Friday, April 26, 2019

@IntlJazzDay

Monday, April 22, 2019

James Morison

Wes Montgomery

Jerry Roche

Wendy Kirkland

Julian Lee

Julian Lee

Chucho Valdez

Lou Donaldson - Blues Walk

Triste (Jobim)

David Lindley

Museum of Makn Music

Paste Magazine

Jazz music is alive

Sunday, April 21, 2019

Interview with Paola Vera

Claudia Campagnol

Thrilled to see Blackbird

Casa de Mendrugo

around Huddersfield today

Thursday, April 18, 2019

Soul Nation

Dr. Barry Harris

JazzTimes Magazine

KC Jazz Ambassadors

Jazz music

Wednesday, April 17, 2019

Flor de lis Rita Payés & Joan Chamorro

@globaljazzqueen

#LETROUPEMAKANDAL

Kellylee Evans

Louis Armstrong

In celebration of the 2019

Jacksonville University Jazz Summer Camp


The Summer jazz workshop is a high school aged camp with levels set for entering 9th through 12th grade. It is designed to be an immersive on-campus experience, with opportunities to grow with fellow musicians. Here you will study the jazz language and small group dynamics within combos that will be selected via audition into the camp. The purpose is to get as much growth possible out of a few days of deep learning and camaraderie. 

Each ensemble will have repertoire selected as a basis for group and individual study, with structured times throughout each day to focus on rehearsals and group language, theory and improvisation, applied lessons, and jazz clinics that address ensemble dynamics, practice and listening while you play. Each ensemble will be led by top artist performers among the JU Jazz Faculty and/or guest artist representatives. The primary focus will be the combo format, as it represents the benchmark for true progress and training in the history of the jazz idiom. However, a big band might also be formed depending on the representative numbers for the camp. 

 Adding to this opportunity to grow as musicians will be a chance to spend open times between rehearsals, courses, clinics, and practice taking advantage of the beautiful Jacksonville University campus and amenities. On campus housing is included along with breakfast, lunch and dinner, as well as evening activities and guest performances. The workshop will culminate with an early evening performance on the final day of the camp. 

I’ll be on vinyl soon

Natural Machines

ContemporaryJazz.com

JazzEducationNetwork

Miles Davis

Susan Bennett

Yaron Herman

Ottawa Jazz Festival

Billie Holiday

Tuesday, April 16, 2019

pianist Alan Broadbent

Female vocalist, female songwriter ...

Catherine Russell’s album

Andrea Rea Trio

Spotify

https://medium.com/s/freakonomicsradio/how-spotify-saved-the-music-industry-but-not-necessarily-musicians-473f01e37136

Sunday, April 14, 2019

OSCAR PETERSON with JOE PASS & NHØ PEDERSEN in Italy, 1985 (HD)

https://youtu.be/W4aJLaeojms

Saturday, April 13, 2019

@kamaalwilliams

Branford Marsalis

Léo Gandelman

Fiona Ross

Paco de Lucia Live '92

Friday, April 12, 2019

David Friedman Generations Quartet

@FabriJazzMusic

SEQ_music

RachelNatalieArt

@Middleport_Pot

Thursday, April 11, 2019

F2F Music Foundation

COLTRANE - THE LOST ALBUM

Benny Goodman

10 Books to Honor Jazz

@MariaMendesJazz

JAZZ COLLECTIVE

Dave & Bill

Rafaelu Resningu

#MilesDavis

"Stomping Off from Greenwood."

@erickrasno

"Metamodal."

@BillFrisell] and bassist Thomas Morgan

Jazz colossus in South African

Wednesday, April 10, 2019

Route 66 - Jazz Lag


"Route 66" - originally recorded as "Get Your Kicks on Route 66" - is a popular rhythm and blues standard, composed in 1946 by American songwriter Bobby Troup. The lyrics follow the path of federal highway U.S. Route 66, which traversed the western two-thirds of the U.S. from Chicago, Illinois, to Los Angeles, California. Follow us on Spotify: https://open.spotify.com/artist/6o1Ui... This video is a Jazz Lag™ Production: - Web Site: www.jazzlag.it - FB:www.facebook.com/jazzlagofficial - Instagram & Twitter: @jazzlag Recorded at "Studio Fotografico Oleandro" Sound engineering by Simone Pirovano Make-up by Monica Migliavacca

The fabulous #MarilynMaye

Joe Henderson

Route 66 - Diana Krall


Route 66 - a young Diana Krall at the 1996 Montreal Jazz Festival.
Bass: Paul Keller
Guitar: Russell Malone

Marcio Garcia

2019 TD Ottawa Jazz Festival

Thanks to @RhiannonGiddens

Natalie Merchant

The Manhattan Transfer


@MCRashid e @Silva

.@BradMehldau's new album

Tuesday, April 9, 2019

Stanford's CoHo

Miles Ahead Combo

@chicofreeman Quartet

The ELMA Music Foundation

Ashley Pezzotti

Monday, April 8, 2019

1957: another incredibly influential ...

Areni Agbabian

"Eight Winds"

Quiana Lynell


Hugh Masekela's 80th Birthday

Listening to music in silence?

Graham Costello’s STRATA

Belgian Jazz Meeting 2019

Tonight NIKARA

@TheJazzGallery

The Music in Ken Burns’ The Vietnam War Is Remarkable


When the first notes of The Beatles’ “Let It Be” ring out in the closing minutes of Ken Burns and Lynn Novick’s 10-part, 18-hour documentary The Vietnam War, you’d be forgiven for letting out a disappointed sigh. You’ve heard the song, which Paul McCartney plucked from a dream about his dead mother, countless times. The feelings it evokes in you are well-trod territory.
And yet, within just a few seconds, despite however many times you’ve heard “Let It Be,” it is redefined — made new again — as the words take on new meaning in the aftermath of the moving passage read by writer Tim O’Brien, a military veteran whose story is one of those featured in Burns and Novick’s exhaustive film.

It’s a remarkable moment.


“It was the one thing I insisted on, from the beginning,” Burns tells me during several long conversations about the moving and powerful use of music in the film. “As soon as I knew there might be a remote possibility that we could get The Beatles’ music, I chose that as the final piece. I knew it was the only way for our audience to exit this film.”

https://medium.com/@esquire_67482/the-music-in-ken-burns-the-vietnam-war-is-remarkable-here-s-how-it-was-chosen-42fec82cf48d

Ricky Rodriguez’s music

Sunday, April 7, 2019

Wynton Marsalis

Billie Holiday, BOTD 1917

Nérija review

Jazz Appreciation Month

#WoodyAllen

Tuesday, April 2, 2019

Interview withTheon Cross

Christian Scott aTundeh Adjuah

The Corea/McBride/Blade trio

Roscoe Mitchell & George E. Lewis

Wait Till you hear this

Monday, April 1, 2019

CHRISTIAN SCOTT

Nancy Eve Cohen

Gearbox Records

Toots Thielemans

When Jazz Queen meets Blues Award Winners

The audience at the Kraichgau Jazzfestival experienced a thrilling concert a week ago by Barbara Dennerlein and the duo Ignaz Netzer / Thomas Scheytt. The Badische Neusten Nachrichten reported on the concert evening in the completely sold out Old Winepress House in Bahnbrücken with the motto: "Jazz Queen Meets German Blues Award Winner".

"Ignaz Netzer, a blues guitarist with a distinctive, smoky voice that conveyed a bluesy feeling, and a confident, fine blues-harp playing, was accompanied by his congenial partner Thomas Scheytt on the piano fine hands for fast boogie melodies ...

After that the Queen of the Hammond B3, Barbara Dennerlein, came on stage as a soloist and enthused from the beginning. She surprised again and again with unconventional harmony changes and fast demanding bass pedal play. Dennerlein: "My daily fitness program." Ignaz Netzer acknowledged: "She plays with her left foot faster than most bassists with their fingers." Stylistically, she moved extremely confidently between blues and swing. But even with her self-composed first "Organ Boogie" she hit the nerve of the audience. In the ballads the princess showed a fine and filigree play on the majestic Hammond B3.

In the second part of the concert, the three musicians presented themselves as well-rehearsed team and gave the best blues and boogie. Titles like "Let The Good Time Roll", "Stormy Weather Blues" and "Will The Circle Be Unbroken" were fun for the audience. The protagonists' play had so much drive, rhythm and groove that a drum kit was not missed. The enthusiastic audience in Bahnbrücken occasionally took over, by clapping the percussion, so Ignaz Netzer commented: "With this we can take Montreux."

https://jazztage-kraichtal.jimdo.com/archiv/2019/barbara-dennerlein/