Monday, May 16, 2016

INTERVIEW: Huw Warren

Huw Warren. Photo credit: Ian Mackenzie-Thurley


Pianist/composer Huw Warren lives in North Wales, and mostly teaches at the RWCMD in Cardiff. On May 27th he comes to London, bringing not one but two new/current projects to the Vortex. Sebastian interviewed him by email to find out more: 
LondonJazz News: What are the stories here? First there's a not-yet-released solo piano CD...? 

Huw Warren: I actually recorded a solo concert about a year ago. It was at Cardiff University and part of a Bach Festival, so I played some arrangements of Bach keyboard music (preludes from the  Well-Tempered Clavier) along with my own compositions and my usual eclectic mix of Brazilian tunes, John Dowland and free impro! When I heard the recordings back, they sounded like a very good documentation of the concert but not exactly the album I was hearing in my head. Having said that, it made me quite enthusiastic about working on a solo release. My last solo record was Infinite Riches in a Little Room in 2002 on Babel; and I think for most instrumentalists a solo recording is the most personal musical statement one can make. For me, that personal angle is based on a wide range of material, and trying to find a language that dosen't necessarily sound like Jazz or Classical music.

LJN: Where did you record the album?

HW: I was lucky and managed to book some time in the same hall (The concert hall in Cardiff University, with a spectacularly good steinway!) and over 2 sessions managed to capture the recordings that make up the album. It was great to work with a young Cardiff based engineer Sam Barnes, then take the tracks to London to mix with Gerry O'Riordan. Gerry had worked previously with me on Infinite RichesBarrel Organ100's of Things a Boy Can MakeDuw a Wyr and several Perfect Houseplants recordings, so he definitely knows how I like the piano to sound.

LJN: You are known for the wide range you cover stylistically. What have you chosen for this solo CD?

HW: The Album opens with a Brazilian Tune (Hermeto Pascoal's O Farol que Nos Guia) and ends with a beautiful tune by another brazilian, the briliant guitarist and song wrieter Guinga. In between are several new compositions of mine, a revisiting of the Houseplants tune EE, a composition from my Dylan Thomas centenary comission of 2015, and two pieces based on the JS Bach preludes.

LJN: When is the CD being released ? 

HW: The album will be officially released in the Autumn but will be available to preorder from my website (link below) in the next month or so.

read more at: http://www.londonjazznews.com/2016/05/interview-huw-warren-preview-of-new.html

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