Nicky Schrire is a vocalist,....

Praised by All About Jazz for her “warm and supple instrument that serves as a dispensary of emotional power,” Nicky Schrire is a vocalist, composer and arranger whose adventurous spirit reflects her international upbringing.

London-born, South African-raised and now based in NYC, Schrire graduated from the Manhattan School of Music where she earned a Masters of Music Degree under the tutelage of Peter Eldridge, Theo Bleckmann and Dave Liebman.

Growing up in Cape Town, South Africa, Schrire performed with artists such as Arno Carstens, Judith Sephuma, Sibongile Khumalo and Abdullah Ibrahim. Since moving to New York, she has performed her music in New York (55Bar, the Kitano), Boston (Scullers Jazz Club), Los Angeles (The Blue Whale), London (The Forge), Dublin (National Concert Hall), and South Africa (Standard Bank Youth Jazz Festival). Often praised for her choice of repertoire, Hardbop Jazz Journal described her as “clever and understated” while the Ottawa Citizen’s Peter Hum noted that “while [Schrire’s] esthetic may be free and unbounded, her music is anything but casual.”

A semi-finalist in the “Jazz Voices” Competition (Klaipeda, Lithuania), and a finalist in the “Voicingers International Vocal Jazz Competition” (Zory, Poland), Schrire’s “irrepressible style” (LondonJazz) makes her an in demand musician both as a bandleader and as a sideman. She lent her voice to New York drummer, Brian Adler’s “Helium Project”, which featured artists such as Kate McGarry, Dave Eggar and Ben Monder, and, most recently, Basak Yavuz’s debut album, which also features Dave Liebman, Richie Barshay and Peter Eldridge.

Her debut album, “Freedom Flight”, was released in 2012 to critical acclaim and landed on “Best Releases of 2012” lists from All About Jazz, Jazz History Online, Step Tempest and Popdose. Schrire’s sophomore release, “Space And Time”, features duets with pianists Fabian Almazan, Gerald Clayton and Gil Goldstein. Produced by Matt Pierson, the album will be released on Magenta Records through eOne Distribution in September 2013.

Though her approach has earned her comparisons to Gretchen Parlato and Becca Stevens, the similarities are superficial. Like Parlato, she’s an assured technician with a whole bag of impressive tricks. Like Stevens and, for that matter, Esperanza Spalding, she has an affinity for folk. But…she’s got her own thing, and it’s very much worth listening to.— Jon Garelick, Arts Fuse

…Schrire becomes part of the fabric of her music. Her voice is a warm and supple instrument that serves as a dispensary of emotional power.— Dan Bilawsky, All About Jazz

[Schrire] is quite self-assured, trusts her judgment so that each piece stands out…Recordings like “Freedom Flight” make me glad to be alive.— Richard Kamins, Step Tempest

Take Five With Nicky Schrire

By NICKY SCHRIRE,

Meet Nicky Schrire:
London-born, South African-raised, New York-based vocalist/composer Nicky Schrire has been been praised for her abilit: to use her voice as "a dispensary of emotional power." (Dan Bilawsky,All About Jazz).

A graduate of the Manhattan School of Music, Schrire has performed in New York, South Africa and London. Her debut album, Freedom Flight, has been hailed by critics as "an exceptional debut" (Steven Lewis, Hard bop Jazz Journal) and "a thrilling maiden voyage" (Andrea Canter,Jazz Police).

Instrument(s):
Voice.

Teachers and/or influences?
Teachers/mentors: Peter Eldridge, Kate McGarry, Theo Bleckmann, Dominique Eade, Norma Winstone, Amy Cervini.

Influences: Maria Pia de Vito, Youn Sun Nah, Luciana Souza, Becca Stevens, Gretchen Parlato, Jo Lawry, Blossom Dearie

Your sound and approach to music:
My sound is constantly changing as I learn more about what I like and what I don't like. As I discover new music I'm able to broaden my capacity to hear new sounds and that allows me to grow and progress as a musician (and a person). At the moment, I'd describe my sound as a mishmash of jazz, pop and folk influences.

I think, more than anything, that music is supposed to make people feel something, anything(Preferably not aversion!). That's the best way to measure whether the music in question is "good." Does it make the audience and the musicians who are playing it feel something? We tend to get too caught up in labels and genre-specific requirements, and we forget that music is supposed to be fun, and elicit joy from listeners. It doesn't matter whether it's jazz, pop, folk, R&B or a film score. Does it affect you when you hear the music in question?

Your dream band:
Jim Black said it best when asked who he still wanted to play with. He replied, "I don't want to play with anyone. Who do I need to play with? I need to play with my friends and people I like."

There are millions of amazing musicians in the industry, but that doesn't mean there are millions of musicians I'd like to play with. It's so important to choose musicians that you get along with, socially, and who also share your musical aesthetic. That said, my ear gravitates towards pianists and I'd love to work with Fred Hersch, Brad Mehldau and Neil Cowley.

The first Jazz album I bought was:
Verve's The Complete Ella Fitzgerald Songbooks box set. It was actually a gift from my mum but it introduced me to Ella, vocal jazz and had a huge influence on my interest in jazz. I can still sing along to the instrumental interludes, introductions and fills.

What do you think is the most important thing you are contributing musically?
I hope that I'm contributing something (maybe a knack for talking too much?) to the already remarkable pool of vocalists in New York City. And I like to think that my quest to be a musician as well as a singer (the two are not always one and the same, although they should be) will encourage other young singers to strive for the same ideal.

Did you know...
I was a saxophonist before I was a singer. The tenor saxophone introduced me to the world of jazz and allowed me to experience playing in big bands both in school and college (I was a double major—saxophone and classical piano—in my first year at college). I played the tenor, baritone and soprano saxophones and doubled on clarinet and bass clarinet.

CDs you are listening to now:
Romain Collin, The Calling (Palmetto);
Thomas Newman, Angels In America (Nonesuch);
Shawn Colvin, A Few Small Repairs (Sony).

How would you describe the state of jazz today?
Ever-changing. Challenging. Exciting.

What is in the near future?
I'm preparing for my debut gig in London (October 5, 2012 at "The Forge," with Nikki Iles, Dave Hamblett and Ryan Trebilcock). I'm excited to get to perform for friends and family who haven't gotten to hear me live as of yet. I'm also preparing music for my sophomore album recording—it's a completely different kettle of fish to my debut album, so it promises to be yet another interesting adventure!
http://www.allaboutjazz.com/php/article.php?id=42702

Photo Credit
Courtesy of Nicky Schrire