returning this year will be an "Ask the Experts" networking session enabling emerging artists and professionals to connect and get informed input on their own careers and operations.
The schedule reflects the input from and collaboration with numerous organizations such as JazzWeek (radio programmers), Chamber Music America, the Music Business Association, Future of Music Coalition and the Jazz Journalists Association, each of whom will host workshops or panels during the conference. In addition to incorporating the involvement of various organizations, the sessions also include a wide range of voices in and out of the jazz community.
The Jazz Connect conference is organized by Peter Gordon of the Jazz Forward Coalition and Lee Mergner of JazzTimes, with assistance and input from over a dozen industry professionals. The conference has received the support of the Association of Performing Arts Presenters organization, which hosts the world’s leading forum for the performing arts every year in New York City. JazzTimes is the official publication for the event.
For more information about the Jazz Connect conference, you can e-mail jazzconnectnyc@gmail.com. To pre-register for the conference, go to the registration page.
read more: https://sites.google.com/site/jazzconnect2014/home-1
Posted by jazzofilo at Monday, September 14, 2015 0 comments
At Ronnie Scott's
Posted by jazzofilo at Monday, September 14, 2015 0 comments