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FAIRBANKS — Pianist Thomas Lauderdale finds musical connections in the most unlikely places. Samba, meet jazz. Classical, meet pop. Schubert, let me introduce you to the tango.
Music lovers, meet Pink Martini.
A 12-piece mini-orchestra that plays its own elegantly chilled brand of sophisticated lounge pop, Lauderdale’s Pink Martini has sold millions of albums and has hit records in France and Japan and a dedicated following in other far-flung locales. The multi-lingual musicians, including singer China Forbes, feature a wildly diverse repertoire Lauderdale describes as “‘Breakfast at Tiffany’s’ or ‘Mame’ meets the United Nations with a tiny bit of radical politics.”
The band’s first album, “Sympathique,” garnered nominations for “Song of the Year” and “Best New Artist” in France. The title song has become an anthem for French workers. In 2011, a collaboration with Japanese singer Saori Yuko, “1969,” was certified platinum in Japan with glittering reviews.
Based in Portland, Ore., Pink Martini has played with symphony orchestras around the world and collaborated with celebrated musicians and others not necessarily noted for their music.
“I love actually collaborating,” Lauderdale said by phone this week. “It’s the most interesting time I have at this time at this point. We’ve been in existence for 18 years. Whether it’s Phyllis Diller or Ari Shapiro or drag queens from New York City, it brings different energies to the project and keeps me on my toes and keeps the band members on their toes.”
Lauderdale and Pink Martini are performing tonight at Hering Auditorium as a special event of the Fairbanks Concert Association. Lauderdale is excited about his first visit to Alaska, musing “at times like this I wish I knew how to bobsled.”
He would love to see a moose and the aurora and laments that he knows little about the state, “I can’t see Alaska from where I am, even with binoculars.”
Read more: Fairbanks Daily News-Miner
Sunday, December 9, 2012
Shaking it up: Retro jazz group Pink Martini pours their fun into Fairbanks
Posted by jazzofilo at Sunday, December 09, 2012 0 comments
Labels: Pink Martini
Monday, December 14, 2009
Pink Martini At The Walt Disney Concert Hall
December 10, 2009 from WBGO - The occasion is New Year's Eve, and the hour begins with a countdown to 2009. From there, it's pure fantasy with China Forbes singing in Spanish, French, Italian and more. "Amado Mio" comes from a mid-1940s film noir with Rita Hayworth, Glenn Ford and a tungsten cartel in Argentina. "Anna" comes from a 1951 Italian film about a nun who encounters two former lovers in a hospital. Imagination, especially cinematic imagination, is Pink Martini's domain, and at Disney Hall, we are so close to Hollywood.
"Sympathique" is the title song of the group's first album from 1997; "Hang on Little Tomato" is the title song of the second, "Hey Eugene" of the third. Leader Thomas Lauderdale recites the ad copy from a 1964 Life magazine that inspired the song: "'Hang on, little tomato, stay on the vine until you're fat and juicy. Then we will simmer you in bubbling secret spices and turn you into ketchup, and if you're lucky, some smart hamburger may team up with you.' So this is really a song of hope."
Pink Martini mentions that it's working on its fourth album, now out. Splendor in the Grass features NPR Justice Correspondent Ari Shapiro as a guest on vocals. For this concert, however, the guest was a professor of Arabic at Portland State University. Dr. Dirgham H. Sbait teaches the audience "Tomorrow and the Day After," an Egyptian song in Arabic, very difficult to learn quickly. But the professor is grading on a curve, saying, "You get an A+ for this." Then everyone sings along. After all, they may never have this chance again.
NPR
"Sympathique" is the title song of the group's first album from 1997; "Hang on Little Tomato" is the title song of the second, "Hey Eugene" of the third. Leader Thomas Lauderdale recites the ad copy from a 1964 Life magazine that inspired the song: "'Hang on, little tomato, stay on the vine until you're fat and juicy. Then we will simmer you in bubbling secret spices and turn you into ketchup, and if you're lucky, some smart hamburger may team up with you.' So this is really a song of hope."
Pink Martini mentions that it's working on its fourth album, now out. Splendor in the Grass features NPR Justice Correspondent Ari Shapiro as a guest on vocals. For this concert, however, the guest was a professor of Arabic at Portland State University. Dr. Dirgham H. Sbait teaches the audience "Tomorrow and the Day After," an Egyptian song in Arabic, very difficult to learn quickly. But the professor is grading on a curve, saying, "You get an A+ for this." Then everyone sings along. After all, they may never have this chance again.
NPR
Posted by jazzofilo at Monday, December 14, 2009 0 comments
Labels: Pink Martini
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