This unique setting has inspired the Paul Winter Consort’s latest exploration of sound, spirit and space, Miho: Journey to the Mountain (Living Music; October 19, 2010). There the Consort conjured the resonant frequencies of paradise with a tapestry of the Earth’s voices: sarangi and sax, taiko drums and rumbling elephants, Heckelphone and Japanese bush warbler.
Winter first rose to musical prominence in the early 1960s with an award-winning jazz sextet. A sojourn in
To describe his often unclassifiable, genre-crossing work in a more accurate and satisfying way, Winter refers to it as “Earth Music.” The name reflects the source of the Consort’s inspiration and their “aspiration to celebrate the cultures and creatures of the whole Earth,” Winter explains.
As a part of Earth Music, Winter and his ensemble have honed their appreciation of resonance, and for making music in spaces of great reverberation. They have discovered these sonic temples by rafting into the Grand Canyon, playing in the world’s largest cathedral as artists-in-residence at
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