Sweet, Hot And Savory: Swing Era Jazz Archive Unearthed

William P. Gottlieb - Clarinetist and bandleader Benny Goodman, photographed here in 1946, is one of many key artists whose live radio broadcasts were captured by Bill Savory.

by Tom Vitale

Bill Savory was a Harvard dropout. He was also a piano player, an avid music fan and a brilliant audio engineer. And in 1935, he was hired by a New York "transcription service" — in an era before audiotape — to record live radio broadcasts onto acetate or aluminum discs for clients who wanted copies of programs.

"So he spent his day recording Lux soap [sponsored radio programs], and soap operas, and news items," says jazz historian Loren Schoenberg, director of the National Jazz Museum in Harlem. "And in the evening, he would stick around and record, for his own edification, hours and hours of the great jazz that was coming over the air."

But unlike many other airchecks from the era, Savory's were made in a studio. He had lines coming directly from the radio networks, and recorded them on professional equipment. "One of the items that we have to share is this jam session that was done in the studio late 1938, with Louis Armstrong, Fats Waller, Jack Teagarden," Schoenberg says. "Now, this broadcast was recorded off the air by someone else and came out on a variety of bootleg discs over the years. So we know what the music sounds like in poor quality.

"Now, thanks to the Bill Savory version, we get to hear it almost as though we're in the studio. The pickup on the piano is phenomenal."

The National Jazz Museum in Harlem announced this week the acquisition of Savory's collection of radio broadcasts from the late 1930s. It's an extraordinary archive of swing-era jazz.

Schoenberg describes the discovery of the archive as a collector's dream — 100 hours of music — that nobody knew existed. The Savory collection features hundreds of live performances of jazz legends at the heights of their careers. There's Ella Fitzgerald, Teddy Wilson and Duke Ellington; Benny Goodman, Cab Calloway and Fats Waller.

Hidden Amid The Silos
In 1952, Savory provided the material for an LP of swing-era Benny Goodman broadcasts from Carnegie Hall. Loren Schoenberg first became aware of Savory's recordings when he went to work for Goodman in 1980.
 

"So from 1980 until his death in 2004, at least three or four times a year, I called [Savory] on the phone or wrote him letters saying, 'Please, let me come see what you have,' " Schoenberg says. "He never did. And in the collectors' community, we all just assumed that he had a ton of Benny Goodman, and we didn't know what it was."

This April, while Schoenberg was in Milwaukee running a jazz workshop, he called Savory's son Eugene in Malta, Ill., and arranged to come over to look at his father's collection.

"So I drove down, through a rural setting — silos and all that kind of stuff," Schoenberg says. "And there was Gene. And there was the living room. And there was these boxes. And I knew immediately, as soon as I looked in the first moldy, mildewed box, that I had hit pay dirt. That this was the mother lode."

Schoenberg purchased the collection for the museum for an undisclosed sum, then drove those boxes back to New York in a rented truck. To date, 140 of the 975 discs have been digitally transferred.

Complete on:  http://www.npr.org/templates/story/story.php?storyId=129327625