Fred Hess Big Band / Timucua Jazz Orchestra / Michael Treni

When listening to Hold On, composer / arranger / saxophonist Fred Hess' fourteenth album as leader but first in front of a big band, one question immediately arises: What took him so long? As it turns out, recording his own big band has been a long-held dream, one Hess has been considering "for years."

Following a number of well-received albums including nearly half a dozen quartet sessions with drummer Matt Wilson, the time was finally right, and Hess ushered his blue-chip band into Denver's Notably Fine Audio recording studio in January 2009. To borrow a well-worn phrase, the resulting CD was definitely worth waiting for.

Aside from a few cacophonous lapses (on "Gypsy / Chuggin,'" "RBHM—KNNK" and "The Clefs"), this is high-grade big-band fare all the way, with provocative charts by Hess, impressive blowing by the ensemble and persuasive solos by almost everyone who steps forward. As to the discord, Hess' purpose was to honor big-band music from the 1950s onward, and that includes themes by Gary McFarland ("Gypsy"), Anthony Braxton ("RBHM") and, presumably, a parody of Sun Ra ("The Clefs," which comes complete with vocal sound effects and lengthy written synopsis by Hess). Elsewhere, Hess adheres more closely to the norm, and it is here that the album is most pleasing.

The curtain-raiser, "Good Question," is a charming 12-bar blues with crisp solos by Hess on tenor, trombonist Tom Ball, alto John Gunther and drummer Wilson (who kick-starts a sterling rhythm section that includes pianist Marc Sabatella and bassist Ken Filiano) and cavernous intro and coda by bass trombonist Gary Mayne. "For Thomas" is Hess' salute to the late great Canadian composer / arranger Rob McConnell (Hess doesn't explain why it's "For Thomas," not "For Rob").

The solos are by Sabatella and trumpeter Al Hood. Hess and fellow tenor Dominic Lalli lock horns (a la Johnny Griffin and Lockjaw Davis) on "Hold On," which precedes an opulent arrangement that blends Gabriel Faure's "Sicilienne" with the traditional folk song "Greensleeves," and the capricious "Opposites Attract" (solos by Filiano and trumpeter Ron Miles). Hess bows to one of his tenor sax heroes, Bill Perkins, on "A Night to Remember," after which yet another trumpeter, Brad Goode, nimbly darts and dances "On Perry Street."
Complete on  >  http://www.allaboutjazz.com/php/article.php?id=36945