Bruna Caram....

Either of the waves of the radio where the voice of its grandmother sounded Maria Mercy, either of saraus and wheels of I cry of the family, Bruna Caram breathes music since the first words. Been born in Avaré (SP), cradle of the traditional festival of MPB, Bruna fell early in cauldron of sophisticated musical references e, to the 7 years, already it studied piano. To the nine, it entered the Trovadores Mirins. Later, to the fifteen, it was for the “main division” of the Trovadores Urban, where it gained game of waist and valuable kilometrage in contact with the most diverse types of public.

One day, expensive one contracted her and them said: 'go ahead'. The girl cried as much that we interrupt the night presentation in the way. It was very happy, remembers Bruna. The push for the alone career lode for the indication of the aunt Lucila Novaes. The composer Otávio Toledo removed of the trunk of memories a series of compositions that had made to the 18 years and asked for the Lucila that sang. It indicated a niece, that one garotinha of the Trovadores, that was with 19 years. Thus “This Girl” was born first album of Bruna, launched for the Dábliu Records in 2007. Bruna grasped the project as if he was its and it printed its mark. “She was everything with my skill, I did not run the risk to leave me of side. I participated of the production, but medinho rolled one”, delivery.

The album, that was launched in Japan in 2007 with enormous success, only brings songs of Otávio Toledo and its musical partners, J.C.Costa Netto and Juca Novaes. One of them, “Words of Heart”, reached great rotation in the radios and send Bruna to the rank of one of the great promises of the MPB. You give if to form in Musical Education for the UNESP, Bruna launches its as album, “Personal Holiday”, also for the Dábliu. With production of Alexander Fontanetti (Rita Lee/Zélia Duncan), the work brings three releituras beyond unknown compositions, disclosing a new harvest of Brazilian artists chosen the finger to impose the coolness that Bruna brings to Brazilian music. In the layer, it appears laughing, radiating, in the high one of the building Copan, 35 floors above of the paulistano soil. “My idea was: this sound goes to cross the city”, confirms Bruna.