2016-04-04 Jacob Shulman is a composer and saxophonist from Los Angeles. He is a student at Princeton University and a graduate of the Los Angeles County High School for the Arts. His musical interests include Balkan folk traditions, German romanticism, and Japanese video game soundtracks. Jacob toured and taught across Japan with the Next Generation Jazz Orchestra, and across the United States with the Thelonious Monk Institute of Jazz. He is a winner of the Los Angeles Music Center Spotlight Awards and the Angel City Jazz Festival Competition. Besides music, he cares about mathematics and video games. See more at: http://www.bluenote.net/newyork/schedule/moreinfo.cgi?id=14127#sthash.YfKzBkob.dpuf
“Liebman is among the most important saxophonists in contemporary music . . . a leader and artist of integrity and independent direction.” - Leonard Feather - Downbeat
David Liebman was born in Brooklyn, New York on September 4, 1946. He began classical piano lessons at the age of nine and saxophone by twelve. His interest in jazz was sparked by seeing John Coltrane perform live in New York City clubs such as Birdland, Village Vanguard and Half Note. Throughout high school and college, Liebman pursued his jazz interest by studying with saxophone guru Joe Allard as well as jazz musicians Lennie Tristano and Charles Lloyd. Upon graduation from New York University (with a degree in American History), he began to seriously devote himself to the full time pursuit of being a jazz artist.
In the early 1970s, Liebman took the leading organizational role as Founder and President of Free Life Communication, a cooperative of several dozen young musical. Free Life became an integral part of the fertile New York "loft" jazz scene in this period and was funded by The New York State Council of the Arts with a residence in the Space for Innovative Development with several other famous performing groups (the Alwin Nicolais Ballet Company). After one year spent with Ten Wheel Drive, one of the early jazz fusion groups, Liebman secured the coveted saxophone/flute position in the group of John Coltrane’s ex-drummer, Elvin Jones.
Within two years, Liebman reached the zenith of his apprenticeship period when the legendary trumpeter Miles Davis hired him. These years from 1970 thru 1974 were filled with tours, recordings and the incredible experience gained by being on the band stand with two masters of jazz. At the same time, Liebman began exploring his own music-first in the Open Sky Trio with Bob Moses and then with pianist Richie Beirach in the group Lookout Farm. This group recorded for the German based ECM label as well as A&M Records and touring the U.S., Canada, India, Japan and Europe.
In 1977, Liebman did a world tour with pianist Chick Corea followed by the formation of the David Liebman Quintet with John Scofield as featured sideman. After several world tours and recordings by the quintet over three years, he reunited with Richard Beirach in the duo format and formed the group Quest in 1981. Beginning with bassist George Mraz and drummer Al Foster, the group solidified with the addition of bassist Ron McClure and drummer Billy Hart. Through 1991 the group recorded seven CDs, toured extensively and did many workshops with students worldwide, garnering high critical praise worldwide. (Most recently the group has reunited for selected tours and new recordings).
Lieb’s present steady working group which has been together since 1991 includes guitarist Vic Juris, bassist Tony Marino and drummer Marko Marcinko. With these musicians he has pursued an eclectic direction in recording projects that has ranged from jazz standards to Puccini arias, adaptations from the John Coltrane and Miles Davis repertoires, original compositions in styles ranging from world music to fusion and free jazz, always maintaining a repertoire that balances the past, present and future.
Over the past several decades, Liebman has often been featured with top European musicians such as Joachim Kuhn, Daniel Humair, Paolo Fresu, Jon Christensen, Bobo Stenson, Michel Portal, Wolfgang Reisinger and Jean-Paul Celea among others. His reputation in Europe has led to big band and radio orchestra performances with the WDR in Koln, Germany; Metropole Orchestra, Netherlands; “new music” groups Klangforum, Vienna, and the Ensemble Intercontemporain from Paris, playing music specially commissioned to feature Lieb's unique soprano saxophone style.
He has consistently placed among the top three finalists of the Downbeat Critics Poll since 1973 in the Soprano Saxophone category. David has been featured on nearly three hundred recordings, of which he has been the leader and/or co-leader on over one hundred. Well over two hundred original compositions have been recorded. His artistic output has ranged from straight ahead classic jazz to chamber music; from chamber music; from fusion to avant garde and world music.
Lieb’s published materials include a wide variety of books considered classics in the field as well as instructional DVDs and chamber music (Aebersold Publications, Caris Music and Advance Music): Self Portrait of A Jazz Artist, A Chromatic Approach to Jazz Harmony And Melody, Developing A Personal Saxophone Sound, several of which have been translated into multiple languages.
His teaching activities at universities and in clinic settings have taken him literally around the world as a result of his varied musical directions and expertise on several instruments, along with an ability to articulate the intricacies of the jazz language, aesthetic and technique. Over the years, he has regularly received grantees to study with him funded by the NEA (U.S.), the Canadian Arts Council, as well as arts councils of numerous European countries. In 1989 he founded the International Association of Schools of Jazz (IASJ), an organization dedicated to networking educators and students from international jazz schools through periodic meetings, exchange programs and newsletters. Liebman presently serves as the Artistic Director of the IASJ and is Artist in Residence at the Manhattan School of Music, NYC.
Among awards presented to Liebman, most notable are several Grammy nominations, placement in the top three of the Downbeats Critic’s Poll (soprano sax) since 1973, Honorary Doctorate from the Sibelius Academy (Helsinki, Finland) and the Order of Arts and Letter (France).
Awards
2009: Artist in Residence-Manhattan School of Music, NYC
2009: The Order of Arts and Letters from the French Government-Officer(2nd level)
2008: Central Pennsylvania Friends of Jazz Hall of Fame
2007: Downbeat Readers Poll - placed 3rd in Soprano Saxophone
2007: The Aria Fien Arts Award (Australia) for Best Jazz Recording of the Year-with Mike Nock: Duologues
2007: Jazz Journalist Award for Soprano Sax
2005: Pennsylvania Council of the Arts Grant to individual artists.
2004: Grammy nomination for Jim McNeely arrangement of “Sing, Sing, Sing” from Beyond the Line recording by the David Liebman Big Band.
2001: Fred Waring Award from Celebration of the Arts, which organizes a yearly festival in the Pocono Mountains of Pennsylvania where Liebman resides for outstanding contributions to the arts and community.
2000: Inducted into the Hall of Fame of the International Association of Jazz Educators for contributions to jazz pedagogy.
1998: Grammy nomination in the category of Best Jazz Solo for the recording of "My Favorite Things" from Thank You, John (Arkadia Records).
1997: Honorary Doctorate of Music from the Sibelius Academy in Helsinki, Finland; the first ever given to a jazz artist.
1991: National Endowment of the Arts Grant for Performance
1988: Record of the Year from the French Jazz Academy for “Homage to Coltrane”(Owl Records)
1980: National Endowment of the Arts Grant for Composition
David Liebman was born in Brooklyn, New York on September 4, 1946. He began classical piano lessons at the age of nine and saxophone by twelve. His interest in jazz was sparked by seeing John Coltrane perform live in New York City clubs such as Birdland, the Village Vanguard and the Half Note. Throughout high school and college, Liebman pursued his jazz interest by studying with Joe Allard, Lennie Tristano and Charles Lloyd. Upon graduation from New York University (with a degree in American History), he began to seriously devote himself to the full time pursuit of being a jazz artist.
In the early 1970s, Liebman took the leading role (as President) in organizing several dozen musicians into a cooperative, Free Life Communication which became an integral part of the fertile New York "loft" jazz scene in the early 1970s and was funded by The New York State Council of the Arts and the Space for Innovative Development. After one year spent with Ten Wheel Drive, one of the early jazz fusion groups, Liebman secured the saxophone/flute position with the group of John Coltrane’s drummer, Elvin Jones. Within two years, Liebman reached the zenith of his apprenticeship period when Miles Davis hired him. These years, 1970-74, were filled with tours, recordings and the incredible experience gained by being on the band stand with two masters of jazz. At the same time, Liebman began exploring his own music-first in the Open Sky Trio with Bob Moses and then with pianist Richie Beirach in the group Lookout Farm. This group recorded for the German based ECM label as well as A&M Records while touring the U.S., Canada, India, Japan and Europe. Lookout Farm was awarded the number one position in the category “Group Deserving of Wider Recognition”in the 1976 Downbeat Magazine’s International Critics' Poll.
In 1977, Liebman did a world tour with pianist Chick Corea followed up the next year by the formation of the David Liebman Quintet with John Scofield, Kenny Kirkland and Terumasa Hino as featured sidemen. After several world tours and recordings by the quintet over three years, he reunited with Richard Beirach. They began performing and recording as a duo, as well as creating the group Quest in 1981. Beginning with bassist George Mraz and drummer Al Foster, the group solidified when Ron McClure and Billy Hart joined in 1984. Through 1991, Quest recorded seven CDs, toured extensively and did many workshops with students worldwide.
Liebman’s present group formed in 1991 includes guitarist Vic Juris, bassist Tony Marino and drummer Marko Marcinko. With these musicians he has pursued an eclectic direction in recording projects that has ranged from jazz standards to Puccini arias, original adaptations from the John Coltrane and Miles Davis repertoires, original compositions in styles ranging from world music to fusion, always maintaining a repertoire that balances the past, present and future.
Over the past decades, Liebman has often been featured with top European jazz artists such as Joachim Kuhn, Daniel Humair, Paolo Fresu, Jon Christensen, Bobo Stenson and in the World View Trio with Austrian drummer Wolfgang Reisenger and French bassist Jean-Paul Celea. His ability to play in so many diverse styles has led to big band and radio orchestra performances with the Brussels Big Band, the WDR and NDR in Germany, the Metropole Orchestra of the Netherlands, the new music group Klangforum from Vienna and most notably, Liebman was the first improviser to perform with the world famous Ensemble Intercontemporain founded by Pierre Boulez in France. On all these occasions, the music is arranged from Liebman's own compositions and improvisations. He has consistently placed among the top finalists in the Downbeat Critics' Poll since 1973 in the Soprano Saxophone category. David Liebman has been featured on several hundred recordings of which he has been the leader or co-leader on over one hundred. Nearly three hundred original compositions have been recorded. His artistic output has ranged from straight ahead classic jazz to chamber music; from fusion to avant garde, with numerous CDs featuring original arrangements of the music of Monk, Miles Davis, Coltrane, Kurt Weill, Alec Wilder, Cole Porter, Jobim and Puccini.
Liebman has published material on a variety of subjects;instructional DVDs, published chamber music and as well over the years he has contributed regularly to various periodicals such as the Saxophone Journal and the International Association of Jazz Educators Journal. He is the author of several milestone books: Self Portrait Of A Jazz Artist, A Chromatic Approach To Jazz Harmony And Melody, Developing A Personal Saxophone Sound and numerous others, several of which have been translated into other languages.
His teaching activities at universities and in clinic settings have taken him literally around the world as a result of his varied musical directions and expertise on several instruments, along with an ability to articulate the intricacies of the jazz language, aesthetic and technique. Over the years, he has regularly received grantees to study with him funded by the NEA (U.S.), the Canadian Arts Council, as well as Arts Councils of numerous European countries. In 1989 he founded the International Association of Schools of Jazz (IASJ), an organization dedicated to networking educators and students from international jazz schools through periodic meetings, exchange programs and newsletters. Liebman presently serves as the Artistic Director of the IASJ. Lieb has scored music for the JazzEx Ballet Company in the Netherlands (early 90’s)and Ocean of Light for Katrina and the Tsunami tragedies(2006).
Liebman has received several distinguished awards including two NEA grants for composition and performance; an Honorary Doctorate from the Sibelius Acadamy of Helsinki; Finland; a Grammy nomination for Best Solo Performance in 1998 and Best Arrangement for Big Band in 2005; induction into the International Association of Jazz Educator's Hall of Fame in 2000; Artist Grant from the Pennsylvania Council of the Arts in 2005; Jazz Journalist Award for Soprano Sax in 2007. http://www.davidliebman.com/bio.htm
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