Thursday, February 13, 2014

A letter from Alexia Weber Morales

Hello, Claudio! Perhaps you already heard the news, but in case you haven't... We won a Grammy!
Yes, Pacific Mambo Orchestra has won the Grammy for Tropical Latin Album, beating out Marc Anthony, Carlos Vives, Los Angeles Azules and Sergio George. Steffen Kuehn and Christian Tumalan, our bandleaders, were at the Grammy pre-telecast to accept the award, while most of the band was back in the Bay Area (though several of us had come down to Los Angeles the week before to perform on the TV show Good Day LA and attend the NAMM music merchants conference).
Much of the press following this upset win has focused on how we could have possibly done it. Some pigeonhole PMO’s success into the social media meme. But we were no YouTube phenomenon. As Steffen joked a few days before the Grammy’s, “I was thinking of putting in my acceptance speech, ‘We’d like to thank our 100 Twitter fans and 1200 Facebook fans for this victory.’” Those numbers are minuscule to begin with, and laughable when you’re up against Marc Anthony.
No, there are three reasons PMO succeeded in grabbing a Grammy nomination:


1. Regular gigs in the San Francisco Bay Area, which built an enthusiastic live — not virtual — fan base.
2. A fresh-sounding, highly original album.
3. A Columbia Artists-produced national tour.

There’s one reason we won: FOCUS.

I’ll be honest: If it had been my band, I am not sure I would have pushed as hard as we did. I might have assumed I could never win, that the nomination was a token honor, and that was it. With our win, however, the value of that final sprint is hammered into my head now.

As soon as we had the nomination, the real work began. In band meetings, we strategized and divvied out lobbying for the hearts of the Grammy voters, members of NARAS. The task was enormous, but the purpose was singular: We needed people to listen to us. We accomplished this via the Grammy 365 members-only web site, a Facebook group for Grammy voters, in person, at gigs, at the San Francisco Grammy chapter meeting, advertising in Billboard, and via the band’s and some of the member bandleaders’ own mailing lists (such as mine).

I’ve been in many bands. I’ve even been on a Grammy-nominated record before. But I’ve never felt the drive and camaraderie of the “march of the 19-piece army”, to use engineer Michael Lazarus’ words.
I hope this victory shows people that miracles do happen, that indie bands can succeed, that teamwork and community are critical and that focus is a beautiful thing. Those are the lessons I have learned from this process.

Many of us in the band are bandleaders ourselves. Some are Grammy winners many times over, and have traveled the world extensively (Jeff Cressman and Karl Perazzo with Santana, Tommy Igoe of Birdland fame). The arrangers, primarily Mike Rinta and Aaron Lington, are deserving of some notice. Trumpeter Jon Ruff is such a character, riding his motorcycle around like Evel Knievel and sharing stories from his life as an active musician with the military. And my friend Mara Fox deserves a shout out as the only other woman on the record besides me and the toughest gigging trombonist you’ll ever meet......
Los Angeles Local News | FOX 11 LA KTTV

Friday, November 18, 2011

Letter from Alexa Weber Morales


Most musical Claudio, 

You've been a great help in spreading the word about music, so I wanted to get this straight to you.

It's with great pleasure that I announce my third full-length solo album, I Wanna Work For You! My first all-original and fan-funded recording, it melds funk, jazz, Brazilian and salsa grooves; the theme is the search for work, for purpose, for justice, for love, for anything real in an artificial world. The 10 tunes on I Wanna Work for You ruminate on the Gulf of Mexico oil spill and naked grabs for power, misguided love affairs and tired marriages, stratospheric self-actualization and gender-bent blues.

“My concept doesn’t come from sitting in some sweet-ass studio, it’s from being in the trenches making mistakes,” says I Wanna Work For You associate producer Sam Bevan, the accomplished bassist and Oakland native who arranged the tunes and played acoustic and electric bass, keyboards and guitar on the album. 

I received funds from 90 backers on Kickstarter.com to finance the project. As you may recall, my previous albums were produced by multi-Grammy-nominee Wayne Wallace, for whom I contributed original lyrics and lead vocals on The Reckless Search for Beauty (among several other Patois Records dates). 

I've been performing with several other bands including the rising phenomenon known as Pacific Mambo Orchestra, a one-year-old, 19-piece salsa band that plays Monday nights at Cafe Cocomo in San Francisco as well as at Yoshi’s and many festivals. 
Click here for more about my Kickstarter experience and the story behind I Wanna Work For You. 

Wait, there's more! We're going to celebrate this Kickstarter victory and the completion of the album in fine style at Yoshi's! 
The I WANNA WORK FOR YOU album release concert is Sunday, December 18 at Oakland Yoshi’s! 

Sam Bevan, Mara Fox, Felix Samuel, Braulio Barrera, Carlos Caro, Colin Douglas, Steffen Kuehn and Jonathan Alford join Grammy-nominated vocalist Alexa Weber Morales in performing originals from her latest album, which was fan-funded on Kickstarter. Tickets for the 7 pm show on Sunday, December 18 are $15, or $25 including CD. Yoshi’s is an all-ages venue. 

I'd love to talk further with you and provide you with a download code for the digital album. Just let me know and I'll shoot you the code! I can also burn you an advance copy of the soon-to-be-manufactured disk, but we're going for a greener approach this time around! 

In the meantime, you can listen to the album here: 
http://alexawebermorales.bandcamp.com/album/i-wanna-work-for-you

Siempre cantando,

Alexa