Posted: Jun 19, 2014 11:31 PM BRT
Updated: Jun 21, 2014 12:44 AM BRT
Philadelphia, Pensylvania, MM - Authority Press
Chuck Anderson performs, teaches, mentors and lectures on jazz guitar and jazz technique in the United States and abroad.
Chuck Anderson started playing rock-and-roll guitar music at age 14, but by age 16 he was searching for something new and soon found and fell in love with jazz guitar. A chance meeting with jazz guitarist John Leslie “Wes” Montgomery at age 16 changed the whole path of Anderson’s life and launched his music career.
“Jazz guitarist Wes Montgomery appeared at Pep’s on Broad Street in Philadelphia when I was just 16. After some ‘negotiations’, my father got the two of us in to hear him. Wes came up to our table, introduced himself and sat down. He asked if I had any questions (which I did). I asked how he played octaves. He went back to the stage, got his Gibson L5 guitar and brought it over. Putting it in my hands, he showed me how he played octaves. So I learned to play octaves directly from Wes Montgomery. I still have his picture and autograph in my studio. I also play a Gibson L5 in concert,” Anderson says.
Anderson studied jazz guitar and jazz techniques extensively and began his career as a staff guitarist for the Latin Casino in Cherry Hill, New Jersey at the age of 21. There he performed with music legends such as Peggy Lee, Billy Eckstine, Bobby Darin, Nancy Wilson, Michel Le Grande and Sammy Davis, Jr.
Later, he founded a jazz group called the Chuck Anderson Trio with bassist Al Stauffer and drummer Ray Deeley and recorded the jazz LP “Mirror Within a Mirror” in 1974. He’s been performing and composing ever since. A prolific author, Chuck has also written and published fifteen books on the intricacies of learning to play jazz guitar and the importance of music and creativity.
One of Anderson’s featured ebooks on jazz guitar is called “The Six Secrets of Fingering”. It tackles a subtle and difficult technical problem of the guitar—so much that it is almost an invisible issue for many guitarists. The book focuses on both the art and the science of fingering.
For more information about Jazz Guitarist, Composer and Master Teacher Chuck Anderson, please visit his website at: www.ChuckAndersonJazzGuitar.com.
read more: http://www.myfoxmaine.com/story/25825233/jazz-guitar-legend-chuck-anderson-mentors-the-next-generation-of-jazz-guitarists-worldwide
Saturday, November 15, 2014
Jazz Guitar Legend Chuck Anderson Mentors The Next Generation Of Jazz Guitarists Worldwide
Posted by jazzofilo at Saturday, November 15, 2014 0 comments
Labels: Chuck Anderson
Sunday, September 13, 2009
Chuck Anderson
Chuck Anderson was born in Chicago, Ilinois on June 21st, 1947. At a young age, the family moved first to the Chicago suburb of Broadview then, to Westchester. When Chuck was 12, the Anderson family moved to Pennsylvania. He attended St. Katherine of Sienna grade school in Wayne, PA. Basketball was a passion and looked like a possible career. Devon Prep was his high school of choice. Noted more for academic excellence than for sports, Chuck nevertheless continued his involvement in basketball. His discovery of guitar was completely accidental. Once, he played his first Em chord, music went forward and basketball went backward. Guitar lessons began in 1961. By 1963, Chuck was teaching guitar and playing local dances. Giving up basketball left his senior year completely focused on music.
Chuck entered St. Joseph's University in 1965. By 1967, it was apparent that music was to be his career. Both his teaching and performing continued to accelerate. By the time Chuck graduated in 1968, he was ready to teach and play full time.His first major break came in 1969 when he was offered the staff guitar job at the Latin Casino in Cherry Hill, New Jersey. The Latin was a famous showcase of world class entertainment. It was there that Chuck had his first associations with the top of the entertainment world. During that period, he accompanied and performed with legends such as Bobby Darin, Billy Eckstine and Peggy Lee among many others.
After four years of fourteen shows a week, it was time to turn in a new direction. Chuck started his concert jazz guitar career in 1973 when he formed the Chuck Anderson Trio with Al Stauffer on Bass and Ray Deeley on drums.Their first album, “Mirror within a Mirror”, received critical acclaim and was the springboard for a busy concert schedule. The Trio's music featured Chuck's original writing as well as uniquely arranged jazz classics. The group's forte was a tremendous interaction and internal dialogue. Improvisation was at the heart of every performance. Another four years passed and he was offered the staff job at Valley Forge Music Fair in Devon, PA. Another major talent showcase, the Music Fair work helped Chuck solidify his reputation as an outstanding professional guitar player. Here, he worked with Nancy Wilson, Michel LeGrand and Anthony Newley among many others.
After seven years of intense show involvement, the creative need asserted itself again. This time, Chuck turned toward the development of The Neo Classical Guitar. In this style, Chuck pioneered the use of the pick style guitar in Classical music. Using both electric and acoustic guitars, his Neo Classical style featured transcriptions, original composition and improvisation on international themes. This work produced the ground breaking album “Kaleidophon - The Art of the Neo Classical Guitar”. Appearances and interviews on radio stations such as WFLN, WXPN and WRTI as well as television appearances on Prime Time and PBS heralded Chuck as the “new Segovia”. Two live recordings, “Timeless” and “Virtuosity”, were products of this period.
Ultimately, two events reshaped Chuck's career. The first was the theft of his Gibson L5 guitar. That instrument had played an important role in the development of Anderson's technique and unique style. It was the one that had carried him through his studies with Dennis Sandole, noted Philadelphia jazz teacher. Without his favorite guitar, Chuck found it difficult to perform. Though he tried other instruments, he was never able to recapture the magic of that first guitar. Chuck turned to composition. He was totally absorbed in his writing for the next twenty odd years. This was ultimately to be a major factor in differentiating Anderson from other jazz guitarists. One of America's greatest luthiers, Eric Schulte had taken care of Chuck's L5 since he first purchased it at the age of 19. He approached Chuck and asked why he was no longer giving concerts? Of course, he already knew but he had something in mind. He said, “Look I'll make you a deal. I know your L5 better than anyone. If you'll agree to go back and give concerts, I'll recreate your guitar”. Chuck could hardly pass that up and agreed on the spot. Months passed and the new guitar emerged. With guitar in hand, Chuck began to prepare for his return to the concert world.
After a while, it became apparent that his former energy wasn't there. He thought that it was age or lethargy or ... something. Without realizing it, Chuck had been suffering for a long time with a severe condition of Obstructive Sleep Apnea. He was literally walking and working asleep. This particular problem was robbing him not only of energy but also of oxygen. The sleep therapy began and the energy and enthusiasm of his early jazz days returned! With his customized Gibson L5 guitar and armed with this reborn energy, Chuck is now reclaiming his position as one of the outstanding jazz guitarists in the world today! Chuck currently writes for the national magazine Just Jazz Guitar and has joined the staff of Jazz Masters on Mike's Master Classes. He maintains a busy schedule performing, teaching, composing and lecturing in the US and abroad.
As an EDUCATOR, Chuck Anderson directed the Medley Music School for 8 years. He founded and operated his own private music school for another 8 years. The school employed 12 teachers and had over 400 students. He was elected Artist in Education for the state of Delaware. Chuck was a consultant in the development of the guitar curriculum for Aula de Musica, a private music conservatory in Spain. He was also elected as the only American member of the International Advisory Board for LIPA, the Liverpool Institute for the Performing Arts. Chuck has lectured at colleges in the United States and Europe. In addition, he has privately trained professional musicians, composers and music educators.
As an AUTHOR, Chuck has been published by several companies. Publications include: “Music Pursuing the Horizon”, “An Improvisational Approach to Rock and Blues Guitar”, “Modular Phonetic Rhythm”, “The 6 Secrets of Guitar Fingering”, “Pathways of the Guitar” including Scale Charting. Other books include: “Mastering the Modes”, “The Private Music Teacher’s Guide”, “Exercises for the Guitar” “Bebop for Guitar” and “Advertising Music - The Business”. A series called “Unlocking the Guitar” features specialized topics such as learning the notes on the neck, strums and tunings. He also developed and was featured in an 8 hour video series called “Harmonic Tonalities, the Songwriter’s Master Classes”.
As a LECTURER, Chuck travels throughout the country sponsored by The American Institute for History Education. In these lectures, he discusses the impact of music on societal development in five different periods of American History. As a GUITARIST and COMPOSER, Chuck has recorded 10 CDs: “Passages from the End of Autumn”, “Kaleidophon, The Art of the Neo-Classical Guitar”, “Christmas Wishes”, “The International Collection”, “Angel Blue - A Tour of Jazz”, “Music from the Light”, “The Vintage Tracks”, “Timeless”, “Virtuosity” and “Lullabies for Parents”. Chuck also worked extensively as a media composer. He wrote for companies such as: Sears, AT&T, MacDonalds, Wa Wa, PBS, Major League Baseball, Nascar - Daytona 500 and the National Hockey League.
http://www.allaboutjazz.com/php/musician.php?id=19066
Posted by jazzofilo at Sunday, September 13, 2009 0 comments
Labels: Chuck Anderson
Chuck Anderson - Passages from the End of Autumn
Here is Chuck Anderson performing his original composition "Passages" on Miles of Music (www.worldofguitar.com) hosted by Bob Miles. As a NEO CLASSICAL GUITARIST, Chuck pioneered the use of the pick style guitar in Classical music. Using both electric and acoustic guitars, his Neo Classical style features transcriptions, original composition and improvisation on international themes.
http://www.chuckandersongitar.com/, http://www.worldofguitar.com/
Posted by jazzofilo at Sunday, September 13, 2009 0 comments
Labels: Chuck Anderson
