http://monette.net/newsite/online/New...
Posted by jazzofilo at Thursday, September 26, 2013 0 comments
Labels: Lew Soloff, Scotty Barnhart
Posted by jazzofilo at Thursday, September 26, 2013 0 comments
Labels: Scotty Barnhart
A BLOG SUPREMEIn New Afro-Cuban Music, Ancient Tradition Meets Future Shock
In the 1980s, pianist Michele Rosewoman and drummer Francisco Mora-Catlett started independently pursuing a mixture of Afro-Caribbean mysticism and avant-garde jazz. Thirty years later, they've finally recorded their otherworldly large ensembles.
|
SHOTS - HEALTH NEWSSay What? French Horn Players Run Risk Of Hearing Loss
Nearly half the horn players in an Australian study noticed that they'd lost some of their hearing. Among the younger horn players, hearing tests found that up to one-third of them had noise-related hearing deficits.
|
Posted by jazzofilo at Thursday, September 26, 2013 0 comments
Posted by jazzofilo at Thursday, September 26, 2013 0 comments
Labels: Kaz Simmons
By CARSON GERBER, Kokomo Tribune
Updated 8:51 am, Wednesday, September 25, 2013
PERU, Ind. (AP) — Before there was rap, rock, punk or folk music, before swing and big band tunes made their appearance on the American musical landscape, there was jazz.
Old-time, toe-tapping, loose, swanky Dixieland jazz.
It's been more than a century since one of America's most iconic music styles boiled up from the hot, humid bayou of New Orleans, but since then it's slowly faded away and nearly disappeared.
But not in Peru, thanks to a band called the Swampwater Stompers.
For the last 20 years, a group of local musicians has kept traditional Dixieland jazz alive, and they have made a name for themselves in the process.
"There are very, very few groups who are dedicated to this kind of music," Jason Gornto, who plays piano in the band, told the Kokomo Tribune (http://bit.ly/19EMfZp ). "People play it, but there are very few actual Dixieland bands anymore. We're preserving traditional jazz and sharing it with as many people as we can."
That was the case earlier this month when the group played a three-hour show in Peru to celebrate its 20th anniversary. Friends, family and old band members packed into a local club to swing along with classic Dixieland tunes like "Basin Street Blues" and "When the Saints Go Marching In."
Different band members playing trumpets, trombones and clarinets slipped, slid and wailed, passing around the melody of the tunes. Banjo players clunked out rhythmic chords along with the drums. A large, silver tuba thumped out the bass like a swaggering elephant.
During most of the show, the group stuck with the traditional seven-piece band setup of Dixieland jazz ensembles, but here and there past band members would double up on an instrument for a double dose of swing.
Read more: http://www.sfgate.com/news/article/Peru-band-keeps-the-Dixieland-jazz-beat-going-4841936.php
Posted by jazzofilo at Thursday, September 26, 2013 0 comments
Labels: Swampwater Stompers
FIRST LISTENFirst Listen: Moby, 'Innocents'
More than 30 years into a try-it-all career that began in punk and has since worked its way through countless iterations of dance music —Innocents feels like the work of an artist who's been liberated to pursue beauty and emotion in as many forms as he can muster.
|
MUSIC INTERVIEWS?uestlove And Elvis Costello On Writing Together
Costello has teamed with hip-hop legends The Roots for one of the more unusual, invigorating musical partnerships of the year. NPR's Arun Rath speaks with Costello and Roots bandleader Ahmir "?uestlove" Thompson about the new album Wise Up Ghost.
|
FAVORITE SESSIONSThe Current Presents: Chvrches
The Scottish synth-pop trio just released its heavily hyped debut album, The Bones of What You Believe. Watch the group perform a stripped-down version of the record's most rousing anthem, "Recover."
|
MUSIC NEWSWalking The Sunset Strip, A Fading Beacon Of Cool
West Hollywood's Sunset Strip used to be the home of the city's hottest music venues — places that launched the careers of everyone from The Doors to Jane's Addiction — but has lost a lot of its influence over the years. NPR's Arun Rath visits the Strip with L.A. Times writer August Brown.
|
Posted by jazzofilo at Thursday, September 26, 2013 0 comments
Posted by jazzofilo at Tuesday, September 24, 2013 0 comments
Posted by jazzofilo at Tuesday, September 24, 2013 0 comments
Labels: Pete McGuinnes
Posted by jazzofilo at Tuesday, September 24, 2013 0 comments
Labels: Dave King