By Jack Goodstein, BLOGCRITICS.ORG
Published 10:00 pm, Thursday, July 25, 2013
When you hear about a violinist playing jazz, the first thing that comes to mind is Stephane Grappelli. So when the latest album from veteran Canadian pianistOliver Jones' fine trio has them playing with classical violinist Josée Aidans, the urge to compare is hard to resist. The trouble is that as well done as the new album, Just For My Lady, happens to be as a whole, Aidans (who is an excellent violinist) is not yet a jazz violinist. Part of being a jazz musician, in a real sense the largest part, is creative improvisation. And as well as she plays on this album, it seems she doesn't do her own improvising.
Still, if you have the talent and a mentor like Jones to guide you, you can't go wrong. Mixing a set of Jones originals with a standard or two, the new album makes clear that the septuagenarian pianist, who had claimed that the time had come to think about slowing down, isn't yet quite ready for the retirement home. He takes Aidans and the trio on a swinging trip, opening the album with his own "Josée's Blues" and later his three movement composition, "The Saskatchewan Suite." This last was composed for the 25th anniversary of the Saskatchewan Jazz Festival. Originally written for big band, Jones has adapted it for the smaller ensemble. The first movement is a ballad, the second has a bop vibe, and the third a Latin feel. The other Jones pieces are "Lights of Burgundy," "The Angel and Mr. Jones," "In the Key of Geoff," and the title song.
Read more: http://www.seattlepi.com/lifestyle/blogcritics/article/Music-Review-Oliver-Jones-Just-For-My-Lady-4689566.php
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