Photo: William Gottlieb
by MARIN ALSOP, February 01, 2013 5:34 PMMy first encounter with the name James P. Johnson was a fleeting reference to the composer in a liner note for a Gershwin recording, but it was enough to pique my curiosity. I contacted Robert Kimball, the author of the notes, and he gave me some intriguing background on Johnson.
In addition to composing the singular piece of music that came to symbolize the 1920s in America, "The Charleston," Johnson aspired to compose music for symphony orchestra and had actually written several orchestral pieces that were premiered at Carnegie Hall in the early 1940s. I was beyond eager to get my hands on that music, but Kimball was quite discouraging. He told me that all of the parts and scores were long gone; there was no existing recording of the Carnegie Hall event, and there was no chance that I could find that music. He said many people had tried unsuccessfully over the years.
Little did he know that "can't" is my four-letter motivator!
I became obsessed with James P. Johnson, and my quest to find, restore and revive his orchestral music led me — along with my dear friend and willing collaborator Leslie Stifelman (currently music director of Chicago on Broadway) — on a six-year odyssey in search of Johnsons' long-lost orchestral music.
Read more: http://www.npr.org/blogs/deceptivecadence/2013/02/02/170864270/treasures-in-the-attic-finding-a-jazz-masters-lost-orchestral-music?ft=1&f=10003
0 Comments:
Post a Comment