Long and Winding Road, Newly Repaved

By ALLAN KOZINN
THE newly remastered CDs of the Beatles’ original albums and singles, which EMI and Apple Corps, the Beatles’ company, are releasing on Wednesday, have less of a gee-whiz factor than The Beatles: Rock Band, which hits stores on the same day. But for those of us for whom the music is paramount — and who will forever refer to Rock Band as “the toy” — the game is a plastic tail wagging a cartoonish dog. And though the compact disc, as a format, may be on its deathbed, these remastered CDs are really the main event.
The complete catalog, in mono and stereo, has been given a careful digital upgrade. These are straightforward transfers of the albums as they were released in Britain, rather than the American versions, which were reconfigured by Capitol Records (to the Beatles’ chagrin). Do not look for bonus tracks: the only extras are making-of documentaries on each of the stereo discs. And although the stereo and mono mixes could have fit together on single CDs, in most cases EMI is selling them separately.

The up side: In most cases this music has dimension and detail that it never had before, and the new packaging reflects each album’s musical and cultural importance. Over all, the new discs sound substantially better than the Beatles’ original CDs, which EMI issued in 1987. The most striking and consistent improvements are a heftier, rounded, three-dimensional bass sound, and drums that now sound like drums, rather than something in the distance being hit. But because each album has its own sonic character, due partly to developments in recording technology during the Beatles’ career, and partly to the growing complexity of their work, some discs are improved more radically than others, and some are hardly improved at all.

Probably the most revelatory of the new transfers is the stereo White Album. From the opening jet engine effects on “Back in the U.S.S.R” to the final orchestral chord on “Good Night,” this album now leaps from the speakers. Gentler songs like “Julia” and “I Will” have a lovely transparency, and hard rockers like “Yer Blues” and “Helter Skelter” — as well as John Lennon’s quirky vision of dystopia, “Revolution 9” — have a power and fullness unheard until now.

“Abbey Road” also benefits considerably. The clearer instrumental profiles serve this rich-textured album beautifully: “Sun King” and “Here Comes the Sun” are unusually supple; the vocal on “You Never Give Me Your Money” no longer has a shrill edge, and Lennon’s proto-Minimalist “I Want You (She’s So Heavy)” has never sounded more mesmerizing. Nor has the group’s valedictory jam in “The End.”

And if you are cherry-picking among these reissues, the two-CD singles compilation “Past Masters” should be near the top of your list. The stereo mixes of these songs are often less hard hitting than the mono singles were, but the remastered versions, with their enriched bass, palpable drum sound and improved sense of vocal presence, no longer sound anemic. You find yourself discovering textural details (the percussion overlay in “She’s a Woman” is one such surprise) that show how imaginative the Beatles’ arrangements are.

It’s about time. In 1987 the elation of finally getting the group’s classic recordings on CD, four years after the format was introduced, quickly gave way to disappointment with the discs’ sound quality and presentation. Like many early CDs, several (though not all) of the Beatles’ discs had a harsh upper range. And except for “Sgt. Pepper’s Lonely Hearts Club Band,” which was put in a deluxe package with liner essays and archival photos, the 1987 CDs came with minimal, slapdash artwork.

Collectors who had long prized both the mono and stereo mixes of the group’s albums, which have different attractions (and sometimes different vocal takes and instrumental details), and had hoped that EMI would find a way to release both mixes on CD, were upset that the 1987 series offered the first four albums only in mono and the rest only in stereo. In one sense all of the group’s music had made the transfer; in another, about half the catalog was missing.

In a way it still is: the stereo recordings are available either individually for $18.98; $24.98 for double albums, or boxed (as “The Beatles”) for $259.98. But the mono albums can be had only in a 13-disc boxed set, “The Beatles in Mono,” for $298.98, which covers up to the White Album (the last album the group mixed in mono) and includes a mono version of the “Past Masters” singles compilation that includes previously unissued mono mixes of “Across the Universe” and songs from the “Yellow Submarine” soundtrack.
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