Friday, March 30, 2018

Chucho Valdes & IRAKERE

Chucho Valdes & IRAKERE 45 to Close Arsht Center's Jazz Roots Season in Miami April 20, 2018

Winner of six GRAMMY® and three Latin GRAMMY® Awards, the Cuban pianist, composer and arranger Chucho Valdés is the most influential figure in modern Afro-Cuban jazz.

Chucho Valdés: Irakere 45 is a celebration of Irakere, the Cuban band that, with its bold fusion of Afro-Cuban ritual music, popular Afro-Cuban music styles, jazz and rock, marked a before and after in Latin jazz.

This program also serves as a compendium of the extraordinary contributions of composer and bandleader Jesús “Chucho” Valdés, Irakere’s founder, main composer and arranger. His most recent Grammy win was for 2015’s Tribute to Irakere, was recorded live in Marciac for during the Irakere 40th anniversary tour.

Leading a nine-piece band comprising of the Afro-Cuban Messengers expanded with two trumpets and two saxophones, Valdés offers a vivid retrospective of his work the decades. It is also a wide angle view of the evolution of Afro-Cuban jazz as the program includes classics of Irakere´s repertoire such as “Misa Negra” “Estela Va A Estallar” (“Stella By Starlight”), ”Juana 1600,” and “Bacalao Con Pan,” but also more recent compositions, originally performed with the Messengers, in new arrangements, such as “Yansa,” “Abdel” and “Lorena’s Tango.” Joining Valdés for a couple of songs will be guest singer Aymée Nuviola.

The evening will begin with Diego Figueiredo, who George Benson described as "one of the greatest guitarists I've seen my whole life!" Figueiredo is also a producer, arranger, orchestrator, and multi-instrumentalist which makes his music is a unique fusion of jazz, bossa nova, and classical. He has performed in over forty countries and his phenomenal technique and passion has created an explosion of adoring fans around the world. ”

Oliver Jones and Oscar Peterson - Just Friends

Oliver Jones - Falling In Love


Il discepolo di Oscar Peterson in un'esibizione al Montreal Jazz Festival 2004.

Oliver Jones: piano
Dave Young : bass
Norm Marshall Villeneuve : drums

Wynton Marsalis & The Young Stars of Jazz


Marciac Jazz Festival 2016

Wynton Marsalis - trumpet
Michela Marino Lerman - tap
Anthony Hervey - trumpet
Sam Chess - trombone
Ruben Fox - saxophone
Patrick Bartley - saxophone
Julian Lee - saxophone
Mathis Picard - piano
Joel Ross vibraphone
Gabe Schnider - guitar
Russell Hall - bass
Kyle Poole - drums

Saturday, March 24, 2018

Preview United We Swing


Recorded between 2003 and 2007, United We Swing—the latest album from Blue Engine Records—finds an unparalleled array of music talent that collectively boasts 94 Grammy Awards joining Jazz at Lincoln Center Managing and Artistic Director Wynton Marsalis (a nine-time Grammy Award winner himself) and some of the world’s top jazz musicians to perform blues-inflected versions of iconic American repertoire.

Order the album: jazz.org/united

Those one-night-only, live performances have never been released before. They include Lenny Kravitz performing Marsalis’s hypnotizing, New Orleans-inflected arrangement of Kravitz’s own song, “Are You Gonna Go My Way”; Susan Tedeschi and Derek Trucks uniting for a stirring, infectious take on Civil Rights anthem “I Wish I Knew How It Would Feel to Be Free”; Bob Dylan adding harmonica licks to a deeply felt, in-the-pocket rendition of “It Takes a Lot to Laugh, It Takes a Train to Cry”; and Ray Charles taking the stage for one of his final performances to play “I’m Gonna Move to the Outskirts of Town.”

Together these artists raise their voices to highlight jazz’s importance to America’s cultural heritage and to remind us that, even in divided times, music can unite us all. All proceeds from the album will go toward Jazz at Lincoln Center’s education programs, which introduce thousands of children to jazz each year.

Lineup Announced For Xerox Rochester International Jazz Festival


SOURCE: DALMATH ASSOCIATES INC. 
March 22, 2018

Xerox Rochester International Jazz Festival (XRIJF) producers John Nugent and Marc Iacona today announced the complete lineup for the festival’s 17th Edition. The nine-day festival returns to Rochester June 22 to June 30 presenting more than 1500 artists from around the world in 300-plus shows at 20 venues.

The 2018 Festival is presented in three series — the Club Pass series with 214 shows, the headliner series of six shows and 94 free shows and events all held in Rochester’s East End Cultural and Entertainment District.

Ticketed headliner shows will feature Alison Krauss (sold out), Bela Fleck and the Flecktones, Boz ScaggsJill ScottLake Street Dive, and Seal. Free outdoor stage show headliners include Brian Setzer’s Rockabilly Riot!, St. GermainTower of Power 50th Anniversary Tour, and Vintage Trouble . The Club Pass series will feature the Joey Alexander Trio , Mindi AbairMelissa AldanaThe Bad Plus, Ron Artis II & The Truth, Joe Locke Group, Michael MwensoJazzmeia HornDustbowl Revival, Shake Stew, Robin McKelle Deva MahalJohannes Linstead Guitar of Fire!Eric Krasno Band, Jane Bunnett & Maqueque and more than 110 others.


read more: https://news.allaboutjazz.com/lineup-announced-for-xerox-rochester-international-jazz-festival-17th-edition-june-22-30-nine-days-300-shows-20-venues-94-free-events.php

Friday, March 23, 2018

Tedeschi Trucks Band 2018 Tour Stops

Tedeschi Trucks Band 2018 Tour Stops in Fort Myers at Barbara B. Mann PAH April 12th
Tedeschi Trucks Band will perform at Barbara B. Mann Performing Arts Hall at Florida SouthWestern State College on Thursday, April 12, 2018 at 7:30PM. Tickets are available at the Box Office, online at www.bbmannpah.com or call (239)481-4849.

Now in their eighth year, Grammy-winning Tedeschi Trucks Band has earned their reputation as one of the premier live acts touring today. The 12-piece ensemble, led by the husband-and-wife team of guitarist Derek Trucks and guitarist-singer Susan Tedeschi, is a true collective; a rarity in rock-and-roll with every musician featured nightly while serving the band’s unified vision, pushing the boundaries of group dynamics and improvisation to inspiring new heights. Praised by reviewers for their “joy-filled blast of blues, soul and rock” (Philadelphia Inquirer) and “stellar musicianship” (Denver Post), TTB is a touring juggernaut, on the road over 200 days a year and never playing the same set list twice.

Their latest release, Live From the Fox Oakland, (2017) – a CD and film – was recorded in a single night at a show that fans and band members all regard as one of their finest performances to date.  The double disc live recording showcases the band’s ability to move seamlessly from blistering rock and blues to soulful ballads and includes their take on classics from Derek and the Dominos, Leonard Cohen, and even Miles Davis among TTB’s original songs.


Live From the Fox Oakland, which debuted at #1 on Billboard’s Blues and #6 on the Rock Albums chart, follows four critically-hailed and commercially successful TTB albums, including their Grammy-winning inaugural studio effort Revelator (2011), and 2016’s Let Me Get By, the first to be solely produced by Trucks and written in house in the TTB family and called by the Associated Press “one of the great records of the year”.

Wednesday, March 21, 2018

JAZZAHEAD! 2017 VADIM NESELOVSKYI TRIO


Live at JazzAhead 2017, in Bremen, Germany.

Vadim Neselovskyi Trio:
Vadim Neselovskyi — piano, composition
Ronen Itzik — drums, percussion
Dan Loomis — bass
Produced by Arte Concert
Stay tuned for more news and tour dates:
www.vadimneselovskyi.com

Tuesday, March 20, 2018

Jazz Vocalist Brenda Alford Leads Quintet

Jazz Vocalist Brenda Alford Leads Quintet at Sunshine Jazz' Monthly Concert Series March 25, 2018

The monthly Sunshine Jazz Concert Series continues with a stellar ensemble led by highly acclaimed singer, songwriter, educator and “Jazz Ambassador”, Ms. Brenda Alford! Her band is comprised of some of South Florida’s very finest musicians: Antulio Mora at the piano, Jesse Jones, Jr. on sax, Jamie Ousley on acoustic bass and on the trap drums, Lenny Steinberg.

Originally from Baltimore, Maryland, a city rich with musical legacies including Billie Holiday, Eubie Blake and Cab Calloway, Ms. Alford composed, performed and directed a children’s Jazz program. Along with her Trio, “A History of Jazz”, “Living With Jazz,” and “Legends and Jazz” the program toured to over 100 schools under the auspices of the Baltimore City Office of Cultural Enrichment and the Maryland Arts Council for nearly 13 years. Ms. Alford has continued her “Jazz Ambassador” mission here in South Florida.

Brenda Alford was personally encouraged to become a professional vocalist by Ms. Ella Fitzgerald, and counts Carmen McRae, Betty Carter, and Abbey Lincoln among her many fans. Brenda has the distinction of being one of very few vocalists ever to record with renown Jazz legend Horace Silver on the esteemed Blue Note Record Label. In addition, she has shared the stage with many jazz icons including Slide Hampton, Tommy Flanagan, Joe Donato, Jesse Jones, Jr., Pete Minger, Keter Betts, Philly Joe Jones and Stanley Turrentine. Alford also worked with fellow Baltimore musician and contemporary Jazz piano genius, Cyrus Chestnut for several years.

Ms. Alford performs in varied settings, from schools, churches and lounges to concert halls such as the Delaware Grand Opera House and Baltimore’s Meyerhoff Symphony Hall. She performed at South Miami-Dade Cultural Arts Center in a VIP performance preceding Grammy Award-winning vocal group Take 6, during which she released her new single recording, “Every Child” to standing ovations. By popular demand, she performed there again along with Bobby Watson, Curtis Lundy, and the great Kevin Mahogany. Alford’s varied musical performance configurations have ranged from a capella, to a sixty-piece orchestra. Her repertoire includes, jazz, gospel, pop, R&B, and blues.

Sunday, March 25th, 2018 ~ 6-9pm
Miami Shores Country Club 
10000 Biscayne Blvd., Miami Shores, FL 33138 

Monday, March 19, 2018

from jazz@jazzinstitut.de

20 March 2018

Saarbrücken + Peter Brötzmann / Munich (Germany)

Ulrich Stock travels to Saarbrücken at the German-French border to learn about an upcoming festival dedicated to free jazz and free improvisation, and on the way he stops in Wuppertal to talk to Peter Brötzmann, probably the most authentic of Germany's free jazz legends who reflects about the album "Machine Gun", recorded by him and seven other European avant-garde musicians 50 years ago at Bremen's Lila Eule club (Die Zeit). --- Oliver Hochkeppel reports about the 40th anniversary celebration of Unterfahrt jazz club in Munich, Germany, and remembers the history of the venue, its programmatic choices and economic problems, its different bookers and its important role in the Munich jazz scene which has been acknowledge by a number of awards. He also reports about the celebration festival which blends young experimental music and older establish acts, German jazz legends (Klaus Doldinger, Wolfgang Dauner) and international guests (Myra Melford, Chano Dominguez) ( Süddeutsche Zeitung). Ssirus W. Pakzad reports about the 40th anniversary of the club Unterfahrt as well (Abendzeitung München ).

21 March 2018

... what else ... 

Walter Tunis talks to the British-American pianist Raleigh Dailey ( LexGO). --- Karl Puschmann talks to the saxophonist Kamasi Washington ( New Zealand Herald). --- David Hammer reports about a judge denying the trumpeter Irvin Mayfield the request to modify Mayfield's $25,000 bond in order to be able to perform in South Africa  ( WWLTV). --- Holger True reports about the 60th anniversary of the NDR Jazz Workshop (now called NDR Jazzkonzerte) last weekend ( Hamburger Abendblatt) and also about its current artistic director, Stefan Gerdes ( Hamburger Abendblatt). --- Peter Lahr talks to the German trumpeter Ingolf Burkhardt ( Rhein-Neckar-Zeitung). --- William Poulos reflects about German philosopher Theodor W. Adorno's writings about jazz ( Varsity). --- The Canadian guitarist Oliver Gannon was appointed to the Order of Canada ( CBC). --- Frank Gerace reports about the keyboardist William Dilks who as a Republican is running for the House of Representatives in the Newark General Assembly ( WDEL). --- Andy Beta listens to Miles Davis' album "Get Up With It" from 1974 ( Pitchfork). --- A tuba owned by Ben Jaffe of the Preservation Hall Jazz Band that went missing in February was returned through an anonymous tip ( WWLTV). --- Matt Lavell reflects on what he learned from playing with the legendary saxophonist Giuseppi Logan ( No Sound Left Behind). --- Maja Yüce talks to the German singer Jeff Cascaro ( HNA). --- Michael J. Agovino acknowledges the impact of Val Wilmer's 1977 book "As Serious As Your Life", just republished ( The Village Voice). --- Michael J. West hears the pianist Dawyne Adellat Blues Alley in Washington, D.C. ( The Washington Post). --- Hans Hielscher talks to the poet Saul Williams ( Der Spiegel). --- Hans Hielscher also remembers Benny Goodman's Carnegie Hall Concert from 1938 ( Der Spiegel). --- Ulrich Pfaffenberger talks to the German bassist Martin Zenker about his disdain for iRealbooks because the telephones on which they are stored often start to ring or beep on stage ( Süddeutsche Zeitung). --- Rick Nowlin talks about his career as a jazz journalist and composer (Pittsburgh Post-Gazette ). --- George Varga talks to the pianist Chick Corea ( San Diego Union-Tribune).

Obituaries 

We learned of the passing of the drummer Robert Barry at the age of 85 ( Chicago Reader), the German trumpeter Walter Eichenberg at the age of 95 ( Neue Musikzeitung), the composer and musicologist Olly Wilson at the age of 80 ( The Violin Channel), as well as the Turkish critic Cüneyt Sermet at the age of 93 ( Hürriyet).

Sunday, March 18, 2018

http://njjazzlist.com


Drummer, Ben Riley, was one of a kind. His obituary on the WBGO radio website is entitled: Jazz Drummer Who Made Accompaniment His Art. He died at 84.

Story by Andy McDonough/Image by TOM MARCELLO

A subtle and versatile jazz drummer, best known for his affiliation with Thelonious Monk in the 1960s and Kenny Barron, one of Monk’s pianistic heirs, passed away recently in West Islip, New York at 84. His six-decade career in jazz had him featured on more than 300 recordings. Along with Monk and Barron, he backed pianists, Andrew Hill and Abdullah Ibrahim, he supported tenor saxophonists, Johnny Griffin and Stan Getz, and many other top jazz artists. His unique, complimentary style will be missed.

Photo credit: James Estrin/The New York Times

Jon Hendricks, a jazz singer and songwriter who became famous in the 1950s with the vocal trio Lambert, Hendricks & Ross by putting lyrics to well-known jazz instrumentals and turning them into vocal tours de force, died recently in Manhattan. He was 96.

Although he was a gifted vocal improviser in his own right, Mr. Hendricks was best known for adding words to the improvisations of others. He took pieces recorded by jazz ensembles like the Count Basie Orchestra and the Horace Silver Quintet and, using their titles as points of departure, created intricate narratives and tongue-in-cheek philosophical treatises that matched both the melody lines and the serpentine contours of the instrumental solos, note for note and inflection for inflection.

The Doug Carn Quintet - doin' the thing!

NE Florida Jazz Assoc. Presents The Doug Carn Quintet - doin' the thing!

DOUG CARN QUINTET 
Ray Calender - Trumpet
Al Waters - Sax
Lawrence Buckner - Bass
Paul Lentz Jr. - Drums

Sunday, March 25, 2018 - 2:30 p.m.
Museum of Arts and Sciences
352 S Nova Road, Daytona Beach, FL 32114

Come listen as the Doug Carn Quintet recreate the entire live recording of Horace Silver's doin' the thing at the Museum of Arts and Sciences in Daytona Beach. All of the songs will be performed exactly as performed by Horace and his group (Blue Mitchell, Junior Cook, Gene Taylor, and Roy Brooks) on the bandstand at the Village Gate (the corner of Thompson and Bleecker Streets in Greenwich Village, New York) in 1961.

The All About Jazz review of the CD rerelease by Hrayr Attarian called the album "especially unique, not only because of its quality, but because it is the only live recording of his most famous quintet. Although it was recorded 52 years ago (1961), this CD has the power to transport one back in time to the smoky room at Village Gate where one feels the raw energy of the live performance".
Track List

All compositions by Horace Silver:
"Filthy McNasty"
"Doin' the Thing"
"Kiss Me Right"
"The Gringo/Cool Eyes (Theme)"
Bonus tracks not included on original LP
"It Ain't S'posed to Be Like That"

"Cool Eyes"

Friday, March 16, 2018

Summertime Andrea Motis Joan Chamorro Quintet & Scott Hamilton

Thursday, March 15, 2018

#CharlesLloyd

Wednesday, March 14, 2018

Fred Forney on trumpet

Love #jazz #saxophone ?

Blues and Jazz Music

#NowPlaying

The Music of St. Germain ....

Bossa Nova Mix

https://t.co/VVQ7WfDkjS

Saturday night at The Parlour

#montereyjazz

Tuesday, March 13, 2018

#JimmieVaughan

Celebrate #InternationalWomensDay

March 29 @LWBMusic

differences between East Coast and West Coast styles

Carthage College, ...

Tabla virtuoso PANDIT ABHIJIT BANERJEE

Fresh African music & culture

Monday, March 12, 2018

Sergio Mendes

Sergio Mendes – Photo by Mizo

MARCH 11, 2018
by ANGEL ROMERO

Sergio Santos Mendes was born in Niteroi, Brazil, February 11th, 1941. His father was a medical doctor. Mendes attended the local conservatory with hopes of becoming a classical pianist. As his interest in jazz grew, he started playing in nightclubs in the late-1950s just as bossa nova, a jazz-inflected derivative of samba, was taking off. Mendes played with Antonio Carlos Jobim (regarded as a mentor), and many U.S. jazz musicians who toured Brazil.

Mendes formed the Sexteto Bossa Rio and recorded Dance Moderno in 1961. Touring Europe and the United States, Mendes recorded albums with Cannonball Adderly and Herbie Mann and played Carnegie Hall. Mendes moved to the United States in 1964 and recorded two albums under the Brasil ’65 group name with Capitol Records and Atlantic Records.

When sales were slow, he replaced his Brazilian born vocalist Wanda da Sah with the unique voice of Chicago native Lani Hall (who learned Mendes’ Portuguese material phonetically).


In 1966, Sergio Mendes and his group were signed to a record deal by Herb Alpert, whose enthusiastic response led to immediate success. Mixing Brazilian, jazz and American popular styles, Brasil ’66 became known for its fresh, innovative sound. While Mendes was the lively pianist, arranger, producer and musical director, it was American vocalist Lani Hall (who would later marry Herb Alpert) who gave the group the special touch that ensured their success on the pop music charts. Lani is equally comfortable singing in English, Spanish and Portuguese, although you’d never know it from the way she performs all of her songs with the ease of a native.

read more at: https://worldmusiccentral.org/2018/03/11/artist-profiles-sergio-mendes/

Sunday, March 11, 2018

Safaricom jazz festival ....

The latest JAZZ NEWS INTERNATIONAL!

Review: John L. Nelson Project Records Jazz

composer Andrew Lloyd Webber

Friday, March 9, 2018

a BBC documentary on the rise of Motown ....

Marquis Hill, an award-winning trumpeter

Marquis Hill, an award-winning trumpeter, set for UC San Diego debut with his genre-leaping band

Trumpeter Marquis Hill will make his San Diego headlining debut at UC San Diego. (Photo by Deneka Peniston)

George Varga - Contact Reporter

In 2014, Chicago trumpeter Marquis Hill won the Thelonious Monk Institute Trumpet Competition, which included a $25,000 scholarship and an album contract with Concord Records.

Now 30, Hill has played in the Chicago Jazz Orchestra and in the bands of saxophonist Joe Lovano, former Miles Davis bassist Marcus Miller and other luminaries.

He also leads his own group, The Blacktet, with which he make his San Diego headlining debut tonight at the Loft@UC San Diego.


Hill stands out whether playing his own compositions — which draw from post-bop jazz, hard bop, hip-hop, spoken word and more — or his distinctively re-invented versions of jazz classics by Horace Silver, Donald Byrd and Herbie Hancock.

read more at: http://www.sandiegouniontribune.com/entertainment/music/sd-et-radar-marquis-hill-20180305-story.html

Billie The Musical

Billie The Musical - The Story of Billie Holiday at Crest Theatre in Delray Beach March 21, 2018

Wednesday, March 21, 2018 ~ 8pm
Crest Theatre at Delray Center for the Arts at Old School Square
51 N Swinton Avenue Delray Beach FL 3344

The Crest Theatre at Old School Square presents a stage-adapted story of Billie Holiday in Billie the Musical.


Taking place in 1932, the beloved story of Eleanora Fagan at 17 years old unfolds as a hard-lived child, whose Mother struggled in a world of being a single parent, grows to become one of the world’s most iconic song writers and vocalists of all time.  The story of Billie Holiday in this two-Act production, produced by Women in Jazz South Florida, offers an enlightening evening and a glimpse into a world of challenge and sacrifice through the eyes of a legend.

When sunny gets blue - Dan Papirany

Gateshead International Jazz Festival, 8 April

Issie Barratt will be part of the EJN panel as well as presenting her Interchange
 Dectet project, featuring the work of 10 female UK composers.
Picture from artist's website

Peter Bacon reports:

How to achieve a gender balance in jazz will be topic at a European Jazz Network (EJN) seminar on 8 April as part of the Gateshead International Jazz  Festival (GIJF).

Ros Rigby, Europe Jazz Network President and Producer of GIJF, said: “The lack of women instrumentalists on stage has been a topic under discussion for decades in the jazz industry, and over the past few years there have been a number of practical initiatives to try to redress the balance in the UK and other European countries.

“As the leading European network representing jazz festivals, venues and support organisations, we feel that we should create a manifesto to be agreed with all our members, making a commitment to gender equality in the next few years. We will be discussing a draft version of this at the seminar in Gateshead.”

Alongside Ros on the panel will be Issie Barratt (composer, educator and musician), Terese Larsson (Svensk Jazz), Annamaija Saarela (Annamaija Music Company- Finland), Sunna Gunnlaugs (Reykjavik Jazz Festival and musician), Graham McKenzie (Huddesfield Contemporary Music Festival), Kim Macari (Jazz from Scotland), Steve Mead (Manchester Jazz Festival) and Kenneth Killeen(Improvised Music Company, Dublin), amongst others who will be encouraging conversation about ways in how the industry can move forward both in the UK and across Europe.


read more at: http://www.londonjazznews.com/2018/03/news-for-iwd2018-europe-jazz-network.html

Jazz Musician Of The Day: Dan Papirany


SOURCE: MICHAEL RICCI 
March 7, 2018

All About Jazz is celebrating Dan Papirany's birthday today!


Dan Papirany is an adventurous Jazz pianist, composer who understands and follows the eloquent philosophy that is to play melodic phrases and rich harmonies.     Originally starting out as a drummer at seventeen years of age, he discovered the music of Bill Evans and Keith Jarrett\'s piano playing which led him to switch instruments to the piano. He remembers a quote from drummer Peter Erskine.

read more at: https://news.allaboutjazz.com/jazz-musician-of-the-day-dan-papirany__8829.php

Wednesday, March 7, 2018

from Kat Parra

Hi Everyone,
Our concert at Congregation Netivot Shalom in Berkeley is fast approaching and I wanted to remind you to get your tickets in advance in order to save some $$$! It has been a little over 2 years since we performed in the East Bay and I am so looking forward to returning to such a vibrant community. I truly miss living in Oakland, experiencing all it has to offer. So at least I get to be a part of this wonderful artistic community by sharing some of our music with you all. AND, I am excited to announce that I have added another member to the ensemble for this event: Katja Cooper on percussion. Katja has played with us many times over the years and has recorded on all of my CDs. She is a master percussionist who specializes in instruments from the middle east, including the darbuka. 

Our concert will be a celebration of life in all of its many-faceted forms. We will present a combination of Sephardic (music of the Spanish Jews sung in the dying language of Ladino) and Latin and World Jazz. You will be amazed at how seamlessly these different styles mesh together into a cohesive and enthralling musical experience.

Here are the details:
Sunday, March 18  2pm

Kat Parra Latin World Ensemble Congregation Netivot Shalom
1316 University Ave, Berkeley

Featuring:
Kat Parra: vocals
Murray Low: piano
Masaru Koga: woodwinds
Aaron Germain: bass
Dan Foltz: drums
Katja Cooper: percussion

Bix Beiderbecke

DownBeat

COVER

The Bad Plus - 'Everybody Took Off Their Mask'

Members of The Bad Plus discuss the trio's new lineup, which includes pianist Orrin Evans, and their new album. Evans, bassist Reid Anderson and drummer Dave King reflect on why they wanted to start a new chapter for the band.