Tuesday, February 27, 2018

pianist / composer Fred Hersch

Over the years, I’ve been privileged to collaborate and perform in duos with the amazing pianist/composer Fred Hersch. Last year we were very happy that one of our performances was documented and now, I’m happy to announce, that live duo recording - Live In Healdsburg - will be coming out on March 9th!

You can catch Fred and me on the road next month and the Tentet will be out and about this spring. Click the links below for show and ticket info:  


FRED HERSCH AND ANAT COHEN DUO DATES
Mar 14 / Davis, CA / Mondavi Center for the Performing Arts
Mar 15 / Davis, CA / Mondavi Center for the Performing Arts
Mar 16 / Davis, CA / Mondavi Center for the Performing Arts
Mar 17 / Davis, CA / Mondavi Center for the Performing Arts
Mar 18 / Boise, ID / Boise State University
Mar 20 / Seattle, WA / Dimitriou's Jazz Alley
Mar 21 / Seattle, WA / Dimitriou's Jazz Alley

TENTET DATES
Mar 10 / Cambridge, MA / Sanders Theatre (co-bill with Ben Wendel Seasons Band)
Apr 07 / Kansas City, MO / American Jazz Museum 
Apr 08 / Columbia, MO / Missouri Theatre
Apr 10 / Lebanon, IL / Hettenhausen Center for the Arts
Apr 11 / Dayton, OH / Sears Recital Hall
May 05 / Washington, DC / Kennedy Center -Terrace Theater


from: https://mailchi.mp/anatcohen/new-album-duo-dates-1271617?e=db0f2c0856

Monday, February 26, 2018

BBC documentary on Charlie Parker's life

Sunday, February 25, 2018

Elijah Baradi Quintet 'On The Sunny Side Of The Street'


Published on Feb 23, 2018
They planned it out and executed flawlessly. The teens of drummer Elijah Baradi's Quintet were well prepared for their KNKX School of Jazz studio session. Unlike most groups of a high school age, this talented group from Interlake High in Bellevue played live on 88.5 without an adult mentor. They didn't need one.

Drumming since age 6, Baradi drives a strong rhythm section. The sophomore teams with seniors Mert Selcuk on piano and Kai Wagner at the upright bass, an instrument this electric bass player only recently picked up.

Kai's brother Kenji forms the "brass section" on trombone and trumpet, with fellow sophomore Ishaan Ghose on tenor sax. Both horn players held nothing back, blowing rapid-fire solos that only caffeinated 16-year-olds can manage.

As Ghose explained, the band put a lot of thought into their session setlist. Start with a standard everyone knows to get the audience hooked. Then slow the room down with a meditative groover, and finish with an uptempo "banger" to bring the house down.

"On the Sunny Side of the Street" checked the first box, but only hinted at what was to come next. Pianist Selcuk's original composition "Kites" was a soulful and catchy number that sounds like a lost Roy Hargrove piece. I thought it might be an original as they rehearsed it before the live broadcast, but I was still surprised when I asked them who wrote it and all hands pointed to the piano chair.

The "banger" finale, Chick Corea's "Spain", began with the familiar lovely piano introduction, and then they were off. The song's tricky theme only served to show how much these five have worked together, and the solos burned at mid-40s bebop speed. Baradi kept things from flying off the rails and brought them to a close with a leader's confidence.

Jazz is a journey of constant discovery, and the KNKX School of Jazz continues to discover talented young musicians. They seem to always be getting better.

Subscribe to see more content from KNKX Public Radio

Bill Evans & Chet Baker - The Legendary Sessions




The Legendary Sessions of Bill Evans & Chet Baker, recorded in 1959 New York.
Personnel:
Bill Evans (p) Chet Baker (tr) Zoot Sims (asax) Pepper Adams (bsax) Herbie Mann (tsax) Kenny Burrell (gr) Paul Chambers (b) Philly Joe Jones (dr)
Released: February 2010
Recorded:Dec. 30, 1958 (1-3, 5-7, 10) & January 19, 1959 (4, 8, 9) July 22, 1959 (11-14) & July 21, 1959 (15) New York
Label: American Jazz Classics 99 005 0:00 "Alone Together" 6:56 "How High The Moon" 10:33 "It Neve Entered My Mind" 15:11 "'Tis Autumn" 20:29 "If You Could See Me Now" 25:47 "September Song" 28:54 "You'd Be So Nice To Come Home To" 33:26 "Time on My Hands" 37:58 "You and the Night and the Music" 42:06 "Early Morning Mood" 51:08 "Show Me" 57:36 "I Talk to the Trees" 1:03:28 "Thank Heaven for Little Girls" 1:08:03 "I Could Have Danced All Night" 1:11:43 "Almost Like Being in Love" Never have two musicians seemed so alike in temperament yet differed so much in their approach to making music as Chet Baker and Bill Evans. While both were peerless masters of their instruments and shared a rich, evocatively lyrical playing style that bordered beguilingly on the introspective, Baker and Evans were polar opposites when it came to the discipline of performance. Though both were heroin addicts, the musically-trained Evans never let it interfere with his meticulously precise flights of invention while the self-taught Baker became increasingly erratic and inconsistent. They ventured into a recording studio together on just three occasions. Michael Quinn of bbc.co.uk The sessions dates are identified as Dec. 1958, plus January and July 1959. Both featured artists are in top musical form. Their interpretations of these jazz standards are exceptional. The backing musicians are truly the gold standard of jazz recording artists. All these individuals are legendary jazz icons with very successful solo careers. The ensemble includes Herbie Mann, Pepper Adams, Kenny Burrell, Paul Chambers, Connie Kay and Philly Joe Jones. All these artists turn in stellar performances. However, I have to single out Pepper Adams on baritone sax who really shines on these selections. The production values and mix are spot on, courtesy of Orrin Keepnews. The entire project maintains a leisurely tempo and a rich melodic and moody interpretation of these classic compositions. Richard C. Ferris of amazon.com

Saturday, February 24, 2018

BBC Legends - The Charlie Parker Story


Charles "Charlie" Parker, Jr. (August 29, 1920 – March 12, 1955), also known as Yardbird and Bird, was an American jazz saxophonist and composer.[1]

Parker was a highly influential jazz soloist and a leading figure in the development of bebop,[2] a form of jazz characterized by fast tempos, virtuosic technique and advanced harmonies. Parker was a blazingly fast virtuoso, and he introduced revolutionary harmonic ideas including rapid passing chords, new variants of altered chords, and chord substitutions. His tone ranged from clean and penetrating to sweet and somber. Parker acquired the nickname "Yardbird" early in his career.[3] This, and the shortened form "Bird", continued to be used for the rest of his life, inspiring the titles of a number of Parker compositions, such as "Yardbird Suite", "Ornithology", "Bird Gets the Worm", and "Bird of Paradise". Parker was an icon for the hipster subculture and later the Beat Generation, personifying the jazz musician as an uncompromising artist and intellectual rather than just an entertainer.

Tierney Sutton at South Miami Dade Cultural Arts Center


Grammy Nominated Jazz Vocalist Tierney Sutton at South Miami Dade Cultural Arts Center March 3, 2018 for Two Shows

The New York Times has called TIERNEY SUTTON
"A serious jazz artist who takes the whole enterprise to another level “.

A 6-time Grammy Nominee as both a recording artist and arranger, Sutton is often described as “a singer’s singer”, but just as often, she is described as a “musician’s singer”, who uses her voice like an instrument. 

Most recently, Tierney received her 5th consecutive Grammy Nomination for “Best Jazz Vocal Album” for her latest project , “After Blue”, an intimate, jazz-inspired re-imagining of the legacy of Joni Mitchell. The album, which is Sutton’s first solo outing without her longtime Band, features Al Jarreau, Hubert Laws, Peter Erskine, Larry Goldings, Serge Merlaud, Kevin Axt and The Turtle Island Quartet.

Spanning over 20 years of collaboration, the Tierney Sutton Band’s 9 CDs have consistently topped the US jazz charts, leading to Tierney’s selection as Jazzweek’s Vocalist of the Year as well as to numerous other accolades in the music world including a 2011 Grammy nomination for the Band’s collaborative arranging. 

She has headlined in recent years at The Hollywood Bowl, Carnegie Hall, The Kennedy Center and Jazz At Lincoln Center. She can also be heard on film and television soundtracks including The Academy Award-nominated film “The Cooler” as well as on television commercials (BMW, Green Giant, Yoplait Yogurt, Coke).

When she is off the road, Tierney is an active educator. She taught for over a decade at USC’s Thornton School of Music and is currently the Vocal Department Head at The Los Angeles Music Academy in Pasadena,CA where she has created a new curriculum for vocalists of all genres. Tierney has taught and mentored some of music’s finest new generation of singers including Gretchen Parlato and Sara Gazarek and Monica Borzym. 


SouthMiami-Dade Cultural Arts Center (SMDCAC) presents The Tierney Sutton Band on Saturday, March 3, 2018 at 7:30pm and 9:30pm in the Center’s intimate Black Box Theatre.

Wednesday, February 21, 2018

Sonny Rollins - Way Out West (Deluxe)

from jazz@jazzinstitut.de

21 February 2018

... what else ...
The German saxophonist Ernst-Ludwig Petrowsky has been awarded the German Record Critics' award for the album "Letzter Rabatz!" ( Schallplattenkritik). --- Esther Brenner reports about musicians demanding their fee from last year's festival in Saarbrücken, Germany, after the artistic director had embezzled the money ( Saarbrücker Zeitung ). --- Paddy Harper reports about accusations of corruption against ANC leader Mike Mabuyakhulu over R28-million in provincial government funding that was spent on a jazz festival in Durban, South Africa, which never happened ( Mail and Guardian). Bheki Mbanjwa reports about another defendant in the festival scandal, the Durban businessman Mabheleni Ntuli ( IOL). --- Larry Blumenfeld reports about a new album by the singer Alicia Hall Moran ( The Village Voice). --- Howard Reich watches "Body and Soul. An American Bridge", a documentary about the way in which African Americans and Jews interrelated through jazz ( Chicago Tribune). --- Samuel Jones attends a concert by Darcy James Argue's Secret Society with a political program, yet presented by a "completely white 18-person outfit" with only one female musician ( Columbia Spectator). --- Cassandra Day talks to the pianist Terry Woolard ( The Middletown Press). --- Bastian Küllenberg talks to the bassist Nick Blacka of the British band GoGo Penguin ( Intro). --- Shalina Dasgupta talks to the Canadian saxophonist Jonathan Kay ( Media India). --- Jasminka Hubert hears and talks to the pianist Joe Haider ( Zürcher Unterländer ). --- Nils Neuhaus reports about the current state of the discussion about a "House of Jazz", the idea by German trumpeter Till Brönner ( Berliner Morgenpost). --- Howard Reich reports about Lauren Deutsch who will step down from her post as executive director for the Chicago Jazz Institute after 22 years ( Chicago Tribune). --- Christine Sexton reports about a hacker scam which nearly cost the Jazz Centre UK 10,000 Pounds ( Echo News). --- Thomas Stridde reports about the German jazz promoter Thomas Eckardt who received an award for his commitment to jazz ( Ostthüringer Zeitung ). --- Jill Radsken talks to pianist Vijay Iyer, bassist Esperanza Spalding and drummer Terri Lyne Carrington about the importance of the late pianist Geri Allen who will be commemorated at a tribute at Harvard University ( Harvard Gazette). --- Mary Carole McCauley reports about the Peabody Conservatory in Baltimore hiring three musicians with local ties to strengthen the school's jazz program ( Baltimore Sun). --- Rose-Marie Gropp sees the exhibition "Boom for Real" about the artist Jean-Michel Basquiat in Frankfurt, Germany ( Frankfurter Allgemeine Zeitung ). --- Sam Meredith reports about the guitar brand Gibson being on the brink of bankruptcy ( CNBC). --- Dan Polletta talks to the saxophonist Sonny Rollins about an undisclosed gift to the Oberlin Conservatory of Music to establish the Sonny Rollins Jazz Ensemble Fund ( IdeaStream).


Obituaries
We learned of the passing of the singer Wesla Whitfield at the age of 70 ( New York Times), the singer Vic Damone at the age of 89 ( New York Times), the blues radio host "Sunshine" Sonny Payne at the age of 92 ( Helena World), the Chilean jazz promoter Pepe Hosiasson at the age of 86 ( El Club de Jazz ), the historian Lerone Bennett Jr. at the age of 89 ( New York Times), the German saxophonist Uwe Werner at the age of 62 ( Rems-Zeitung), the French violinist Didier Lockwood at the age of 62 ( The Straits Times, Libération, Le Monde,  Süddeutsche Zeitung), as well as the trumpeter Mason Prince at the age of 92 ( Omaha World-Herald).

                              
Last Week at the Jazzinstitut
Two major concerts took place at the Jazzinstitut's concert space during the last two weeks: Tobias Hoffmann's trio exploring the sound possibilities in a broad repertoire between "Blues, Ballads and Britney", and Charlotte Greve's Lisbeth Quartett playing two sets of intense melodies and intimate communication among the four band members, all of whom gave an insight into their musical approach during the conversation between sets of this JazzTalk concert. We look forward to hearing the Cuban pianist Ramón Valle with his trio this Thursday, organized by the Beyond Blue Connection ( Konzerte im Jazzinstitut).

The Jazzinstitut is part of a regular meeting of the heads of scientific and cultural institutions in the city of Darmstadt which met Monday at ESA / ESOC, the European equivalent of NASA, based in Darmstadt (and, yes, we got a tour by Paolo Ferri, head of interplanetary mission operations). 37 of these institutions just signed a memorandum strengthening the infrastructure for science and culture in our city ( Memorandum).

Johannes Breckner read and reviewed Wolfram Knauer's new book on Duke Ellington. He calls it an "amazing biography" which "opens the ears of the readers for details and processes in the music" and puts Ellington's oeuvre into the "context of black American cultural history" ( Darmstädter Echo).

We read ... Dan Vernhettes' "Commemoration of the Centenary of the arrival of the African-American military bands in France during World War I" (Saint-Etienne-du-Rouvray 2017, Jazz’edit), Guillaume Belhomme's "Jazz en 150 Figures" (Paris 2017, Editions du Layeur), and Benjamin Bierman's "Listening to Jazz" (New York 2016, Oxford University Press). The review of these and other books can be found on the book review page of our website.

Tampa Jazz Club Presents American Pianist John Beasley

Tampa Jazz Club Presents American Pianist John Beasley February 26, 2018 at USF Concert Hall


The Tampa Jazz Club presents JOHN BEASLEY, the pianist/ composer/ arranger whose MONK’estra project has received four Grammy nominations, will bring his dazzling new interpretations of Thelonious Monk’s music to USF’s Monday Night Jazz on February 26. To honor the Monk Centennial Year, Beasley will conduct the USF JAZZ ENSEMBLE in the USF Concert Hall, beginning at 7:30m. Monday Night Jazz, a monthly concert series for more than 20 years, is presented in conjunction with the USF School of Music, WUSF's All Night Jazz.

A jazz veteran who was the pianist for both Miles Davis and Freddie Hubbard in his early years, John Beasley has been Music Director for world tours by Steely Dan, Queen Latifah, and others. Based in Hollywood, he has extensive experience working on major film soundtracks, and as arranger for television, from ‘American Idol’ to ‘The Kennedy Center Honors.’  Beasley has also directed the International Jazz Day global concerts presented by UNESCO since their inception, from venues in Paris, Istanbul, Osaka, Havana, and The White House.

As the world paid tribute in the past year to the centennial of the birth of Thelonious Monk, Beasley’s visionary arrangements of Monk’s music became a sensation in the jazz world. The two MONK’estra albums shine a new light on Monk’s singular sound, with contemporary harmonies, unstoppable grooves, and a real sense of fun.


The 18-piece USF JAZZ ENSEMBLE gave listeners an unforgettable treat at November’s Monday Night Jazz, playing under the direction of composer John Clayton. Don’t miss their collaboration with JOHN BEASLEY and his bold explorations of Monk – described by the International Review of Music as ‘some of the most mesmerizing big band music of recent memory.’ 

Monday, February 19, 2018

Ottawa Pianos celebrates 50 years in business

Dick Papalia performs on a float at the Ottawa SuperEX parade in the early 1970s. His Bank Street business is celebrating its 50th anniversary. (Submitted)

CBC News
Posted: Feb 19, 2018 6:59 AM ET Last Updated: Feb 19, 2018 9:43 AM ET

After 50 years and three generations, the Papalia family is still on top of Ottawa's piano game.

Dick Papalia opened Ottawa Pianos in 1968.

Saturday night the family marked that anniversary with a concert at Centrepointe Theatre — featuring performances by the Ottawa Chamber Orchestra and Juno-nominated pianist David Jalbert.

Dick told CBC Radio's In Town and Out how he came to Canada from Italy in the 1950s and his first musical love was actually a different instrument.

"I studied [accordion] in the United States, in New York. Then I came back and opened an accordion studio," he said.


"But by 1965, the accordion business was totally dying. [So] I got involved with selling pianos."

read more at: http://www.cbc.ca/news/canada/ottawa/ottawa-pianos-50-year-anniversary-1.4540727

Sunday, February 18, 2018

Jazz Musician Of The Day: Lajos Dudas


MICHAEL RICCI 
February 18, 2018

Lajos Dudas was born in Budapest/Hungary and studied there at the Bela Bartok Conservatory and the Franz Liszt Academy of Music (1958-1963), laying the foundations for his successful career not only as jazz and pop/rock musician but also on the classical side (Strawinsky: Three Solopieces, Weber: Clarinet Quintet, Glazunow: Concerto for Altosax). He is thus brilliant at interweaving bop nuances, folk music... Read more.

Oscar Peterson and Ray Brown, two giants of jazz

Ray Brown (left), Jeff Hamilton and Oscar Peterson are shown at the 1993 Glenn Gould Prize evening in Toronto. (Photo courtesy of the Glenn Gould Foundation)


by George VargaContact Reporter

Just how important were pianist Oscar Peterson and bassist Ray Brown — two of the most iconic artists in jazz history — to the world of music?

Drum dynamo Jeff Hamilton and bass stalwart John Clayton, who each played with Peterson and Brown, are quick to offer an answer.

“I said this in the ‘Music in the Key of Oscar’ documentary: Oscar will go down as one of the greatest pianists, ever, in any genre,” Hamilton said. “And, to me, Ray is the greatest jazz bassist who ever played.”

Clayton concurs.

On Saturday, Feb. 24, he and Hamilton will headline the orchestra-free San Diego Symphony “Jazz at the Jacobs” concert, “Affinity: A Ray Brown and Oscar Peterson Tribute” at Jacobs Music Center’s Copley Symphony Hall. (Ticket information appears below.) The other musicians in the lineup include pianist Larry Fuller, who was the pianist in Brown’s final band, and — at least for one song — trumpeter and “Jazz at the Jacobs” curator Gilbert Castellanos.

“Oscar and Ray were both phenomenal,” Clayton said of Peterson, who died in 2007, and Brown, who died in 2002.


“When Oscar played the piano, he was the whole orchestra. He could play something as rhythmic and aggressive as Bartok, and yet be as tender and expressive as Debussy or Mozart. In any area of art — whether film, painting, music — there are always people who stand out as pivotal. Ray represents that, because he’s the link between the swing era and the bebop era.

read more at: http://www.sandiegouniontribune.com/entertainment/music/sd-et-music-jazz-jacobs-20180218-story.html

Saturday, February 17, 2018

Chris Potter's Underground

Chris Potter's Underground

feat. Adam Rogers, Fima Ephron & Dan Weiss.

Monday 12th March 2018 - Wednesday 14th March 2018
 
A world-class soloist, accomplished composer and formidable bandleader, saxophonist Chris Potter has emerged as a leading light of his generation. DownBeat cites him as "One of the most studied (and copied) saxophonists on the planet" while Jazz Times identified him as "a figure of international renown." Jazz sax elder statesman Dave Liebman simply called him "one of the best musicians around," a sentiment shared by the readers of Down Beatin voting him second only to tenor sax great Sonny Rollins in the magazine's 2008 Readers Poll. Expect scalding contemporary jazz and avant-funk from his exceptional Underground. Featuring: Chris Potter - saxophone, Adam Rogers - guitar, Fima Ephron - bass and Dan Weiss - drums. Don't miss out!

Sonny Rollins - Way Out West

CRAFT • 1957

Recorded in Los Angeles in 1957, the jazz legend’s classic album—the first to use the now-standard saxophone-bass-drums trio—looks like a novelty and sounds like transcendence.

by Natalie Weiner


Sonny Rollins doesn’t fear the familiar. He’s persistently original, yes—those lucky enough to see him live before his deteriorating health prevented him from playing remember a “limitless” improvisor, one of jazz’s best. It only takes a cursory listen to what we now know were his final albums, the live Road Shows series, to hear how inventive the now 87-year-old jazz legend could be. Even now, unable to blow the horn that made him a colossus, he told Vulture last year, “I can’t get rid of [musical ideas]. It’s just a little trial that I have to endure.”

But even in his last concerts, he was still performing some of the same standards he injected so much life into throughout his seven-decade career—including those that appear on 1957’s Way Out West, an album that looks like a novelty and sounds like transcendence. The project, one of Rollins’ canonical recordings, has gotten a 60th-anniversary reissue in the form of a two-LP box set which includes previously unreleased outtakes and some in-studio dialogue. (A digital version is also available.) All these years after its release, Way Out West still shows Rollins’ unique ability to revere his musical heritage without losing his edge. Old songs, new sound.

read more at: https://pitchfork.com/reviews/albums/sonny-rollins-way-out-west/

Friday, February 16, 2018

"Well, it's Friday once again

Music In The Park Brings Dirty Cello & Matthew Kenneth Fowler

Music In The Park Brings Dirty Cello & Matthew Kenneth Fowler

Sunday, February 18, 2018 ~ 2-4pm

Featured Artists: Matthew Kenneth Fowler and Dirty Cello Matthew Kenneth Fowler  2-3pm DIRTY CELLO 3-4pm
Blues & Bluegrass From San Francisco at High Springs Museum & Community Center

120 NW 2nd Ave, High Springs, FL 32643

High Springs Music in the Park series - the only non-cost (FREE) music venue 
in North Florida thanks to donations and sponsors. If weather permits performance will  be outside in the gazebo in James Paul Park.

Upcoming Series Dates - Artists TBA:
MAR 18; APR 15; MAY 20;

JUN 17; JUL 15; AUG 19; SEP 16.

Roger Guérin’s recording sessions in Paris in the 1950s

First Listen: Alfredo Rodríguez, 'The Little Dream'

Alfredo Rodríguez's The Little Dream is out Feb. 23 on Mack Avenue Records.

Anna Webber/Courtesy of the artist

by ACKSON SINNENBERG
February 15, 20185:01 AM ET

Alfredo Rodríguez is a figurehead of the new generation of Cuban jazz musicians who observe and honor their roots while constantly seeking new avenues for expression. The 32-year-old pianist's new album, The Little Dream, evokes Keith Jarrett, Jaco Pastorious and Pat Metheny in equal parts, but the rhythms of Cuba, those guïro grooves can get anybody reeling and rocking, are etched into the music's bones.


Rodríguez, bassist/guitarist Munir Hossn and drummer Michael Olivera flesh out ethereal, almost pastoral soundscapes, lending a delicate, child-like wonder to the album's heaviest compositions. In "Bloom," the melodies spread and grow, as if they were mirroring the growth and blossom of some magnificent, delicate flower. "Tree of Stars" shrinks the vastness of a starry night into a piquant, delicately pointed rendering of each star's twinkle. "World of Colors," an almost solo feature for Rodríguez, captures ecstatic joy and melancholy in the span of 120 seconds.

read more at: https://www.npr.org/2018/02/15/585474715/first-listen-alfredo-rodr-guez-the-little-dream

Thursday, February 15, 2018

arranger #ChicoO’Farrill for Norman Granz’s Clef label

Latin jazz ....

Bill Evans videos from 1972

trombonist Eddie Bert's 1953 recording sessions

South Motors Jazz Series at Pinecrest Gardens Presents ...

South Motors Jazz Series at Pinecrest Gardens Presents the Ellis Marsalis Trio Direct from Frenchmen Street in New Orleans


South Motors Jazz at Pinecrest Gardens 2017-2018

March welcomes back the man considered to be the greatest percussionist in the world today, Miami’s own Sammy Figueroa who is bringing with him all the way from Rio one of Brazil’s premier jazz vocalists, Joyce Moreno, hailed by none other than Antonio Carlos Jobim as "...one of the greatest singers of all time."  This will be one of the most memorable nights of Brazilian influenced jazz you will ever experience.


Finally comes April – when South Motors Jazz will present a group of performers that have sold more than 10 million records in their decades of writing and performing the most delicious music that I’m sure most of you are very familiar with, Spyro Gyra. Saxophonist Jerry Beckenstein is still revered as one of the premier jazz artists and Sax Masters, and in a career that spans generations, they are today, sounding and performing better than ever.

Wednesday, February 14, 2018

St. Petersburg Jazz Festival Set

St. Petersburg Jazz Festival Set for February 21-25, 2018 at Palladium Theater

The 2018 St. Petersburg Jazz Festival is February 21-25! The lineup includes the original compositions by theTal Cohen Trio, Jeff Rupert Quintet with Veronica  Swift, B3 Fury with the Shawn Brown Quintet, The Helios Jazz Orchestra with singers Whitney James & Chuck Wansley and Latin Jazz with the Gabriel Hernandez Trio.

All of our concerts are at the Palladium Theater and Palladium Theater Side Door venues. Our jazz festival is designed to provide a optimum environment for listeners of jazz. You won't find food trucks, stadium seating or massive columns of speakers at the St. Petersburg Jazz Festival. What you will find is an 
intimate concert experience with pure sound quality and a great appreciation of the jazz artists performing.

Tickets can be purchased at: http://www.mypalladium.org/events

Palladium at St. Petersburg College
253 Fifth Avenue, N., St. Petersburg FL 33701 

THE Smooth Jazz Series of Greater Tampa Bay Presents Jeff Kashiwa

THE Smooth Jazz Series of Greater Tampa Bay Presents Jeff Kashiwa at Charlie's Sushi in Clearwater Feb 21, 2018


Wednesday, February 21, 2018

JEFF KASHIWA W/ The Ron Reinhardt Group

Seattle native, Jeff Kashiwa knew he was destined to be a musician following his junior high introduction to woodwinds. His instincts were correct. He became known as one of the most compelling young saxophonists in contemporary jazz during his first year with The Rippingtons. Kashiwa performed hundreds of shows all over the world and appeared on many of the band’s classic recordings.

Having established himself in the 1990’s as one of the most diverse saxmen in contemporary jazz during his decade long tenure with The Rippingtons, Kashiwa’s instincts led him to more dynamic endeavors through his solo career. It surprised many when Jeff left the group to venture out on his own, but he had things to say through his own music. Kashiwa now has nine CDs released under his own name and has continued to record as a guest artist with many other artists as well. In 2004, Kashiwa founded The Sax Pack, a trio of saxophone headliners, featuring himself, Steve Cole and Kim Waters. The group released two CDs together and charmed audiences with their Rat Pack style reparte’ in tours across the U.S. and abroad.

In 2006, Jeff reunited with The Rippingtons for their 20th Anniversary Tour and continues to record and tour with the group as often as his busy schedule will allow. In addition to touring with The Sax Pack and his own group, Kashiwa has expanded his career to include the realm of music education, teaching various courses through the music program at Shoreline Community College in Seattle.

Tuesday, February 13, 2018

Blossom Dearie's "Soubrette Sings Broadway Hit Songs."

Karen Souza - Ain't no sunshine

Sunday, February 11, 2018

2018 Tri-C JazzFest needs bands to play outdoor stages

(Courtesy of the Tri-C JazzFest)



CLEVELAND, Ohio - The Tri-C JazzFest again has put out a call for local bands to perform in the free outdoor concerts at the Playhouse Square complex this summer.

Online applications will be accepted at https://forms.tri-c.edu/JazzFestCallsForBands/ starting Monday, Feb. 12. Applications to fill the 18 or so slots will be accepted at that address until Monday, March 26.

The JazzFest, now in its 39th year, isn't looking just for jazz bands, either. In years past, the outdoor portion of the festival on Friday and Saturday, June 29 and 30, has sought applications from jazz, blues, funk, R&B, gospel, jam band and reggae groups, according to a release from festival organizers at Cuyahoga Community College.

"Not only is the committee choosing bands based on quality, they're charged with presenting a balance of music genres,'' said festival director Terri Pontremoli in the release announcing the call for bands.

The bands selected by a committee of industry professionals will perform at various stages outdoors at Playhouse Square from 3 p.m. to midnight June 29 and 30. The festival itself begins on Thursday, June 28, with the first of eight ticketed shows, Tony Award winners Leslie Odom Jr. (from the musical, "Hamilton") and Dee Dee Bridgewater (from "The Wiz'').

read more at: http://www.cleveland.com/entertainment/index.ssf/2018/02/2018_tri-c_jazzfest_needs_band.html

Willie Jones III Leads His Six-Piece Jazz Band in Valentine's Day Concert

Willie Jones III Leads His Six-Piece Jazz Band in Valentine's Day Concert for Gold Coast Jazz in Fort Lauderdale

On Wednesday, February 14, 2018, bring your sweetie to hear some Valentine’s jazz.  The Gold Coast Jazz Society’s jazz series will featuring five world-renowned musicians all in one place!  Jazz drummer, Willie Jones III, is bringing his all-star group of friends to perform Love Songs and Lovers…the Ones You Have Forgotten. The concert takes place at the Amaturo Theater of the Broward Center for the Performing Arts, 201 SW 5th Avenue in Fort Lauderdale at 7:45pm.  Single tickets are available for $55 per person.  Students and teacher tickets are $10 with valid ID.  To purchase single tickets, call the Broward Center AutoNation Box Office at 954-462-0222, or go online to www.browardcenter.org or www.goldcoastjazz.org.   

This Valentine’s inspired performance includes jazzy arrangements of love songs and jazz favorites with  Willie Jones III, drums; Terrell Stafford, trumpet; Robin Eubanks, trombone; Ralph Moore, sax; Eric Reed, piano, and Gerald Cannon, bass. These band represents the core of what jazz is currently, and in true jazz fashion, this band was created especially for this tour. 

Saturday, February 10, 2018

Camilla George/ Andrew McCormack review

Camilla George/ Andrew McCormack review – the funk and thunder of young British jazz
Heartwarming … pianist Andrew McCormack and sax player Camilla George at Ronnie Scott’s on 7 February. Photograph: Carl Hyde


Fri 9 Feb 2018 18.04 GMT

This rousing double bill at Ronnie Scott’s, featuring the young Nigeria-born saxophonist Camilla George and the British pianist/composer Andrew McCormack, was ostensibly a showcase for two of the brightest talents on the books of the enterprising new UK jazz promoter Ubuntu. But the backstory was that of Tomorrow’s Warriors, the UK jazz-education organisation founded by Gary Crosby and Janine Irons in 1991.
That inspirational venture nurtured the now spiralling jazz careers of McCormack and George, as well as a raft of local heroes including Jason Yarde and Soweto Kinch before them. The Tomorrow’s Warriors vision of a jazz party anyone can join, regardless of background, culture, gender or education, and making music anyone can tune into, glowed all around this gig.
George’s regular band, including the ever-inventive pianist Sarah Tandy, was augmented by young Warriors alumni including guitarist Shirley Tetteh and the variously intimate and neo-soulfully searing vocalist Cherise Adams-Burnett. The leader’s bittersweet saxophone improv and songlike melodic turns curled around Adams-Burnett’s eloquence on a dark lullaby, and cut through the funky snap of a jazz makeover of Curtis Mayfield’s New World Order. The culminating soul-jazz feature, punctuated by Tandy’s crisp Fender Rhodes chords and Quentin Collins’s trumpet hooks, featured a vividly skimming guitar break from the intriguing Tetteh. 
Andrew McCormack’s Graviton was a tighter and more heavy-hitting outfit, not least because its rhythm section was powered by Jacob Collier, bass guitar virtuoso Robin Mullarkey and wildly creative Phronesis drummer Anton Eger. But the band’s thundering groove-power was lyrically balanced by versatile singer Noemi Nuti’s gliding wordless anthems.
Meanwhile, the Graviton title theme segued gleaming piano ostinatos, swaying chants and explosive percussion, and the improv inventiveness of McCormack – a subtly muscular player who sometimes unleashes a precise intensity worthy of McCoy Tyner – while the boppish saxophonist Leo Richardson kept springing surprises. The evening had its generic lulls, and Graviton’s leanings toward machine-tight contemporary hooks sometimes made it a shade robotic to jazz ears, but it heartwarmingly confirmed the vibrant present and future of young British jazz.
read more at:https://www.theguardian.com/music/2018/feb/09/camilla-george-andrew-mccormack-review-ronnie-scotts-london

Wednesday, February 7, 2018

DownBeat Magazine


HEADLINES

Snarky Puppy Evokes 1960s at Carnegie Hall Concert
Theme concerts sometimes can lack authenticity. So, a bit of skepticism emerged in some quarters when Carnegie Hall announced that Snarky Puppy—a nonet whose members are mostly… More »
Scope of Panama Jazz Festival Expands
The vision and determination that built the Panama Jazz Festival into a thriving institution were characterized in public comments at a festival reception this month. 
“We…
 More »
Geri Allen’s Spirit Fills Winter Jazzfest During All-Star Tribute
On the evening of Martin Luther King Day, Jan. 15, the New York City Winter Jazzfest hosted a splendid and heartfelt all-star tribute concert to Geri Allen, whose death from… More »
In Memoriam: Hugh Masekela
Hugh Masekela, a beloved multi-instrumentalist and activist from South Africa whose long career included a surprise pop hit, collaborations with Herb Alpert and The Byrds, and the… More 

Chick Corea to Perform in Amelia Island Chamber Music Festival

Venue Change Reminder - Chick Corea to Perform in Amelia Island Chamber Music Festival Jan 19, 2018

Friday, January 19, 2018 ~ 7:30pm
Omni Amelia Island Plantation Resort
39 Beach Lagoon Rd
Amelia City, Florida 32034
MAP
INFO ~ AICMF WEBSITE
AICMF FACEBOOK ~ FACEBOOK EVENT PAGE

TICKETS

CHICK COREA has attained iconic status in music. The keyboardist, composer and bandleader is a DownBeat Hall of Famer and NEA Jazz Master, as well as the fourth-most nominated artist in Grammy Awards history with 63 nods – and 22 wins, in addition to a number of Latin Grammys. From straight-ahead to avant-garde, bebop to jazz-rock fusion, children’s songs to chamber and symphonic works, Chick has touched an astonishing number of musical bases in his career since playing with the genre-shattering bands of Miles Davis in the late ’60s and early ’70s.
Yet Chick has never been more productive than in the 21st century, whether playing acoustic piano or electric keyboards, leading multiple bands, performing solo or collaborating with a who’s who of music. Underscoring this, he has been named Artist of the Year three times this decade in the DownBeat Readers Poll. Born in 1941 in Massachusetts, Chick remains a tireless creative spirit, continually reinventing himself through his art. As The New York Times has said, he is “a luminary, ebullient and eternally youthful.”

Chick’s classic albums as a leader or co-leader include Now He Sings, Now He Sobs (with Miroslav Vitous and Roy Haynes), Paris Concert (with Circle: Anthony Braxton, Dave Holland and Barry Altschul) and Return to Forever (with Return to Forever: Joe Farrell, Stanley Clarke, Airto Moreira and Flora Purim), as well as Crystal Silence (with Gary Burton), My Spanish Heart, Remembering Bud Powell, and Further Explorations (with Eddie Gomez and Paul Motian).

A venturesome collaborator, Chick has teamed with artists from jazz legend Lionel Hampton to new-generation pianist Stefano Bollani, from banjoist Béla Fleck to vocal superstar Bobby McFerrin. Chick’s duo partnerships with Gary Burton and Herbie Hancock have endured decades.

Chick’s 2014 release ranks as a new classic in his discography: Trilogy, a live triple-disc set with bassist Christian McBride and drummer Brian Blade. Winner of two Grammys, the album documents this trio interpreting classic Chick compositions (such as “Spain”), plus previously unreleased pieces by the pianist (“Piano Sonata: The Moon”), an array of jazz standards and even a Prelude by Alexander Scriabin. All About Jazz noted: “This one certainly ranks among his most memorable trios… [Corea] has never been more active—and with albums as superb as Trilogy … clearly at the top of his game.”

Rare for a “jazz musician,” Chick received the Richard J. Bogomolny Award from Chamber Music America in 2010, and he broke new ground as a composer with The Continents: Concerto for Jazz Quintet and Chamber Orchestra, (listen to a sample below) released in 2013 by a storied classical label, Deutsche Grammophon. Chick recorded his first album of solo piano in 1971, and he continued his intimate journey with the instrument on Solo Piano – Portraits. For the 2013 album The Vigil, Chick put together a new-era electro/acoustic quintet, featuring himself on keyboards and longtime associate Tim Garland on reeds, alongside some hot young players.

For a sold-out international tour and live album in 2008, Chick reconvened his pioneering jazz-rock fusion band Return to Forever, which he founded in 1972. Then in 2011 a new version of Return to Forever – with Clarke, White, Jean-Luc Ponty and Frank Gambale – toured the world to acclaim, yielding the live CD/DVD The Mothership Returns.


2015 has found Chick himself as active as he’s ever been. A major highlight of the year was Chick’s hugely acclaimed world tour with fellow piano legend Herbie Hancock, reuniting for their first full-scale tour as a duo since 1978. That first duet outing—just the pair of world-class musicians playing acoustic pianos—resulted in a pair of massively popular album still viewed as benchmarks today. Corea & Hancock filled some of the greatest venues on the planet. Said Chick about the tour, “Herbie is my longtime friend, one of my most important teachers and big musical inspirations. To be able to share the stage each night with him is such a highlight of the creative imagination for me.”