Friday, March 30, 2018
Chucho Valdes & IRAKERE
Posted by jazzofilo at Friday, March 30, 2018 0 comments
Oliver Jones and Oscar Peterson - Just Friends
Posted by jazzofilo at Friday, March 30, 2018 0 comments
Labels: Oliver Jones, Oscar Peterson
Oliver Jones - Falling In Love
Il discepolo di Oscar Peterson in un'esibizione al Montreal Jazz Festival 2004.
Oliver Jones: piano
Dave Young : bass
Norm Marshall Villeneuve : drums
Posted by jazzofilo at Friday, March 30, 2018 0 comments
Labels: Oliver Jones
Wynton Marsalis & The Young Stars of Jazz
Marciac Jazz Festival 2016
Wynton Marsalis - trumpet
Michela Marino Lerman - tap
Anthony Hervey - trumpet
Sam Chess - trombone
Ruben Fox - saxophone
Patrick Bartley - saxophone
Julian Lee - saxophone
Mathis Picard - piano
Joel Ross vibraphone
Gabe Schnider - guitar
Russell Hall - bass
Kyle Poole - drums
Posted by jazzofilo at Friday, March 30, 2018 0 comments
Labels: The Young Stars of Jazz, Wynton Marsalis
Saturday, March 24, 2018
Preview United We Swing
Recorded between 2003 and 2007, United We Swing—the latest album from Blue Engine Records—finds an unparalleled array of music talent that collectively boasts 94 Grammy Awards joining Jazz at Lincoln Center Managing and Artistic Director Wynton Marsalis (a nine-time Grammy Award winner himself) and some of the world’s top jazz musicians to perform blues-inflected versions of iconic American repertoire.
Order the album: jazz.org/united
Those one-night-only, live performances have never been released before. They include Lenny Kravitz performing Marsalis’s hypnotizing, New Orleans-inflected arrangement of Kravitz’s own song, “Are You Gonna Go My Way”; Susan Tedeschi and Derek Trucks uniting for a stirring, infectious take on Civil Rights anthem “I Wish I Knew How It Would Feel to Be Free”; Bob Dylan adding harmonica licks to a deeply felt, in-the-pocket rendition of “It Takes a Lot to Laugh, It Takes a Train to Cry”; and Ray Charles taking the stage for one of his final performances to play “I’m Gonna Move to the Outskirts of Town.”
Together these artists raise their voices to highlight jazz’s importance to America’s cultural heritage and to remind us that, even in divided times, music can unite us all. All proceeds from the album will go toward Jazz at Lincoln Center’s education programs, which introduce thousands of children to jazz each year.
Posted by jazzofilo at Saturday, March 24, 2018 0 comments
Lineup Announced For Xerox Rochester International Jazz Festival
SOURCE: DALMATH ASSOCIATES INC.
March 22, 2018
Xerox Rochester International Jazz Festival (XRIJF) producers John Nugent and Marc Iacona today announced the complete lineup for the festival’s 17th Edition. The nine-day festival returns to Rochester June 22 to June 30 presenting more than 1500 artists from around the world in 300-plus shows at 20 venues.
The 2018 Festival is presented in three series — the Club Pass series with 214 shows, the headliner series of six shows and 94 free shows and events all held in Rochester’s East End Cultural and Entertainment District.
Ticketed headliner shows will feature Alison Krauss (sold out), Bela Fleck and the Flecktones, Boz Scaggs, Jill Scott, Lake Street Dive, and Seal. Free outdoor stage show headliners include Brian Setzer’s Rockabilly Riot!, St. Germain, Tower of Power 50th Anniversary Tour, and Vintage Trouble . The Club Pass series will feature the Joey Alexander Trio , Mindi Abair, Melissa Aldana, The Bad Plus, Ron Artis II & The Truth, Joe Locke Group, Michael Mwenso, Jazzmeia Horn, Dustbowl Revival, Shake Stew, Robin McKelle Deva Mahal, Johannes Linstead Guitar of Fire!, Eric Krasno Band, Jane Bunnett & Maqueque and more than 110 others.
read more: https://news.allaboutjazz.com/lineup-announced-for-xerox-rochester-international-jazz-festival-17th-edition-june-22-30-nine-days-300-shows-20-venues-94-free-events.php
Posted by jazzofilo at Saturday, March 24, 2018 0 comments
Friday, March 23, 2018
Tedeschi Trucks Band 2018 Tour Stops
Now in their eighth year, Grammy-winning Tedeschi Trucks Band has earned their reputation as one of the premier live acts touring today. The 12-piece ensemble, led by the husband-and-wife team of guitarist Derek Trucks and guitarist-singer Susan Tedeschi, is a true collective; a rarity in rock-and-roll with every musician featured nightly while serving the band’s unified vision, pushing the boundaries of group dynamics and improvisation to inspiring new heights. Praised by reviewers for their “joy-filled blast of blues, soul and rock” (Philadelphia Inquirer) and “stellar musicianship” (Denver Post), TTB is a touring juggernaut, on the road over 200 days a year and never playing the same set list twice.
Their latest release, Live From the Fox Oakland, (2017) – a CD and film – was recorded in a single night at a show that fans and band members all regard as one of their finest performances to date. The double disc live recording showcases the band’s ability to move seamlessly from blistering rock and blues to soulful ballads and includes their take on classics from Derek and the Dominos, Leonard Cohen, and even Miles Davis among TTB’s original songs.
Live From the Fox Oakland, which debuted at #1 on Billboard’s Blues and #6 on the Rock Albums chart, follows four critically-hailed and commercially successful TTB albums, including their Grammy-winning inaugural studio effort Revelator (2011), and 2016’s Let Me Get By, the first to be solely produced by Trucks and written in house in the TTB family and called by the Associated Press “one of the great records of the year”.
Posted by jazzofilo at Friday, March 23, 2018 0 comments
Wednesday, March 21, 2018
JAZZAHEAD! 2017 VADIM NESELOVSKYI TRIO
Live at JazzAhead 2017, in Bremen, Germany.
Vadim Neselovskyi Trio:
Vadim Neselovskyi — piano, composition
Ronen Itzik — drums, percussion
Dan Loomis — bass
Produced by Arte Concert
Stay tuned for more news and tour dates:
www.vadimneselovskyi.com
Posted by jazzofilo at Wednesday, March 21, 2018 0 comments
Tuesday, March 20, 2018
Jazz Vocalist Brenda Alford Leads Quintet
The monthly Sunshine Jazz Concert Series continues with a stellar ensemble led by highly acclaimed singer, songwriter, educator and “Jazz Ambassador”, Ms. Brenda Alford! Her band is comprised of some of South Florida’s very finest musicians: Antulio Mora at the piano, Jesse Jones, Jr. on sax, Jamie Ousley on acoustic bass and on the trap drums, Lenny Steinberg.
Originally from Baltimore, Maryland, a city rich with musical legacies including Billie Holiday, Eubie Blake and Cab Calloway, Ms. Alford composed, performed and directed a children’s Jazz program. Along with her Trio, “A History of Jazz”, “Living With Jazz,” and “Legends and Jazz” the program toured to over 100 schools under the auspices of the Baltimore City Office of Cultural Enrichment and the Maryland Arts Council for nearly 13 years. Ms. Alford has continued her “Jazz Ambassador” mission here in South Florida.
Brenda Alford was personally encouraged to become a professional vocalist by Ms. Ella Fitzgerald, and counts Carmen McRae, Betty Carter, and Abbey Lincoln among her many fans. Brenda has the distinction of being one of very few vocalists ever to record with renown Jazz legend Horace Silver on the esteemed Blue Note Record Label. In addition, she has shared the stage with many jazz icons including Slide Hampton, Tommy Flanagan, Joe Donato, Jesse Jones, Jr., Pete Minger, Keter Betts, Philly Joe Jones and Stanley Turrentine. Alford also worked with fellow Baltimore musician and contemporary Jazz piano genius, Cyrus Chestnut for several years.
Ms. Alford performs in varied settings, from schools, churches and lounges to concert halls such as the Delaware Grand Opera House and Baltimore’s Meyerhoff Symphony Hall. She performed at South Miami-Dade Cultural Arts Center in a VIP performance preceding Grammy Award-winning vocal group Take 6, during which she released her new single recording, “Every Child” to standing ovations. By popular demand, she performed there again along with Bobby Watson, Curtis Lundy, and the great Kevin Mahogany. Alford’s varied musical performance configurations have ranged from a capella, to a sixty-piece orchestra. Her repertoire includes, jazz, gospel, pop, R&B, and blues.
Posted by jazzofilo at Tuesday, March 20, 2018 0 comments
Monday, March 19, 2018
from jazz@jazzinstitut.de
Posted by jazzofilo at Monday, March 19, 2018 0 comments
Sunday, March 18, 2018
http://njjazzlist.com
Story by Andy McDonough/Image by TOM MARCELLO
A subtle and versatile jazz drummer, best known for his affiliation with Thelonious Monk in the 1960s and Kenny Barron, one of Monk’s pianistic heirs, passed away recently in West Islip, New York at 84. His six-decade career in jazz had him featured on more than 300 recordings. Along with Monk and Barron, he backed pianists, Andrew Hill and Abdullah Ibrahim, he supported tenor saxophonists, Johnny Griffin and Stan Getz, and many other top jazz artists. His unique, complimentary style will be missed.
Although he was a gifted vocal improviser in his own right, Mr. Hendricks was best known for adding words to the improvisations of others. He took pieces recorded by jazz ensembles like the Count Basie Orchestra and the Horace Silver Quintet and, using their titles as points of departure, created intricate narratives and tongue-in-cheek philosophical treatises that matched both the melody lines and the serpentine contours of the instrumental solos, note for note and inflection for inflection.
Posted by jazzofilo at Sunday, March 18, 2018 0 comments
The Doug Carn Quintet - doin' the thing!
Come listen as the Doug Carn Quintet recreate the entire live recording of Horace Silver's doin' the thing at the Museum of Arts and Sciences in Daytona Beach. All of the songs will be performed exactly as performed by Horace and his group (Blue Mitchell, Junior Cook, Gene Taylor, and Roy Brooks) on the bandstand at the Village Gate (the corner of Thompson and Bleecker Streets in Greenwich Village, New York) in 1961.
The All About Jazz review of the CD rerelease by Hrayr Attarian called the album "especially unique, not only because of its quality, but because it is the only live recording of his most famous quintet. Although it was recorded 52 years ago (1961), this CD has the power to transport one back in time to the smoky room at Village Gate where one feels the raw energy of the live performance".
Track List
All compositions by Horace Silver:
"Filthy McNasty"
"Doin' the Thing"
"Kiss Me Right"
"The Gringo/Cool Eyes (Theme)"
Bonus tracks not included on original LP
"It Ain't S'posed to Be Like That"
"Cool Eyes"
Posted by jazzofilo at Sunday, March 18, 2018 0 comments
Friday, March 16, 2018
Summertime Andrea Motis Joan Chamorro Quintet & Scott Hamilton
Posted by jazzofilo at Friday, March 16, 2018 0 comments
Labels: Andrea Motis, Joan Chamorro, Scott Hamilton
Thursday, March 15, 2018
#CharlesLloyd
— ⒿⓄⓎⒿⒶⓏⓏ (@Joyjazzradio) 15 de março de 2018
Posted by jazzofilo at Thursday, March 15, 2018 0 comments
Wednesday, March 14, 2018
Fred Forney on trumpet
Fred Forney on trumpet during the pro jazz jam session at The Nash Phoenix.— Joseph Berg (@josephbergphoto) 14 de março de 2018
•@thenashjazz @downtownphoenix @josephbergphotography
•#jazz #jazzmusic #jazzphotography #jazzphotographer #phoenix #arizona #arizonaphotographer #azphotographer #azphotog… https://t.co/jzPd2GPLQ8 pic.twitter.com/JqZ79GSR1N
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Labels: Fred Forney
Love #jazz #saxophone ?
Love #jazz #saxophone? Then you'll enjoyt this chart by the #SaxAppeal #saxophonequartet! https://t.co/zR6UL5JXy5 #jazzmusic #eSAX— Sax Appeal Ottawa (@SaxAppealOttawa) 14 de março de 2018
Posted by jazzofilo at Wednesday, March 14, 2018 0 comments
Blues and Jazz Music
Blues and Jazz Music 10 Hours https://t.co/YGT9iI5K9o vía @YouTube— ¿PARANOICO YO?? (@tonyeinsteinmil) 14 de março de 2018
Posted by jazzofilo at Wednesday, March 14, 2018 0 comments
#NowPlaying
#NowPlaying our #eveningshows on our two #relaxing #webstations: #jazz #music on #JazzInternationalRadio https://t.co/WbHwz1Th5U & great #international #ClassicalMusic on #ClassicRadioInternational https://t.co/eQUAEBAU1H— 24/7 Online Radio (@247OnlineRadio) 14 de março de 2018
Posted by jazzofilo at Wednesday, March 14, 2018 0 comments
The Music of St. Germain ....
The Music of St. Germain is a complex blend, reflecting a deep love of blues, jazz & music of all kinds, w/ hypnotic electronic loops & harmoniously intertwined vocal samples. St Germain joins us on Wed June 27 @8:30PM for a special #ConcertUnderTheStars!https://t.co/kgc4pbAZ89— Ottawa Jazz Festival (@OttawaJazz) 14 de março de 2018
Posted by jazzofilo at Wednesday, March 14, 2018 0 comments
Bossa Nova Mix
Adicionei um vídeo a uma playlist @YouTube https://t.co/0XK8CNeeEx MUSIC - Bossa Nova Mix - Smooth Jazz Music - Instrumental— ZOZO WORKOUT MIX (@WorkoutZozo) 13 de março de 2018
Posted by jazzofilo at Wednesday, March 14, 2018 0 comments
https://t.co/VVQ7WfDkjS
Mais um dia.... https://t.co/VVQ7WfDkjS— José Inácio (@joseinaciorei) 13 de março de 2018
Posted by jazzofilo at Wednesday, March 14, 2018 0 comments
Saturday night at The Parlour
Saturday night at The Parlour. Join us for free live jazz from musicians of @thenewschool's #schoolofjazz, 8pm-10pm. #nyc pic.twitter.com/53mkE77RpT— Society Cafe (@SocietyCafeNYC) 10 de março de 2018
Posted by jazzofilo at Wednesday, March 14, 2018 0 comments
#montereyjazz
These guys smoking it tonight. Check out their set on our Facebook page. Thank you to @montereyjazzfestival for having us. ••• #montereyjazz #jazz #nyc #monterey #California #thenewschool #newschooljazz pic.twitter.com/Wa7y4svpyA— The New School Jazz (@NewSchoolJazz) 11 de março de 2018
Posted by jazzofilo at Wednesday, March 14, 2018 0 comments
Tuesday, March 13, 2018
#JimmieVaughan
The 8:30pm @JimmieVaughan set is Sold Out! Grab your tickets for the 10:30pm set while you can. Tix: https://t.co/3BcAdqO8RH pic.twitter.com/Jn74wRXUMQ— Iridium (@IridiumNYC) 7 de março de 2018
Posted by jazzofilo at Tuesday, March 13, 2018 0 comments
Celebrate #InternationalWomensDay
Celebrate #InternationalWomensDay with @Spotify's #WomenOfTheBlues playlist! https://t.co/w5cfkhlNCZ— Danielle Nicole (@Danielle_Nicole) 8 de março de 2018
Posted by jazzofilo at Tuesday, March 13, 2018 0 comments
March 29 @LWBMusic
March 29 @LWBMusic will be in the house singing new music. Get here and check it out. #jazz #livemusic #nyc Tickets: https://t.co/q1xDmVkbuz pic.twitter.com/KBzVsnOTaN— Iridium (@IridiumNYC) 13 de março de 2018
Posted by jazzofilo at Tuesday, March 13, 2018 0 comments
differences between East Coast and West Coast styles
At JazzWax, four albums in the 1950s that attempted to illustrate there were significant differences between East Coast and West Coast styles of jazz... https://t.co/MFwNJXuSOw pic.twitter.com/aj9sppZePU— Marc Myers (@JazzWax) 13 de março de 2018
Posted by jazzofilo at Tuesday, March 13, 2018 0 comments
Carthage College, ...
Carthage College, UW-Parkside celebrating arts, music - Kenosha News https://t.co/5tSFhn3xJy— Jazz music view (@Jazzmusicview) 11 de março de 2018
Posted by jazzofilo at Tuesday, March 13, 2018 0 comments
Tabla virtuoso PANDIT ABHIJIT BANERJEE
News: Tabla virtuoso PANDIT ABHIJIT BANERJEE is coming to town to play with our Music staff! https://t.co/QOGPbyJ4cS #jazz #music #melbourne #jazzlab pic.twitter.com/IKEA3xX74B— MelbournePolytechnic (@melbpoly) 13 de março de 2018
Posted by jazzofilo at Tuesday, March 13, 2018 0 comments
Fresh African music & culture
Fresh African music & culture// Midweek Chill with Maleh https://t.co/WOkVYUXt4J #afrosoul #jazz #music #news #videos— Haveplentymusic (@haveplentymusic) 13 de março de 2018
Posted by jazzofilo at Tuesday, March 13, 2018 0 comments
Monday, March 12, 2018
Sergio Mendes
MARCH 11, 2018
by ANGEL ROMERO
Sergio Santos Mendes was born in Niteroi, Brazil, February 11th, 1941. His father was a medical doctor. Mendes attended the local conservatory with hopes of becoming a classical pianist. As his interest in jazz grew, he started playing in nightclubs in the late-1950s just as bossa nova, a jazz-inflected derivative of samba, was taking off. Mendes played with Antonio Carlos Jobim (regarded as a mentor), and many U.S. jazz musicians who toured Brazil.
Mendes formed the Sexteto Bossa Rio and recorded Dance Moderno in 1961. Touring Europe and the United States, Mendes recorded albums with Cannonball Adderly and Herbie Mann and played Carnegie Hall. Mendes moved to the United States in 1964 and recorded two albums under the Brasil ’65 group name with Capitol Records and Atlantic Records.
When sales were slow, he replaced his Brazilian born vocalist Wanda da Sah with the unique voice of Chicago native Lani Hall (who learned Mendes’ Portuguese material phonetically).
In 1966, Sergio Mendes and his group were signed to a record deal by Herb Alpert, whose enthusiastic response led to immediate success. Mixing Brazilian, jazz and American popular styles, Brasil ’66 became known for its fresh, innovative sound. While Mendes was the lively pianist, arranger, producer and musical director, it was American vocalist Lani Hall (who would later marry Herb Alpert) who gave the group the special touch that ensured their success on the pop music charts. Lani is equally comfortable singing in English, Spanish and Portuguese, although you’d never know it from the way she performs all of her songs with the ease of a native.
read more at: https://worldmusiccentral.org/2018/03/11/artist-profiles-sergio-mendes/
Posted by jazzofilo at Monday, March 12, 2018 0 comments
Labels: Sergio Mendes
Sunday, March 11, 2018
Safaricom jazz festival ....
Safaricom jazz festival was indeed a delightful musical party - SDE Entertainment News https://t.co/WPVeNvOcJO— Jazz music view (@Jazzmusicview) 7 de março de 2018
Posted by jazzofilo at Sunday, March 11, 2018 0 comments
The latest JAZZ NEWS INTERNATIONAL!
— Prof Stephen Palmer (@stephenpalmer) 7 de março de 2018
Posted by jazzofilo at Sunday, March 11, 2018 0 comments
Review: John L. Nelson Project Records Jazz
Review: John L. Nelson Project Records Jazz by Prince's Dad - U.S. News & World Report https://t.co/p7sVhHX6Z8— Jazz music view (@Jazzmusicview) 7 de março de 2018
Posted by jazzofilo at Sunday, March 11, 2018 0 comments
Labels: John L. Nelson
composer Andrew Lloyd Webber
At JazzWax this weekend, links to my WSJ interviews with composer Andrew Lloyd Webber and British novelist Sophie Kinsella, plus my next SiriusXM appearance, Nanette Fabray, Sun Ra and more... https://t.co/eA0vKzfIcQ pic.twitter.com/m8bLVYxd3t— Marc Myers (@JazzWax) 11 de março de 2018
Posted by jazzofilo at Sunday, March 11, 2018 0 comments
Labels: Andrew Lloyd Webber
Friday, March 9, 2018
a BBC documentary on the rise of Motown ....
At JazzWax, a BBC documentary on the rise of Motown and why Berry Gordy's timing was perfect. Pictured, Motown's Mary Wells touring with the Beatles in the U.K. in October 1964... https://t.co/tGBkUC58hp pic.twitter.com/dEw55tw6hi— Marc Myers (@JazzWax) 9 de março de 2018
Posted by jazzofilo at Friday, March 09, 2018 0 comments
Marquis Hill, an award-winning trumpeter
George Varga - Contact Reporter
In 2014, Chicago trumpeter Marquis Hill won the Thelonious Monk Institute Trumpet Competition, which included a $25,000 scholarship and an album contract with Concord Records.
Now 30, Hill has played in the Chicago Jazz Orchestra and in the bands of saxophonist Joe Lovano, former Miles Davis bassist Marcus Miller and other luminaries.
He also leads his own group, The Blacktet, with which he make his San Diego headlining debut tonight at the Loft@UC San Diego.
Hill stands out whether playing his own compositions — which draw from post-bop jazz, hard bop, hip-hop, spoken word and more — or his distinctively re-invented versions of jazz classics by Horace Silver, Donald Byrd and Herbie Hancock.
read more at: http://www.sandiegouniontribune.com/entertainment/music/sd-et-radar-marquis-hill-20180305-story.html
Posted by jazzofilo at Friday, March 09, 2018 0 comments
Labels: Marquis Hill
Billie The Musical
Taking place in 1932, the beloved story of Eleanora Fagan at 17 years old unfolds as a hard-lived child, whose Mother struggled in a world of being a single parent, grows to become one of the world’s most iconic song writers and vocalists of all time. The story of Billie Holiday in this two-Act production, produced by Women in Jazz South Florida, offers an enlightening evening and a glimpse into a world of challenge and sacrifice through the eyes of a legend.
Posted by jazzofilo at Friday, March 09, 2018 0 comments
When sunny gets blue - Dan Papirany
Posted by jazzofilo at Friday, March 09, 2018 0 comments
Labels: Dan Papirany
Gateshead International Jazz Festival, 8 April
Peter Bacon reports:
How to achieve a gender balance in jazz will be topic at a European Jazz Network (EJN) seminar on 8 April as part of the Gateshead International Jazz Festival (GIJF).
Ros Rigby, Europe Jazz Network President and Producer of GIJF, said: “The lack of women instrumentalists on stage has been a topic under discussion for decades in the jazz industry, and over the past few years there have been a number of practical initiatives to try to redress the balance in the UK and other European countries.
“As the leading European network representing jazz festivals, venues and support organisations, we feel that we should create a manifesto to be agreed with all our members, making a commitment to gender equality in the next few years. We will be discussing a draft version of this at the seminar in Gateshead.”
Alongside Ros on the panel will be Issie Barratt (composer, educator and musician), Terese Larsson (Svensk Jazz), Annamaija Saarela (Annamaija Music Company- Finland), Sunna Gunnlaugs (Reykjavik Jazz Festival and musician), Graham McKenzie (Huddesfield Contemporary Music Festival), Kim Macari (Jazz from Scotland), Steve Mead (Manchester Jazz Festival) and Kenneth Killeen(Improvised Music Company, Dublin), amongst others who will be encouraging conversation about ways in how the industry can move forward both in the UK and across Europe.
read more at: http://www.londonjazznews.com/2018/03/news-for-iwd2018-europe-jazz-network.html
Posted by jazzofilo at Friday, March 09, 2018 0 comments
Jazz Musician Of The Day: Dan Papirany
SOURCE: MICHAEL RICCI
March 7, 2018
All About Jazz is celebrating Dan Papirany's birthday today!
Dan Papirany is an adventurous Jazz pianist, composer who understands and follows the eloquent philosophy that is to play melodic phrases and rich harmonies. Originally starting out as a drummer at seventeen years of age, he discovered the music of Bill Evans and Keith Jarrett\'s piano playing which led him to switch instruments to the piano. He remembers a quote from drummer Peter Erskine.
read more at: https://news.allaboutjazz.com/jazz-musician-of-the-day-dan-papirany__8829.php
Posted by jazzofilo at Friday, March 09, 2018 0 comments
Labels: Dan Papirany
Wednesday, March 7, 2018
from Kat Parra
Hi Everyone,
Our concert at Congregation Netivot Shalom in Berkeley is fast approaching and I wanted to remind you to get your tickets in advance in order to save some $$$! It has been a little over 2 years since we performed in the East Bay and I am so looking forward to returning to such a vibrant community. I truly miss living in Oakland, experiencing all it has to offer. So at least I get to be a part of this wonderful artistic community by sharing some of our music with you all. AND, I am excited to announce that I have added another member to the ensemble for this event: Katja Cooper on percussion. Katja has played with us many times over the years and has recorded on all of my CDs. She is a master percussionist who specializes in instruments from the middle east, including the darbuka.
Our concert will be a celebration of life in all of its many-faceted forms. We will present a combination of Sephardic (music of the Spanish Jews sung in the dying language of Ladino) and Latin and World Jazz. You will be amazed at how seamlessly these different styles mesh together into a cohesive and enthralling musical experience.
Here are the details:
Sunday, March 18 2pm
Kat Parra Latin World Ensemble Congregation Netivot Shalom
1316 University Ave, Berkeley
Featuring:
Kat Parra: vocals
Murray Low: piano
Masaru Koga: woodwinds
Aaron Germain: bass
Dan Foltz: drums
Katja Cooper: percussion
Posted by jazzofilo at Wednesday, March 07, 2018 0 comments
Bix Beiderbecke
At JazzWax, why Bix Beiderbecke matters 115 years after his death in 1931 a small apartment in Queens, N.Y.... https://t.co/Md1jvEQD0n pic.twitter.com/lFlGLEJsK3— Marc Myers (@JazzWax) 7 de março de 2018
Posted by jazzofilo at Wednesday, March 07, 2018 0 comments
Labels: Bix Beiderbecke
DownBeat
COVER
The Bad Plus - 'Everybody Took Off Their Mask'
Posted by jazzofilo at Wednesday, March 07, 2018 0 comments