Thursday, July 31, 2014
Frankie Dunlop's half-century in the music business ....
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Labels: Frankie Dunlop
Paris Toon & Mothers Favorite Child
Paris Toon and Vaughn Willis
It is for this reason that Paris Toon is viewed as more than just one of the best up and coming music producers in the industry right now. There are also many that see him as a dual threat, with his lyrics also being ranked among the best of what’s out there right now. If you need a perfect example of the kind of emotion that Paris Toon can put into words, you need to take a listen to “Who Are You,” which features the sweet, soulful sound that is the voice of Vaughn Willis.
The combination of Willis and Toon was one that reaped major benefits, as Who Are You was able to make it all the way to number 4 on the Billboard charts. The vocals combined with the heartbreaking lyrics penned by Paris Toon are what made this song such a break-out hit, as it can easily be described as heartbreak and loss described in under 5 minutes. You will hear this song and feel the pain contained in those lyrics, yet you will also be left with an uplifting feeling, as Paris Toon’s words make it clear that this is a song about moving on, as well as about the loss that brought the pain in the first place.
read more: https://www.storyamp.com/dispatch/9435/9NBloqWFV_ud81-exbeu2A
Posted by jazzofilo at Thursday, July 31, 2014 0 comments
Tony Bennett's Almost Birthday
Reprinted from http://jazzwax.com
Tony Bennett's birthday is on August 3 (he'll be a majestic 88), but I couldn't wait until then to celebrate. While roaming YouTube the other night, I dipped into Tony's 1960s TV appearances. If you like what you see below, I'll tell you at the end of this post where you can see much more if you're in New York on Aug. 4...
On Monday, Aug. 4, author and Wall Street Journal jazz writer Will Friedwald will be presenting a video tribute to Tony at New York's Bunga’s Den, a club at 137 W 14th St. (between 6th and 7th avenues.) from 7 to 9:30 p.m. Will, who in 1998 co-authored Tony's The Good Life memoir, will be talking about the singer and working his laptop to project rare clips of Tony on a big screen. None of the clips have been on YouTube. To reserve a seat, RSVP to Bob Levis (click to email). There's a $10 cover charge and a $10 drink minimum.
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Labels: Tony Bennett
2014 Mayor's Jazz & Blue's Festival
Featuring Romero Lubambo, Nilson Matta and Duduka Da Fonseca
Trio Da Paz is one of the most popular Brazilian jazz groups in the world, and they make New Jersey their home.
Bucky Pizzarelli’s Guitar Summit 2:00 – 3:30
With guest guitarists Frank Vignola, Vinnie Raniola and Ed Laub
Guitar Summit was so popular last year, we are bringing Bucky and friends back with the addition of Vinnie Raniola. Bucky is in the New Jersey Hall of Fame.
Winard Harper & Jeli Posse 4:00 – 5:30
The renowned jazz drummer and his exciting new sextet are based in Jersey City. Their newest CD hit number one on the jazz charts and was the most requested jazz CD of 2014 on college campuses.
Mikey Junior Band 6:00 – 7:30
Mikey Junior is a much acclaimed harmonica player out of South Jersey and performs at festivals and blues clubs up and down the East Coast.
Matt Schofield Trio 8:00 – 10:00
Voted British Blues Awards Guitarist of the Year 2010, 2011 & 2012, Schofield is hailed by Guitarist Magazine as “the UK’s most exciting blues guitar player.” It is fitting that four great New Jersey bands turn the stage over to a British artist to close out the festival.
Major sponsors for this summer’s Morristown Jazz & Blues Festival include JCP&L, The Metropolitan at 40 Park, PSE&G, Riker Danzig and Roseland.
Additional sponsors include Alaimo, Atlantic Health, ConnectOne Bank, Delaware-Raritan Engineering, Fairview Insurance, Genova Burns Giantomasi Webster, Greenbaum Rowe, Hyatt Morristown, Inglesino Pearlman, Investors Bank, Lindabury McCormick, Morristown Municipal Airport, Morristown Parking Authority, O’Donnell McCord PC, Porzio Bromberg & Newman, McEnerey Brady & Company, Jeff Rawding AIA, David Brady Esq., Villa Enterprises, Trustees of the Morristown Green, Hot House Jazz, New Jersey 350 and the New Jersey Jazz Society.
For more information, visit www.MorristownJazzandBlues.org
Posted by jazzofilo at Thursday, July 31, 2014 0 comments
Dave Lambert and Ted Williams
Following my posts on Dave Lambert's music ("Voice of Reason") and his daughter Dee's recollections ("My Dad, Dave Lambert"), reader Bill Reed kindly sent along the 1959 Down Beat article on Lambert, Hendricks & Ross by Gene Lees and Jon Hendricks that featured Ted Williams's [above, right] photographs...
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NPR Music - You Must Hear This
THE RECORDEast Nashville Rocks
Four stories of rock and roll musicians making a home — and a scene — in a buzzing neighborhood just across the Cumberland River from the palaces of country music.
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FAVORITE SESSIONSKEXP Presents: Courtney Barnett
Everyone's favorite asthma-ridden Australian performed a special show for KEXP fans in Seattle. Watch Barnett perform her hit song, "Avant Gardener," live at The Triple Door.
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TINY DESK CONCERTSSaintseneca: Tiny Desk Concert
Dark Arc is a pastiche of gentle lyrical moments and punk anthems, often within the same tune. In the NPR offices, the Ohio band performs three alternately brooding and stomping songs from the album.
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Posted by jazzofilo at Thursday, July 31, 2014 0 comments
Lady Gaga and Tony Bennett
Legendary singer turns 88 next week. Gaga's body language shows she has no poker face.
KEVIN MAZUR/GETTY IMAGES
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Labels: Lady Gaga, Tony Bennett
Dimitrije Vasiljevic’s new album Metaphor
From: Dimitrije Vasiljevic
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Labels: Dimitrije Vasiljevic
Wednesday, July 30, 2014
NJJazzList.com Calendar
08/01 Fri Bruce Williams & Radam Swartz Organ Band at Summer Jazz Café at Two River Theater 8:00 pm to 10:30 pm Style: Straight-ahead, Cover: Tickets Available, B3 organist Radam Swartz and sax man Bruce Williams — Audiences, artists, and critics alike rave about Summer Jazz Café, citing an excellent atmosphere, great acoustics, and consistently high level of artistry as reasons to return each year. A Great Date Night Idea for Summer! Snuggle up with your significant other or a new friend and enjoy an evening of elegant world-class Jazz. This ever-popular summer series runs thru Aug. 2 and is curated by the non-profit Jazz Arts Project. All proceeds help support unique educational programs. Learn more , Hear samples , (732/848)
08/01 Fri Bruce Williams and Radam Schwartz Organ Group at Two River Theater - 21 Bridge Ave. - Red Bank, NJ 8:00 pm to 10:30 pm Style: Mixed, Cover: None, Fundraiser presented by Jazz Arts Project, INC.Learn more , (Unknown)
08/01 Fri Carole Lynne Bob Smith duo at Jester's Cafe, Bordentown, NJ 7:00 pm to 10:00 pm Style: Vocal,Cover: None, Learn more , Hear samples , (609/ )
08/01 Fri Lou Volpe Jazz Guitar at Villa Amalfi 7:30 pm to 11:00 pm Style: Cool Jazz, Cover: None, Lou Volpe plays solo at this beautiful restaurant in Cliffside Park, NJ. Learn more , Hear samples , (Unknown)
08/01 Fri Mauricio de Souza Trio at Moonstruck 6:00 pm to 10:00 pm Style: Straight-ahead, Cover: None, Mauricio de Souza Trio at Moonstruck. 6-10pm. 517 Lake Ave., Asbury Park, NJ. 732-988-0123. www.moonstrucknj.com. Mauricio de Souza Trio will be playing tunes from the new album w/ arrangements of compositions by Tom Jobim, Wayne Shorter, Pat Metheny, Milton Nascimento, Cedar Walton, Mike Stern, Hermeto Pascoal, Luis Eça, Bill Evans, Edu Lobo, and Benny Golson among others. Mauricio de Souza (drums), Alan Chaubert (piano AND trumpet), Gary Mazzaroppi (bass). Learn more , Hear samples , (732/848)
08/01 Fri jim desalvo pianist at Raven and The Peach 7:00 pm to 10:00 pm Style: Mixed, Cover: None, buddy Savino on bass , (Unknown)
08/02 Sat B.D. Lenz Quartet at Palmer Square - Princeton NJ 2:00 pm to 4:00 pm Style: Fusion, Cover: None, w/Geoff Mattoon (Sax), James Rosocha (bass), & Abe Fogle (drums) Learn more , Hear samples , ()
08/02 Sat B.D. Lenz Trio at Halo Pub 6:00 pm to 9:00 pm Style: Fusion, Cover: None, free outdoor show! Learn more , Hear samples , ()
08/02 Sat Barbara Rose, Pianist & Vocalist at Molly Pitcher Inn, Red Bank 7:00 pm to 11:00 pm Style: Mixed,Cover: None, Celebrate the American Songbook with piano prodigy Barbara Rose. Barbara’s style as a vocalist ranges from Judy Garland to Janis Joplin. Her piano style is reminiscent of Thelonius Monk. Learn more , Hear samples , (732/848)
08/02 Sat Bruce Williams & Radam Swartz Organ Band at Summer Jazz Café at Two River Theater 8:00 pm to 10:30 pm Style: Straight-ahead, Cover: Tickets Available, B3 organist Radam Swartz and sax man Bruce Williams — Audiences, artists, and critics alike rave about Summer Jazz Café, citing an excellent atmosphere, great acoustics, and consistently high level of artistry as reasons to return each year. A Great Date Night Idea for Summer! Snuggle up with your significant other or a new friend and enjoy an evening of elegant world-class Jazz. This ever-popular summer series runs thru Aug. 2 and is curated by the non-profit Jazz Arts Project. All proceeds help support unique educational programs. Learn more , Hear samples , (732/848)
08/02 Sat Bruce Williams and Radam Schwartz Organ Group at Two River Theater - 21 Bridge Ave. - Red Bank, NJ 8:00 pm to 10:30 pm Style: Mixed, Cover: None, Fundraiser presented by Jazz Arts Project, INC.Learn more , (Unknown)
08/02 Sat Judy Bady at Candlelight Lounge 3:30 pm to 7:30 pm Style: Vocal, Cover: over $10, Free Buffet, $10 minimum , (609/ )
08/02 Sat Lou Volpe Jazz Guitar at Villa Amalfi 7:30 pm to 11:00 pm Style: Cool Jazz, Cover: None, Lou Volpe plays solo at this beautiful restaurant in Cliffside Park, NJ. Learn more , Hear samples , (Unknown)
08/02 Sat Marlene VerPlanck at Trumpets Jazz Club 8:00 pm to 11:00 pm Style: Vocal, Cover: Tickets Available, Marlene with Barry Levitt, Boots Maleson, and Ron Vincent 6 Depot Square, Montclair, NJ Reserve on line, trumpetsjazz club.com Learn more , Hear samples , (862/973)
Posted by jazzofilo at Wednesday, July 30, 2014 0 comments
Afro Bop Alliance
The secret weapon on this exhilarating outing is newest Afro Bop Alliance member Victor Provost, who brings a new sparkle to the proceedings with his virtuosic steel pans playing on the Latin Grammy-winning group’s fifth release overall. “He’s like the Michael Brecker of the pans,” says drummer and Afro Bop Alliance founder Joe McCarthy. “He’s from St. John’s, Virgin Islands, and he came to study at George Mason University just outside of Washington D.C., where I also teach. Having Victor in the band really changes what we do.”
Aside from offering brilliant solos throughout Angel Eyes, Provost’s steel pans also blend nicely on the frontline with alto saxophonist Vince Norman, tenor saxophonist Luis Hernandez and trumpeter Tim Stanley on these eleven tracks.
They state their rhythmically-charged case very persuasively from the outset on the buoyantly churning, clave-fueled opener, The Jinx, written by the band’s bassist Tom Baldwin and arranged by Vince Norman. Following exhilarating solos by pianist Harry Appelman and saxophonist Hernandez, drummer McCarthy engages in some fiery exchanges with conga player Roberto Quintero over a mesmerizing son montuno groove on this energized number before McCarthy unleashes at the tag.
Three for Juju, composed by Hernandez and arranged by Norman, opens with a drum flurry by McCarthy. Note how he keeps a tambourine groove going with his foot as he traverses the kit throughout this intricate piece, which morphs from 3/4 to 6/8 and features some lush harmonies between the horns. “That’s based on a joropo groove from Venezuela,” explains McCarthy,” who studied Latin jazz rhythms with Frankie Malabe and Victor Rendon at the Boys Harbor School in the Bronx and also studied jazz drumming with Ed Soph at the University of North Texas. “I was trying to play a little wider beat, so it seems to float underneath that beautiful melody that Luis wrote. And the way that Roberto is playing maracas on that is a total characteristic of that type of groove.” Appelman and Hernandez both offer inspired solos on this engaging, polyrhythmic number.
Baldwin’s Ziggy the Crooner is a straight-up cha-cha-cha that showcases Provost’s steel pans in unison with Stanley’s muted trumpet. Norman, who also co-arranged the contrapuntal horn lines on this easy-grooving number, turns in a robust alto solo here. The composer adds a nimble upright bass solo on the insinuating cha-cha groove before the rhythm section shifts to 12/8 mode underneath trumpeter Stanley’s bristling solo. And dig the sizzling timbales-conga exchanges between McCarthy and Quintero over the son montuno section at the tag. “Roberto is a magnificent percussionist, a very powerful player and great soloist,” says McCarthy of his Afro Bop Alliance rhythm mate.
Pianist-arranger Appelman puts an inventive Latin jazz spin on Horace Silver’s lovely 5/4 tune Barbara (from his 1975 Silver ‘n Brass album) which features a heroic tenor solo from Hernandez (catch his sly quote from “Fascinating Rhythm” along the way). Provost’s Homenaje which features some lively call-and-response exchanges with special guest Paquito D’Rivera on clarinet, also has Quintero elevating the proceedings with his fiery conga work.
read more: http://www.zohomusic.com/cds_detail.php?cds_id=140
Posted by jazzofilo at Wednesday, July 30, 2014 0 comments
Monday, July 28, 2014
Ed Lewis....
Artist Biography by Scott Yanow
Ed Lewis had a rather odd career. In his early days he was considered a strong soloist and yet, because of his excellent reading skills and a wide range, he rarely soloed after the early 1930s. Lewis outlived most of his contemporaries and had long periods where he worked very steadily, but strangely enough, his technical skills doomed him to obscurity. Early on he played baritone horn with Jerry Westbrook's band in Kansas City in 1924, but the following year he wisely switched to trumpet.
After brief stints with the groups of Paul Banks and Laura Rucker, Lewis was a key player with the Bennie Moten Orchestra (1926-1932) where he was the main trumpet soloist (a bit influenced by Bix Beiderbecke), at least until Hot Lips Page joined the band. After leaving Moten, Lewis was a member of big bands led by Thamon Hayes (1932-1934), Harlan Leonard (1934-1937) and Jay McShann (1937). Lewis worked with Count Basie's Orchestra for a long stretch (1937-1948), appearing on many records but taking virtually no solos; his one main contribution (other than his stability) was writing "It's Sand, Man!"
When the Basie years ended, Lewis worked for a time as a cab driver but from the mid-'50s on, he generally led his own low-profile band in New York. Ed Lewis (who never led his own record date) did emerge a little bit near the end of his life when he toured Europe with the Countsmen in 1984, but he deserved many more opportunities decades earlier to display his talents.
From: http://www.allmusic.com/artist/ed-lewis-mn0000791779/biography
Posted by jazzofilo at Monday, July 28, 2014 0 comments
Labels: Ed Lewis
Short History of Jazz on in Wellington next month
Museums Wellington, Fuseworks
July 28, 2014, 2:28 pm
The Museum of Wellington City & Sea turns the spotlight on the history of jazz this August, with a focus on the music of the ‘20s, ‘30s ‘40s & ‘50s. A Short History of Jazz takes place over four Sundays from 10 to 31 August at 2pm. It features a collection of New Zealand’s top jazz exponents, with sessions being led by Lex French, Ben Wilcock, Nick Tipping and Norman Meehan.
The four-part series guides listeners on a historical path, tracing the evolution of jazz from its beginnings in the early 1900s, through to the 1950s. Speakers will present the story of jazz, explain some its technical mysteries and give insights into the social context behind the music. Interwoven among the discussion, a jazz quintet will perform examples of works from the era.
Event organiser Andrew Laking says, "The Wellington jazz scene has become increasingly popular over the years. Wellington is a vessel for the increasing talent and knowledge of jazz musicians. We’re thrilled to have some of New Zealand’s jazz best and brightest on board to discuss the historical progression of this popular genre."
read more: https://nz.news.yahoo.com/a/-/top-stories/24565488/short-history-of-jazz-on-in-wellington-next-month/
Posted by jazzofilo at Monday, July 28, 2014 0 comments
Jabbo Smith and his Rhythm Aces - Take your Time
by Len Weinstock
Yes, Virginia, there was a Jabbo Smith! Jabbo had a short but exceedingly important recording career in the late 1920's when he became the first trumpeter to seriously challenge Louis Armstrong with a virtuosity which was years ahead of its time. His work had a direct influence on Roy Eldridge, a pivotal figure in the development of Modern Jazz.
Jabbo Smith was born in Pembroke, Georgia on Christmas Eve in 1908, the son of a barber and church organist. After the death of his father when Jabbo was very young he moved , at age four, to Savannah. His mother found it increasingly difficult to care for him and at age six Jabbo was placed into the Jenkins Orphanage Home in Charleston. His mother also found employment in the Home in order to be near to him.
The Jenkins Home placed heavy emphasis on music education and produced a number of important Jazzmen who received their first public playing experience while touring with one of several student orchestras. It was in this setting that Jabbo took up trumpet and trombone at the age of eight and began touring the country with a student band at the age of ten. After unsuccessfully attempting to leave the institution a number of times, Jabbo finally left for good at the age of sixteen and headed north to make his mark on music. He made (and kept) a promise to his mother never to work for less than one hundred dollars a week, a good wage in those days.
read more: http://www.redhotjazz.com/jabbo.html
This hot jazz number was recorded on February 23rd 1929 in Chicago with the following personal, Hayes Alvis tuba, Ikey Robinson banjo, Omer Simeon clarinet, Cassino Simpson piano, and Jabbo Smith cornet.
From: https://www.youtube.com/watch?v=vSvaYIlAH48
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Labels: Jabbo Smith
Royal Garden blues - Max Kaminsky 1958
Royal Garden Blues Kaminsky Max 1958
The picture quality is not very good, but the music makes up for it.
Another spontenuous jam session at one of the 1958 Art Ford jazz parties.
Here is also Stuff once more playing with an all star session group under the direction of trumpeter Max Kaminsky. Other musicians that I recognize are Johnny Guarnieri on piano, George Wettling drums, Cutty Cutshall trombone, Bud Freeman tenor sax, Herb Hall clarinet and of course Stuff Smith on the violin.
From: https://www.youtube.com/watch?v=a8m1QREfHRc
Posted by jazzofilo at Monday, July 28, 2014 0 comments
Labels: Max Kaminsky
Merlene Davis: Jazz concert to help First African Foundation purchase church
BY MERLENE DAVIS
Herald-Leader Columnist,Merlene DavisJuly 26, 2014
Instead of the traditional wood or acrylic plaque or inscribed keepsake, the board members for First African Foundation commissioned sculptor LaVon Williams to fashion pieces of art to commemorate the first William E. Thomas Music Awards.
"We wanted to give the recipients something different," said Jim Embry, foundation board member who is in charge of Deep Roots Tall Trees, a benefit jazz concert at the Lyric Theatre & Cultural Arts Center, during which the awards will be given.
"So we reached out to LaVon Williams," Embry said.
The awards will be given annually to one living and one deceased Lexington musical artist with stellar careers. This year's recipients are the late jazz saxophonist Clarence "Duke" Madison and opera singer William B. Ray.
Madison's award, which will be presented to his widow and son, is a wooden sculpture of a man playing a sax. Ray's is of a man singing, and he is scheduled to be on hand to receive it.
But what would music awards be without music?
Surrounding the presentations will be a concert featuring musicians who got started in Lexington, including jazz pianist Kevin Harris and the popular quartet Charlette's Web.
Originally, jazz trumpet player Michael Cruse, also a Lexington native, was scheduled to perform, but he won a role in the upcoming film Miles Ahead, directed by and starring actor Don Cheadle, which has started production. It focuses on five years in the life of jazz icon Miles Davis. The movie is being filmed in Cincinnati where Cruse is in his third year at the College-Conservatory of Music at the University of Cincinnati.
Read more here: http://www.kentucky.com/2014/07/26/3353272/merlene-davis-jazz-concert-to.html#storylink=cpy
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Labels: Merlene Davis
Sunday, July 27, 2014
Teshima Aoi- Calling you
Posted by jazzofilo at Sunday, July 27, 2014 0 comments
Labels: Teshima Aoi
Weekend Wax Bits
Reprinted from http://jazzwax.com
In case you missed my two posts on Dave Lambert last week, you'll find them here and here. The first looks back on the life and music of the vocalese singer while the second features Dee Lambert, Dave's daughter, reminiscing about what made her father special. More to come on Dave Lambert down the road. [Pictured above, Dave Lambert and Iola Brubeck at the recording session of The Real Ambassadors in September 1961]
Denny Zeitlin—Stairway to the Stars (Sunnyside).Back in November 2001, pianist Denny Zeitlin appeared at the Jazz Bakery in Culver City, Calif., with Buster Williams on bass and Matt Wilson on drums. A recording of their performance has just been released and, like all of Denny's albums, it's an adventure. On songs like There Will Never Be Another You, I Could Have Told You and I'll Take Romance.Denny turns standards inside out without abandoning their spirit. Songs start with a familiar reference point, with Denny then layering the melody with gorgeous chord changes. Then he takes us off on an improvisational voyage deep inside the song, giving you insight into what makes it special and what holds it together. I know this sounds a little odd, but I loved listening to this album in a completely dark room. Only then can you truly let go and feel the tidal pull of his approach and enjoy his scuba exploration of music, where the notes dart around like tropical fish. This album is worthwhile for Oleo alone. Trust me, no matter how well you know Sonny Rollins's standard, you don't know it like this.
Ross Porter [above], CEO of Jazz.FM91, Canada's leading jazz radio station in Toronto, was interviewed recently byFYI Music on his leadership, jazz and the celebrities he has interviewed over the years. Go here.
Abbey Lincoln. Vocalist Teri Roiger will be singing the music of Abbey Lincoln in New York on Wednesday, Aug. 6, from 7 to 9 p.m. at La Maison D'Art at 259 West 132 St. She'll be joined by pianist James Weidman, bassist John Menegon and drummer Steve Williams. For information and reservations: 718-593-4108. Or go here. Admission is $15 and includes complimentary wine and d’oeuvres. Teri's album Dear Abbey: Music of Abbey Lincoln can be foundhere.
Orson Welles [above]. Director Raymond De Felitta (Rob the Mob, Tis Autumn: The Search for Jackie Paris) wrote a super post about Orson Welles' depressive years at his blogMovies 'til Dawn here. If you love film, Raymond's posts are always informative and inside.
Bird and Diz in L.A. Sometimes I wish I could press a button and have the entire Los Angeles jazz scene moved across the Hudson River to New Jersey. Ken Poston, the head of the Los Angeles Jazz Institute, knows how to put on a concert. Ken and Charlie Shoemake alerted me to this one within minutes of each other (as a form of torture, I'm sure). Ken is producing Bebop Invades the West Coast, celebrating Charlie Parker and Dizzy Gillespie's West Coast debut at Billy Berg's in December 1945. The concert will feature alto saxophonist Charles McPherson and trumpeter Jon Faddis along with vibist Charlie Shoemake and others. The concert will be held on Friday, Aug. 29 at 8:30 p.m. at the Los Angeles Musicians Union Auditorium at 817 Vine Street in Hollywood.
Now get ready to cry: The original building [above] which housed Billy Berg's, still stands at 1356 Vine St. and is now Los Balcones Restaurant. A special VIP pre-concert dinner/party will be held in the historic location and will include a screening of Billy Berg's home movies from 1945-46 and rare broadcast recordings from the club.
The Civilized Cinema. In the U.S., our film for this weekend submitted by reader John Cooper was entitled The Girl-Getters (1964). In the U.K., where the film was made, it was called The System. Either way, the youth-culture movie with a rock beat (by Stanley Black) was directed by Michael Winner and featured cinematography by Nicolas Roeg...
Pete Jolly really lives up to his last name here. Interesting touch making sure we can see his wedding ring. What a swinger.
Posted by jazzofilo at Sunday, July 27, 2014 0 comments
National Jazz Museum in Harlem
Ever since Duke Ellington first tickled the ivories north of 110th Street, Harlem has been one of the liveliest neighborhoods in New York. And now it's on a whole new creative streak: Artists are setting up shop, restaurants are popping up faster than you can do the Harlem Shake, and bands—hip-hop, jazz, rock—play at more than just the Apollo (which, for the record, is still booking epic shows). Here, our favorite locals suit up and take us on a tour of the new uptown.
Jazzed! The Changing Beat of 125th Street
All Ages
May – December 31, 2014
Get jazzed at CMOM! Find your own beat as you tap, snap, clap and stomp your way through. Live music, hands-on art workshops and an immersive environment celebrates the rich history and lasting legacy of jazz in America. This interactive exhibition and program series features rarely seen images, archival footage, and original jazz artifacts.
Enter a world of big bands, intimate jazz clubs and shimmering stages . . .
SCAT with Ella! Delight at the sounds of your favorite nursery rhymes being sung by the great Ella Fitzgerald, then sing along at the 1930’s pretend-play microphone.
TAP like Bojangles! Marvel at the skill of iconic tap dancer Bill “Bojangles” Robinson doing his famous staircase dance in rarely seen archival footage, then make your own tap shoes and choreograph a unique routine on the Bojangles Tap Staircase.
SWING with Duke! Meet Duke Ellington, legendary bandleader, pianist and composer through artifacts and photos from his band. Experience a contemporary jazz band at a large touchscreen interactive that encourages you to be the bandleader by choosing which musician and instrument to feature. And make your own instrument to take home!
Posted by jazzofilo at Sunday, July 27, 2014 0 comments
Hot Music Tix
Al Jarreau / Vincent Ingala | Temecula, CA |
Al Jarreau w/Rick Braun | Rehoboth Beach, DE |
Barenaked Ladies | Ignacio, CO |
Big Bad Voodoo Daddy | Durango, CO |
Bobby Caldwell / Keiko Matsui | Temecula, CA |
Boney James / Nick Colionne | Temecula, CA |
Boney James w/Brian Simpson and Marc Antione | Lewes, DE |
Brian Culbertson / DW3 | Temecula, CA |
Buddy Guy | Carmel, CA |
Calistoga Balloons | Calistoga, CA |
Catalina Island JazzTrax Festival | Avalon, CA |
Chris Young with Courtney Cole | Hutchinson, KS |
From: http://www.tix.com/Default.asp |
Posted by jazzofilo at Sunday, July 27, 2014 0 comments
Farm Aid is coming to Walnut Creek Amphitheatre in Raleigh, NC on Sept 13
Posted by jazzofilo at Sunday, July 27, 2014 0 comments
What makes a great jazz club?
The Lonely Planet travel guide to Australia describes Bennetts Lane jazz club in Melbourne as 'the world's best jazz club'. What are the particulars of location, management, music - and that ephemeral quality of vibe - that make a great jazz club?
David James is the author of a book about Bennetts Lane, and Nichaud Fitzgibbon is a well-known jazz singer and the daughter of Smacka Fitzgibbon who ran Smacka's Place, also in Melbourne, in the 1970s.
read more: http://www.abc.net.au/radionational/programs/musicshow/bennetts-lane-interview/5559532
Posted by jazzofilo at Sunday, July 27, 2014 0 comments