(Photo courtesy of Gangi)
by David Cazares, Minnesota Public Radio, January 10, 2013
ST. PAUL, Minn. — If Omer Avital could tell you something about his music, it would be that it is not world music, or fusion.
As a composer and a performer, he's a jazz artist. But there's no question that the bassist draws heavily on North African and Middle Eastern traditions.
So when Avital's band plays "The Abutbuls," a tune dedicated to Moroccan music and that side of his family, a North African audience of Muslims and Jews can relate. North American jazz fans will be drawn to elements that recall international explorations by Miles Davis and Charles Mingus.
For Avital, music is about making connections between different cultures in ways that are faithful to their traditions, an approach his quintet will present tonight at the Jewish Community Center in St. Paul. Joining him on stage will be Greg Tardy on tenor saxophone; Nadav Remez on guitar; Jason Linder on piano and keyboards and Daniel Freedman on drums.
Playing with broad musical strokes comes natural for Avital, born in Israel to parents of Moroccan and Yemenite descent. Surrounded by one tradition but raised in another, he has long absorbed a variety of styles, including European classical music and jazz that swings.
"I think that's where great things arise from, but at the same time there are shared links between different traditions," Avital said. "Without losing — not in a mixture or fusion kind of way but more in a deep current kind of way, you know."
His other projects include the New Jerusalem Orchestra, which combines classical music, jazz improvisation and Arabic instrumentation. He and Yemeni singer Ravid Kahalani lead Yemeni Blues, a group that uses cello, viola, jazz horns and Arabic instruments. But he loves the jazz quintet.
Read More: http://minnesota.publicradio.org/display/web/2013/01/10/arts/omer-avital-jazz?refid=0
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