Conrado Paulino unites with originality of three components: the Brazilian musical repertoire, a universe where you are and based his creative base, the jazz influence, especially in the sophisticated built-harmonic reading of his arrangements and ample space for improvisation. Finally, the management of classical guitar techniques in the implementation of the compositions.
The style of the guitarist, arranger and composer Conrado Paulino is an excellent combination of Brazilian repertoire, language of jazz and classical technique.
Conrad made a serious effort to select, rescue and re-reading of topics and authors of Brazilian popular music, and intersperses these productions with music composed by him, combining with other unreleased tracks enshrined. He presents his work in concerts, guitar soloist or with his group, the Conrado Paulino Quarteto, gathering research, composition, arrangement and interpretation.
He accompanied various artists of expression of Brazilian popular music as Rosa Passos, Alaide Costa, Johnny Alf and Sueli Costa, and as an instrumentalist, he played with great musicians like the Zimbo Trio, Hector Costa, Paulinho Nogueira, Luiz Heraldo do Monte and Chavez , among others.
He wrote arrangements for the singer Alaide Costa, and its more recent arrangements are on the CD of singer Marcia apanhado Mah Between 1987 and 1999 was Head of String Department Chair of the Clam, the prestigious music school of Zimbo Trio. It was also the music editor of the Brazilian edition of Guitar Player magazine.
Former professor of diverse musicians who gained notoriety in the art scene, including Chico César, Nuno Mindelis, Tomatito Camilo Carrara and Fernando Correa, Conrad is now a partner in Acoustic magazine, member of the International Association for Jazz Education, and Free University professor of music of St. Paul, where he teaches courses in guitar, improvisation and accompaniment techniques.
The musical concept of balanced swing Conrado Paulino Quarteto Brazilian harmonica reading modern and comprehensive vision for improvisation, resulting in an optimal combination of repertory and Brazilian rhythms with the jazz language. The quartet consists of Conrado Paulino on guitar, Midi and arrangements, Deborah Picareli, flute and piano, Celso de Almeida on drums and Mario Andreotti on double bass.
The band plays Brazilian pop music, playing original readings and sophisticated music by renowned authors such as Tom Jobim, Edu Lobo, Luis Bonfa, Dorival Caymi and Caetano Veloso. In the code, find topics like: Doralice, Vivo sonhando, Choro bandido, A felicidade, Samba da Minha Terra, Todo sentimento, and compositions of Conrad, as the delicate waltz Elizabeth Salada Baión rapid Northeast choro and samba Samba de Catalina .
In the audio file on the Conrado Paulino Quarteto Sarausa hear the theme of Americana, with the special participation of clarinetist Ademir Junior.
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