One of the greatest pianists in jazz today in Argentina talking about one of the areas that best demonstrate his mastery of improvisation. Examples touch on the keyboard and an enthusiasm for music that paints him in body and soul.
The hands and soul of Ernesto illustrate what he says temazos the piano as Out of Nowhere (Green-Heyman), 317 East 32nd Street (Lennie Tristano) and Hornine 'In (Thelonious Monk), ended the latter that is often heard enough less than classic that his fans adore. Jodos speaks of the individual and group improvisation, the value of ideas, of the great improvisers, among millions that he admires, he says, and among whom we must count to Bach himself, of "false" improvisations, structures harmonics and tapping, free jazz and more.
Each installment is perceived in the chat intimate knowledge, the domain is the whole question this pianist who at 36, twenty-five years after he started to devote himself to his instrument, continues to study seriously, besides teaching. There is also a pedal organ in the living room electronics: vade retro-which can not devote as I would because that would stop the piano give it the time you spend substantial.
Received numerous awards, composer and author of numerous recordings, several well rewarded, Ernesto Jodos speaks with simplicity and familiarity. No "one believes". Course teaches what he knows, as in a 'clinic' where you only need someone who in turn feels to play.
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