Count Basie plays Neal Hefti

"(Count) Basie plays (Neal) Hefti" is the album - featuring 12 of Neal's great compositions and arrangements - played beautifully by the Count and his orchestra.  This selection, "Cute" - is one of Neal's very famous instrumentals.  

While Neal Hefti spent much of the 1940s working with the big bands (Woody Herman) and gaining his reputation as a first rate musician and arranger - and the 1950s working in the recording studios making his own albums, and arranging for many diverse singers such as The McGuire Sisters ("Sugartime"), Doris Day ("Bright And Shiny") and his own wife, vocalist  Frances Wayne (her albums on Brunswick and Epic) - Neal hit his stride in the 1960s when he became a much in-demand movie soundtrack composer ("Harlow", "Sex And The Single Girl", "Barefoot In The Park", "The Odd Couple", "Batman", etc.). 

Released on Roulette Birdland SR 52011 (Stereo).  Produced by Teddy Reig.  Arranged by Neal Hefti.  Conducted by Count Basie.

interviews with Rose Marie, Jenifer Lewis ....

At JazzWax this weekend, links to my interviews with Rose Marie, Jenifer Lewis, Ashley Judd and Bernard King, plus Count Basie, Jon Hendricks, Gerry Mulligan, Sonny Stitt and more... https://t.co/CmZgQOJGUH pic.twitter.com/swOef1gIo5

— Marc Myers (@JazzWax) November 25, 2017

a four-part documentary on #CountBasie

At JazzWax, a four-part documentary on Count Basie, the jump king of swing... https://t.co/vfSxZlSCrV pic.twitter.com/Ynfko8JScm

— Marc Myers (@JazzWax) 26 de maio de 2017

Max Roach, Count Basie, Shelly Manne with the Jackson 5, Sammy Price and Sugar Pie DeSanto

At JazzWax, Max Roach, Count Basie, Shelly Manne with the Jackson 5, Sammy Price and Sugar Pie DeSanto. https://t.co/54CASZ5rdE pic.twitter.com/mSsWWYDcsY

— Marc Myers (@JazzWax) 7 de janeiro de 2017

#CountBasie in 1972 while on tour in Europe ...

At JazzWax today, an amazing two-hour color video of Count Basie in 1972 while on tour in Europe. #onemoreonce https://t.co/Tk24kawaSh pic.twitter.com/dgXvfaaNXJ

— Marc Myers (@JazzWax) 9 de dezembro de 2016

#CountBasie

#jazz #piano #bigband "Keep on listening & tapping your feet" Count Basie • https://t.co/QGR0m7s9ER • pic.twitter.com/mPWlUNIrWt

— A Passion for Jazz!® (@APassion4Jazz) October 24, 2016

Count Basie & Helen Humes - I Cried for You

Georges Benson and Count Basie - Jam Blues

Count Basie Meets Clark Terry

Count Basie, from the film, "Rhythm and Blues Review," October 1950. The film is now in public domain and can be downloaded from http://www.archive.org

In between big bands, led this all-star group, which includes: Count Basie, piano; Wardell Gray, tenor sax; Buddy DeFranco, clarinet; Clark Terry, trumpet; Freddie Green, guitar; Jimmy Lewis, bass; Gus Johnson, drums.
From: http://www.jazzvideoguy.tv

Oscar Peterson & Count Basie - Slow Blues

Oscar Peterson & Count Basie - Slow Blues

Count Basie with Clark Terry

http://www.jazzvideoguy.tv presents the immortal Count Basie featuring Clark Terry on trumpet, Wardell Gray- tenor sax, Buddy DeFranco-clarinet, Freddie Green-guitar, Jimmy Lewis-bass and Gus Johns...

Count Basie Orchestra with Benny Carter

The Count Basie Orchestra....

THE COUNT BASIE ORCHESTRA of TODAY is nineteen performers committed to upholding and advancing this "American Institution." Some members are new, yet the majority of the sound still swings from musicians handpicked by Count Basie himself. They are in demand for television and films, have won every respected jazz poll in the world at least once, and continue to accumulate awards and special recognitions.
William Basie, a New Jersey native from Red Bank, grew up with the tempos of The Swing Era in New York City...live big bands were filling ballrooms with dance rhythms. But toward the close of the Roaring 20's, it was Kansas City that was drawing notice for Jazz, this new wave of "wide-open" musical style! Young pianist "Bill Basie" landed there while working the national vaudeville circuit and briefly joined Walter Paige's Blue Devils, then stayed on with The Benny Moten Orchestra.
Jazz experts maintain that Basie at the keyboard signaled the beginning of the Moten band's historical significance, starting with discs cut in 1932. With Benny Moten's sudden death 3 years later, Basie went from pianist to bandleader. He took the name "The Count" when his new group headlined at Kansas City's Reno Club in 1936. They worked long hours every night and the pay was low, but The Count Basie Orchestra had arrived!
His sixth sense quickly assessed each sideman's potential as an ingredient for the distinctive sound of his group. The Count's manner earned the resect of his peers, the affection of his players, and contributed to the rapid success of the new group.
With a keyboard touch or two, sound was set into motion. Always swinging, his piano spots became the band's claim to fame. A simple "Plink, Plink, Plink" closing triplet was all the "signature" his music needed. Despite half a century of changing tastes in popular music, the endurance of The Count Basie Orchestra confirms the genius of his earliest musical instincts.
Kansas City's Reno Club was the setting for live radio broadcast of THE COUNT BASIE ORCHESTRA within months of its 1935 debut. Jazz critic JOHN HAMMOND heard these programs and was so impressed that he prevailed up Music Corporation of America to sign them, thus bringing BASIE back to Manhattan in 1936.
A recording contract with Decca came next...and as the decade closed, a combination of radio airtime and records had popularized the band from coast to coast. They played the 1939 World's Fair in San Francisco. They were in demand across the land. They would usher in the 1940's attracting wonderful soloists and bigger crowds.
Post-war film appearances and recordings on the new 'hi-fi LP discs" with ELLA FITZGERALD, SARAH VAUGHN, JOE WILLIAMS, TONY BENNETT & FRANK SINATRA exported the swinging 'Basie Sound' to Europe and the Far East. The demand for records and live appearances became international.
By the 1950's the Korean War and an economic lull sent the call for "Big Bands" into a decline. However, while other bands were downsizing and vanishing...THE COUNT BASIE ORCHESTRA triumphed with European concert tours a Command Performance for the Queen of England, and a sold-out 13-week Waldorf-Astoria engagement.
By the 1960's, pundits declared the big band officially dead! All except the COUNT BASIE ORCHESTRA! More European and Southeast Asian tours, regular television & Las Vegas appearances, and crowded schedules of playing dates across North America set a pace that continues unabated.
http://www.wbgo.org/ontheair/artists/TheCountBasieOrchestra.php