Winter Solstice with the Paul Winter Consort

The Paul Winter Consort, along with Armenian singer Arto Tuncboyaciyan and the Forces of Nature will celebrate the winter solstice with four performances, held over three days in mid-December, at Manhattan’s Cathedral of St. John the Divine. This is the Consort’s 31st annual Winter Solstice Celebration, and continues the age-old lineage of solstice festivities.

The edgy energy of category-defying Armenian singer and percussionist Tuncboyaciyan and the stirring rhythms of the Forces of Nature Dance Theatre feed the Consort’s vision of an all-embracing human moment. This year’s solstice celebration will see the debut of a collaborative piece composed with the special guests, as well as the live premiere of selections from the Consort’s latest album, Miho: Journey to the Mountain (released in October on the Living Music imprint).

The solstice has long been a moment for reflection and merriment, surrounded by powerful rituals of sound and light. “The winter solstice occurs on the longest night of the year,” says saxophonist Winter. “It is the moment when the sun seems to stands still on its apparent path across the sky before reversing its course. This key moment in the relationship of the Earth to our sun gives us a rare opportunity to embrace the darkness and the fact that we all share a home in the universe.”

To encourage this contact, the Consort’s celebration creates an intense, rippling tapestry of the world’s music. This culminates in “The Journey Through the Longest Night,” a 25-minute musical suite, with an elegantly choreographed transition from darkness to light, and musicians moving through the cathedral’s shadowy nave. The turning Solstice Tree of Sounds, a 28-foot aluminum installation glittering with hundreds of gongs and chimes, draws both eye and ear. At the climax, a giant sun gong with its player rises 12 stories into the heights of the world’s largest Gothic cathedral.

These moments transform the performance into a live surround-sound and visually immersive experience. They hint that the celebration has greater depth and breadth — and a bolder energy — than many realize.
It all started with a quirky carte blanche from the Cathedral’s ecologically minded dean, the Very Reverend James Parks Morton, who told Winter, when he invited him and the Consort to be artists-in-residence, “That means you can do anything you want, baby.”

What Winter and the Consort wanted to do was find the most universal milestone of the year. The solstice was a groundbreaking choice: It had long vibrated with expectancy and fire, and could counteract the hype and commerce that characterize the December holidays. They wanted ritual, but without the bounds of organized faith.

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