Fine Arts/The University of Notre Dame
Thursday, September 28, 2017
Arturo Sandoval Comes to Casselberry FL Sept 30, 2017
Fine Arts/The University of Notre Dame
Posted by jazzofilo at Thursday, September 28, 2017 0 comments
Labels: Arturo Sandoval
Friday, September 22, 2017
Jazz Spotlight On Sinatra-Nancy Barell’s “In The Pocket” Broadcasts
Melody Breyer-Grell, Contributor
09/21/2017 12:42 pm ET
In my March article, I discussed Mary Foster Conklin’s weekly broadcast, A Broad Spectrum. Jazz and Vocal Standards.
http://www.huffingtonpost.com/entry/jazz-and-vocal-standards-mary-foster-conklin-regales_us_58d31dace4b002482d6e6e40
Today we look at Nancy Barell’s Jazz Spotlight On Sinatra.
As mentioned, in these days of YouTube, Spotify and other video and streaming services, deciding what music to enjoy can be overwhelming. Thus, the curated shows like those of Ms. Conklin’s and Nancy Ann Barell’s offer a way to just go online and have an opportunity to hear music carefully selected by connoisseurs of almost every type of music, from opera to jazz and beyond.
With all the “Sinatra” stations out there, Barell’s Jazz Spotlight on Sinatra offers an especially wide range of tunes. Some are sung by “The Chairman,” while a great part of the program includes jazz and standard singers, who have been influenced by Sinatra and his repertoire. Which means practically everyone.
I met Nancy over a decade ago, when I was booking singers for the Ninth Avenue restaurant, Chez Suzette. Unlike most of the people I came across, she was not looking for a gig—Nancy was actually an artist’s manager (for pianist David Hazeltine and singer/pianist Dena DeRose) and great fan of jazz music. I was honored to become her friend and have followed her return to a pastime that she has a great passion for—radio.
Melody: How did you get bitten by the jazz bug, The Great American Songbook, and ultimately Frank Sinatra?
Nancy: My Aunt Jenny worked for a record company. Don’t remember which. She brought me records starting when I was ten or eleven. I got introduced to Sinatra, Doris Day, Jo Stafford, Stan Kenton, and so many more. That was just the start! Jazz, I got from listening to the radio late at night. I was very young and picked up stations from Chicago, Philly, NYC, and Boston. I was exposed to instrumentalists like Erroll Garner, Gerry Mulligan, Dizzy and the rest of the greats. When I was a senior in high school I made a little money, and then bought records. Sinatra’s In The Wee Small Hours was the first, and Erroll Garner the second.
read more: http://www.huffingtonpost.com/entry/jazz-spotlight-on-sinatra-nancy-barells-in-the_us_59ba297ce4b06b71800c36d9
Posted by jazzofilo at Friday, September 22, 2017 0 comments
Tuesday, September 19, 2017
Piotr Turkiewicz: Putting Wroclaw On The Jazz Map
September 18, 2017
At just thirty seven years of age it's hard to believe that Piotr Turkiewicz has been pulling the strings of Jazztopad for almost a decade already. The festival, staged each November in the Polish city of Wroclaw, was already a few years old when Turkiewicz became Artistic Director in 2008, but under the canny stewardship of Turkiewicz and General Director Andrzej Kosendiak, Jazztopad has been transformed, in both style and substance, to become one of Europe's more progressively minded jazz festivals, though one with a strong sense of the music's historical roots.
Alongside cutting edge Polish, Japanese, Korean and Turkish jazz/improvised music, the Jazztopad program has embraced American legends of the genre such as Sonny Rollins, Wayne Shorter, Charles Lloyd, William Parker, Wadada Leo Smith and Anthony Braxton, to name but a handful.
Almost immediately upon being appointed Artistic Director, Turkiewicz set about radically altering the Jazztopad's artistic vision.
With so many jazz festival line-ups and formats alike, Turkiewicz has made Jazztopad stand out for the original music that he commissions. Of course, Jazztopad is not the only jazz festival that commissions new work from musicians, but how many festivals can provide the musician in question with the use of a philharmonic orchestra, a chamber ensemble or a choir?
When Turkiewicz took over the Jazztopad reins in 2008 he had clear ideas what direction he wanted the festival to take: "I thought it would be great to have new pieces in the festival to add an element of celebration. Program-wise it should be special. You come to Jazztopad and you can only hear the music here. Hopefully the music will go on to have its own life, but Jazztopad is the place where you can experience something that you have not experienced before."
Jazztopad audiences have experienced new music by the likes of Erik Friedlander, Nate Wooley, Wadada Leo Smith, Jason Moran, Charles Lloyd, William Parker, Uri Caine, Anders Jormin, John Surman and Wayne Shorter. It's no small feat on Turkiewicz's part to have succeeded in persuading these jazz luminaries to engage with such a progressive idea—that's to say the fusing of jazz/avant- garde music with classical aesthetics—but it's the result of much groundwork, often over several years. "It's a matter of long conversations, and talking about what already happened in the festival so as not to repeat the same things," explains Turkiewicz. "It's very much a discussion about the forces and the instruments. It's great fun."
read more: https://www.allaboutjazz.com/piotr-turkiewicz-putting-wroclaw-on-the-jazz-map-maciej-obara-by-ian-patterson.php
Posted by jazzofilo at Tuesday, September 19, 2017 0 comments
Labels: Piotr Turkiewicz
Monday, September 18, 2017
TONI REDD releases the single “Take Me To Paradise”
Atlanta, GA – The tantalizing talents of multi-faceted entertainer Toni Redd is in the music spotlight with the new release of her latest gem, Take Me To Paradise, a jazzy, soulful, up-tempo feel good song that features the smooth sounds of renowned saxophonist Walter Beasley. Its a brilliant collaboration that will be a signature standout from her forthcoming jazz project. Her soaring, feel-good vocals coexist harmoniously in the infectious tune. I recorded Take Me To Paradise because I love the song and I wanted to show my listening audience the jazzier side of me, just in case they forgot. Jazz is and always has been my first love.
Debuting as a Choice Cut selection for the month of September on soultracks.com, the song is also being presented to the marketplace via a widespread Radio promotion and marketing campaign that will target but not be limited to Smooth Jazz audiences and consumers. Toni’s versatility is a strong point, with her engaging ability to wow discriminating fans of Smooth Jazz,R&B, and Classic Soul. The song premiered on WSRB 106.3 FM Chicago to rave reviews and is now in regular rotation on its Windy City Jazz Program.
Among the numerous accolades she has received are the Black Women in Jazz Award for Best Jazz Artist and Music Video for Close to Me from Catching the Redd Eye 2014; Black Women in Jazz Award for Woman of Jazz & Soul 2015; a 2015 Georgia Music Award Nomination; nominee for a 2016 Soultracks Readers Choice Award; and her rendition of Stronger Than Before was chosen as one of the 50 Best Soul Songs of 2016 by Soultracks. Her most recent honor is a Lifetime Achievement Songwriting Award from the Writers Ball.
Posted by jazzofilo at Monday, September 18, 2017 0 comments
John Pizzarelli & Daniel Jobim - Jazz San Javier 2017
Posted by jazzofilo at Monday, September 18, 2017 0 comments
Labels: Daniel Jobim, John Pizzarelli
Saturday, September 16, 2017
Sunshine Jazz Celebration
Posted by jazzofilo at Saturday, September 16, 2017 0 comments
Friday, September 15, 2017
Hiromi Uehara - Caravan
Posted by jazzofilo at Friday, September 15, 2017 0 comments
Labels: Hiromi Uehara
https://academy.jazz.org/listening-parties/
Time Warner Center, 60th Street and Broadway
5th Floor
Posted by jazzofilo at Friday, September 15, 2017 0 comments
Wednesday, September 13, 2017
Magda Giannikou and her Banda Magda
Hi Claudio,
When you're away, a lot of your stress stays home. That's magnified many times over when you're living far from home and have left loved ones behind.
That's a normal state of affairs for a lot of people for sure, but there aren't too many who can take that pain and turn it into this amazing music that I hope you'll take a listen to, where geopolitics meets luxuriant strings, multi-language prose, punches of brass, hammered dulcimer and tubular bells, and dances with it all to maracatu and forro rhythms.
Maybe you know Magda Giannikou and her Banda Magda. If you do, let me tell you her new album Tigre is her best yet.
If you don't know Magda, treat yourself and click the link.
TOUR DATES, tunes, bio, pics---> Banda Magda - Tigre Burning Bright: Banda Magda’s Cinematic Tales of Courage and Persistence
09/15/2017
That spark of insight, nurtured by a diverse, close-knit band, grew into the rainbow-bold meditations on courage, confidence, and resisting fear on Tigre, the band’s third, wildly cinematic album. (September 15, 2017; Verve Label Group)
Play - Download Album
(I know you hear from other publicists, and might surmise correctly that I am jumping in mid stream to this campaign. Forgive me if you know all about Tigre already, and if that's the case feel free to ignore me.)
Best, Ron
ron kadish
publicist
ron@rockpaperscissors.biz
rock paper scissors, inc. - 511 west 4th street, suite 2
bloomington, indiana 47404 usa
Posted by jazzofilo at Wednesday, September 13, 2017 0 comments
Labels: Magda Giannikou
Monday, September 11, 2017
letter from rock paper scissors, inc.
Hi Claudio,
Tune snippets sung over Whatsapp, inspired by translated phrases from beloved 13th-century poet Rumi. Then a studio session, unrehearsed, when all the outpourings of grief, fear, and mad love came to a head. The result will prove one of the most beautiful albums of the year.
The close friendship of several culturally diverse musicians is captured on Will You (release date: September 22, 2017 by Tames Records), the latest from Iranian-American vocalist Katayoun Goudarzi and Saffron Ensemble , master sitar player Shujaat Khan, highly respected saxophonist Tim Ries (who’s played with jazz greats like Jack DeJohnette and Donald Byrd and rock icons like The Rolling Stones, Donald Fagen, and Rod Stewart), artful pianist Kevin Hays, and tabla player Dibyarka Chatterjee. Together, they have forged an unlikely ensemble that finds striking new settings for Rumi’s centuries-old yet ever-urgent words.
The result on Will You is stunningly hypnotic and shares the defining qualities of Rumi’s work in its sustained ability to resonate emotionally, across ages and across cultures.
Follow the link below to listen to the ten mesmerizing tracks, read our full press release and access the online press kit. And please let me know if I can assist in your coverage by providing press materials or arranging an interview!
Saffron Ensemble - We Should: Iranian Poetry, Indian Tunes, and a hint of Jazz Gel on Will You, Love Songs for a Heartsick World
09/22/2017
The close friendship of several culturally diverse musicians is captured on Will You (release date: September 22, 2017 by Tames Records), vocalist Katayoun Goudarzi, master sitar player Shujaat Khan, highly respected saxophonist Tim RiesStewart), artful pianist Kevin Hays, and tabla player Dibyarka Chatterjee.
Play - Download Album
Thanks,
Publicist
Posted by jazzofilo at Monday, September 11, 2017 0 comments
Friday, September 8, 2017
Hal Willner’s Vanishing, Weird New York
We’re going out, Mr. Dorn told Mr. Willner. Do not tell your parents.
“We go to the Regency and Redd Foxx opens the door in a robe and underpants sticking out,” Mr. Willner said, slipping into a Redd Foxx imitation. “‘Come on in. Hey, squirt. I’m Redd. This is Billy Eckstine.’” Mr. Willner, who has been sober for 20 years, tapped an espresso pod on his chair arm and continued in his Redd Foxx voice. “‘And this is pharmaceutical cocaine. Yeah, respect the pharmaceutical cocaine.’”
Mr. Willner was 18. Mr. Foxx told an off-color joke about elephant poo.
Hal Willner, welcome to New York.
read more: https://www.nytimes.com/2017/09/08/nyregion/hal-willners-vanishing-weird-new-york.html
Posted by jazzofilo at Friday, September 08, 2017 0 comments
Thursday, September 7, 2017
Spike Robinson, a tremendous American tenor saxophonist
At JazzWax, Spike Robinson, a tremendous American tenor saxophonist with the heart of Al Cohn and tone of Stan Getz https://t.co/aLp68UON1o pic.twitter.com/nQy4Uw8AFj— Marc Myers (@JazzWax) 7 de setembro de 2017
Posted by jazzofilo at Thursday, September 07, 2017 0 comments
Labels: Spike Robinson
Wednesday, September 6, 2017
The Dreamers need a new name
The Dreamers need a new name. How about Americans? pic.twitter.com/PrN3PuEGuJ— Marc Myers (@JazzWax) 6 de setembro de 2017
Posted by jazzofilo at Wednesday, September 06, 2017 0 comments
two new Lucky Thompson sets ....
At JazzWax, two new Lucky Thompson sets from Fresh Sound that cover the saxophonist's Paris years.... https://t.co/TWVOxuzG6H pic.twitter.com/V3S189vPwV— Marc Myers (@JazzWax) 6 de setembro de 2017
Posted by jazzofilo at Wednesday, September 06, 2017 0 comments
Labels: Lucky Thompson
CD release of "Another Time: The Hilversum Concert"
At JazzWax, the new CD release of "Another Time: The Hilversum Concert," a rare recording miraculously found https://t.co/w46fpjgcN1 pic.twitter.com/lfaYTxF6Gb— Marc Myers (@JazzWax) 5 de setembro de 2017
Posted by jazzofilo at Wednesday, September 06, 2017 0 comments
Giuseppe Millaci & Vogue Trio “Songbook” album review
Dr Shahbaz Sipra, Contributor
09/05/2017 01:38 am ET
The young Italian double bass player Giuseppe Millaci has released his latest project, entitled “Vogue Trio” and his debut album “Songbook.” The album puts him alongside the French pianist Amaury Faye, who was influenced by Keith Jarrett and Brad Mehldau; and Belgian drummer Lionel Beuvens, who is in charge of spicing up the beat from the percussion section with his impeccable and extremely fine execution.
The sound is engulfed in a dark melancholic and velvety atmosphere. Nine tracks make up this album for a perfect 52-minute playing time.
The first track features ‘Nostalgia Op. 1‘, a bass introduction with a powerful sound. This composition has harmonic characteristics similar to Bill Evans.
‘Imagining The Fourth Dimension‘, a cliché of “Giant Steps,” as its title says, is imaginative and open to any possibility. The piano becomes the protagonist when executing fast and agile melodic lines, while being harmonically accompanied by the bass, as the percussion remains relaxed, but keeps the energy flowing.
In the third track is ‘Travel To,‘ a title that brings some mystery and curiosity to know where the group wants to take us. However, we will have to hear it to find out.
Then we enter into the ‘Unknown Land,‘ which probably answers the question posed in the previous track. This composition glows vividly through the freest improv variations. A few progressions of seventh and dissonant chords don’t hurt anyone either.
read more at: http://www.huffingtonpost.com/entry/new-jazz-talent-giuseppe-millaci-vogue-trio-songbook_us_59ae3835e4b0d0c16bb52757
Posted by jazzofilo at Wednesday, September 06, 2017 0 comments
Labels: Giuseppe Millaci, Vogue Trio
Tuesday, September 5, 2017
from jazz@jazzinstitut.de
Posted by jazzofilo at Tuesday, September 05, 2017 0 comments
Monday, September 4, 2017
Musical genius Patrice Rushen ......
Musical genius Patrice Rushen onboard with LONDON 5 STUDIOS and LITTLE MELANIE LIVE@OfficialMelB @MelanieTGayle @jfordham_jazz @JazzWax pic.twitter.com/Mdv2BN2XIx— leelondon5 (@LeeHStraight) 1 de setembro de 2017
Posted by jazzofilo at Monday, September 04, 2017 0 comments
Labels: Patrice Rushen
Sunday, September 3, 2017
A ‘Soothe’ Moment in a Hectic World: Behind The Music of Shambhu.
Sujantra McKeever, Contributor
09/02/2017
“We are the music-makers, and we are the dreamers of dreams,”
—from Ode by Arthur O’Shaughnessy
“You will hear everything from jazz to instrumental folk to breezy pop to world fusion and even a hint of new age on Soothe, and it all goes down silky smooth.”
—Bill Binkelman, Zone Music Reporter
Music has the power to transform our lives and hence the world.
As I drove to work the other day my mind was spinning with all the things that were going wrong with a remodel of my new yoga studio. It was not the way I wanted to start my day. I knew just the antidote: turn on some heartfelt, relaxing music and center myself in my breathing. I chose the new album Soothe by Shambhu and it did the trick!
Reviewer Bill Binkelman from Zone Music Reporter describes the music: “Soulfulness runs throughout each track on Soothe like a slow, lazy brook winding its way through a forest, at times burbling over rocks, and other times flowing serenely with sunlight shimmering off the gently rippling surface.”
Soothe not only uplifted my own spirit but I started using Shambhu’s music as a peaceful backdrop for the yoga classes that I teach. Then I got curious about how Shambhu was able to convey a feeling of calm serenity in his music.
Shambhu’s adult life has been rooted in spirit. He discovered meditation in college and over time he was inspired to transform his rock style into a serene, instrumental flow that Feng Shui Mommy blogger Bailey Gaddis described as ‘mind medicine’.
read more at: http://www.huffingtonpost.com/entry/a-soothe-moment-in-a-hectic-world-behind-the-music_us_59ab70efe4b0bef3378cd940
Posted by jazzofilo at Sunday, September 03, 2017 0 comments
Chamber Fest becomes giant ....
BY WALTER TUNIS
Contributing Music Writer
Read more here: http://www.kentucky.com/entertainment/music-news-reviews/article170952802.html#storylink=cpy
Posted by jazzofilo at Sunday, September 03, 2017 0 comments
RONNIE SCOTT'S AT THE OPERA GRILL, CHESTER
Posted by jazzofilo at Sunday, September 03, 2017 0 comments
from Barbara Dennerlein ....
Jazz concert in Bad Dürkheim
Last weekend, Barbara played a jazz concert at St. Ludwig Church in Bad Dürkheim and elated her audience. The newspaper "Die Rheinpfalz" wrote: "The new pipe organ had been consecrated almost exactly seven years ago. Thanks to jazz organist Barbara Dennerlein one could experience very unusual sounds from the instrument. For those who not regularly go to church or to organ concerts might think that the organ was constructed especially for this.
The concert on Saturday turned out to be a multi media event. A large screen had been assembled in the altar room. Thus, the visitors could watch the artist playing and changing the stops. This fascinated the audience in the folly occupied church.
Barbara Dennerlein intended to elate with music instead of Palatinate wine. "It is always great to explore a new organ", she said, who already knows many organs world-wide. She began with a low organ point, the camera focused on her excellent play with the legs on the bass pedal, wearing special shoes for this. She changed from g-minor to as-minor and created tension and dynamics with the chromatic shift, as it is known from light music. She wove in jazzy sixth chords and created sound clusters by using the palm of her hands and her under arm to move the keyboard up and down in waves. After these cluster chords she appeased the fan of classical music with quotes of Johann Sebastian Bach's Toccata and Fuge, and one involuntarily wondered if Bach would be a jazz musician today.
She chose "Spiritual Movement Nr. 1" as opening piece. It provided everything: rhythm, the breathe of the organ is noticeable. The church as a concert and rest room. Inner deceleration, in reverence for the constructors of this unadorned church and the artists of organ construction and the musician who made all this visible and audible. ...
After Dennerlein's exploration of the organ's tonal range followed "Waltzing Pipes", a blues.
A solo on the bass pedal, similar sounds changed a bit and were enriched by additional courses. And it turned out that the organ is "fast", Dennerlein set the pipe work easily in movement.
She had composed "Sensitivity" after a stay in Brazil. A hidden switch, and the instrument released jungle sounds that no one would have expected. "Korean Smile" arouse by a trip to Seoul, the organ sounded like a Glockenspiel, meditative with slow soothing waves that she hid in her mystic billowing chords."
Posted by jazzofilo at Sunday, September 03, 2017 0 comments
Labels: Barbara Dennerlein
Abdullah Ibrahim & Ekaya with Terence Blanchard
http://www.abdullahibrahim.com/
Posted by jazzofilo at Sunday, September 03, 2017 0 comments
Labels: Abdullah Ibrahi, Ekaya, Terence Blanchard
Friday, September 1, 2017
a tribute to the late Larry Elgart ...
At JazzWax, a tribute to the late Larry Elgart, whose dance-band success in the rock era was a joyous anachronism https://t.co/qDtzIshmon pic.twitter.com/fQyc4ykQfq— Marc Myers (@JazzWax) 1 de setembro de 2017
Posted by jazzofilo at Friday, September 01, 2017 0 comments
Labels: Larry Elgart
Arturo O'Farrill & Chucho Valdés
August 31, 20175:00 AM ET
FELIX CONTRERAS
It's impossible to overstate the importance of both Bébo Valdés and Chico O'Farrill to 20th century Afro-Cuban music and jazz.
Their rich and multi layered influence is evident in iconic compositions, big band arrangements written 60 years ago that still sound cutting edge, and piano playing that echo Cuban classical music and jazz pianist Bill Evans.
The curious thing is that each made those contributions on opposite sides of the Florida Straights. Bebo Valdés (1918-2013) was a pianist, composer, arranger and bandleader in Havana, while Chico O'Farrill (1921-2001) was busy leading ensembles in New York. Their paths through Cuban music reflect unbreakable musical ties between the U.S. and Cuba that defied politics and a Cold War.
read more at: http://www.npr.org/2017/08/31/546800354/first-listen-arturo-ofarrill-chucho-vald-s-familia-tribute-to-bebo-chico
Posted by jazzofilo at Friday, September 01, 2017 0 comments
Labels: Arturo O'Farrill, Chucho Valdés
VERY EARLY - JLCO with Wynton Marsalis ft. Joey Alexander
Very Early
From HANDFUL OF KEYS
Composed by Bill Evans
September 22, 2016
Rose Theater
Young piano prodigy Joey Alexander joins the Jazz at Lincoln Center Orchestra with Wynton Marsalis for a lively stroll through Walter Blanding's arrangement of Bill Evans's composition, "Very Early." This is the second single off the JLCO's upcoming album "Handful of Keys," out Sept. 15.
Order "Handful of Keys" from our webstore: http://ow.ly/Jbtj30euNDG
Order the deluxe bundle of "Handful of Keys," featuring JALC 30th Anniversary gear, from our webstore: http://ow.ly/fz0D30euNBM
Personnel:
Sherman Irby - Alto saxophone
Ted Nash - Alto saxophone
Victor Goines - Tenor saxophone
Walter Blanding - Tenor saxophone
Paul Nedzela - Baritone saxophone
Vincent Gardner - Trombone
Chris Crenshaw - Trombone
Elliot Mason - Trombone
Greg Gisbert - Trumpet
Kenny Rampton - Trumpet
Marcus Printup - Trumpet
Wynton Marsalis - Trumpet
Joey Alexander - Piano
Carlos Henriquez - Bass
Ali Jackson - Drums
Posted by jazzofilo at Friday, September 01, 2017 0 comments
Labels: Joey Alexander, Wynton Marsalis
Florida's 12th Annual Open Harmonica Championship
Posted by jazzofilo at Friday, September 01, 2017 0 comments