JIMMY SCOTT 85th BIRTHDAY CELEBRATION at BLUE NOTE
Blue Note > 131 W 3rd. St, New York, NY 10012
August 31 and September 1, 8:00pm & 10:30pm
WITH: Jimmy Scott (vocals), w/ The Jazz Expressions, & Special Guest Gregoire Maret
Vocalist "Little" Jimmy Scott returns to the Blue Note to celebrate his 85th birthday on Tuesday, August 31, and Wednesday, September 1, at 8:00pm and 10:30pm.
Scott had early success with Lionel Hampton in the '40s and as a solo artist in the two decades that followed, but he disappeared from the music scene during the '70s and '80s. It wasn't until '1991 that he was rediscovered by Warner Brothers head Seymour Stein while performing at Doc Pomus' funeral. Since his re-emergence, Scott has released numerous albums, received a Grammy nomination, sung on soundtracks for major motion pictures, and in general, has received the praise and recognition he always deserved. Recent awards include: The "Blue Note Award," the National Endowment of the Arts "Jazz Master Award," the Kennedy Center Jazz in Our Time "Living Legend Award," the Jazz Foundation of America's "Lifetime Achievement Award" and many more. He recently participated in a documentary for the Smithsonian National Archives. Scott's climb back to the top was chronicled in David Ritz's biography Life in Time (Da Capo Press, 2003),but the story of Jimmy Scott is far from complete.
One of 10 children, James Victor Scott was born in Cleveland, Ohio on July 17, 1925.
He was only 12 years old when he became known as a singer around Cleveland. While in his teens, a Comedian, Tim McCoy from Akron, saw the potential in Jimmy. Whenever Tim got a "gig" around Northeast Ohio, he would take Jimmy along with him. Jimmy would sing at different clubs, they would sneak him out before the cops arrived, because he was not only under age, but looked even younger than his actual years. Later Jimmy produced the Summer Festivals, a group of talented youngsters, like his friend jazz baritone singer Jimmy Reed and dancer Barbara Taylor, that would put on shows all around the area.
They also worked and put on shows at the Metropolitan Theater where the big bands would come in to play. Jimmy set up a concession to supply the artists with soap, clean towels, and toiletries. He was hired by the dance troupe, "The Two Flashes." Jimmy took the job to be close to show business, its players, and the stage. While in Meadville, PA, they were working with some of the greatest jazz musicians of the day, Lester Young, Slam Stewart, Ben Webster, Papa Jo Jones, and Sir Charles, to name a few. Every time the band ran into Jimmy, they'd ask him to come up on stage to do a couple numbers.
Jimmy joined Lionel Hampton's Band in 1948, where he discovered the vibraphone and the strings, which Jimmy said "helped him to learn the beauty of the song" and encouraged him to sing. Lionel was a mentor to Jimmy and the one who tagged him with the stage name, "Little Jimmy Scott," at the time he was 23, only 4'11," thin, and very young looking. Jimmy said it was a gimmick for Lionel's show, but it wasn't too many years later that you started hearing more singers take their cue from Jimmy's stage name and call themselves Little So & So.
Jimmy met Estelle "Caldonia" Young in the early 1940's; she took Jimmy on her road show as the featured singer. Caldonia became almost a surrogate mother to Jimmy, having lost his own mother at age 13. "Caldonia's Revue" traveled the Southern circuit to the East; they put up their own stages in the rural areas. There were featured male and female vocalists, tap dancers, comedians, an M.C. and Caldonia herself, who was an exotic shake dancer and contortionist. It was essentially like a touring vaudeville tent show.
Some of the others who worked with Caldonia at one time or another were Ruth Brown, Big Maybelle, Elie Adams, and Jack McDuff. Caldonia took Jimmy along with her to do a special performance at Gamby's in Baltimore in 1945, where he met up with his friend Redd Foxx who was also appearing at Gamby's. They went over to the Royal Theater to see Joe Louis. Redd and Joe told Jimmy he should be in New York performing instead of traveling around to those small towns.
They convinced him he could make it on his own, the way he sang. So they talked to Ralph Cooper who called up Nipsey Russell, the M.C. at the Baby Grand in Harlem and arranged for Jimmy to get a one week booking. Jimmy sang that one week and they kept him on for three more months! Billie Holiday would show up nightly to listen to Jimmy. Doc Pomus was in the audience during that first week and wanted to meet this amazing singer.
Jimmy said "sure" and they became fast friends. Doc took Jimmy home to have dinner to meet his parents and little brother Raoul Felder. He also showed Jimmy how to get around on the N.Y. subway system. Their friendship lasted over 45 years. Jimmy sang at Doc's funeral in 1991. It was there that record label owner Seymour Stein heard Jimmy sing and practically signed him on the spot, thus the beginning of Jimmy's re-emergence as a singer with his Grammy-nominated comeback album "All The Way." At age 67, he began to tour the world, where he was introduced to new appreciative audiences and legions of new young fans. Now, the press refers to him with reverence as the Golden Voice of Jazz, the Legendary Jimmy Scott.
After a long climb, things are really looking up for Jimmy Scott. He's established a dedicated international audience through triumphant tours of Europe and Japan; he's been the featured subject of a Bravo Profiles television special, and of an in-depth biography by award-winning author David Ritz (Faith in Time: The Jazz Life of Jimmy Scott, which hit the streets in the fall of 2002 from Da Capo Press). With But Beautiful, Jimmy Scott fleshes out a persuasive portrait of his jazz mastery and storytelling. Mr. Scott adds a final coda: "The record is quite simply exquisite, and I really am as proud of it as anything I've ever done in my life."
Scott himself has always focused his creative energy on the challenges with which this life has presented him. "Ya gotta go on," he says, and not resignedly, "Fortunately, I had the music to comfort me." He has said that there isn't any disappointment in Heaven, and when asked what this means, he replies, "Heaven is what you make it. You can make it hell here on earth, or you can make it Heaven."
Of the success he's achieved relatively late in life, Scott says, "I'm pleased now that (my voice) is pleasing to people. In a way, I feel like now maybe people will hear what I have to offer, whereas before the music never got to a level where all people had access to it. All I can do is give what I really feel."
From: Jill Newman Productions - jillnewmanproductions.com
Legendary Jimmy Scott performs "Sometimes I Feel Like A Motherless Child' at Birdland
"Jimmy Scott is perhaps the most unjustly ignored American singer of the 20th century" -
The New York Times Magazine
"Jimmy Scott is the only singer who can make me cry" - Madonna
"Jimmy Scott had soul way back when people weren't using the word" - Ray Charles
"The most extraordinary voice I've ever heard in my life" - Lou Reed
Song from the documentary "pure Jimmy Scott" produced by "Accent Films"
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