Friday, August 31, 2012

Denny Zeitlin - piano
"In concerts and in my previous albums, I have always programmed for variety. Yet for years I have wanted to record an album with one over-arching mood—a gentle, lyrical journey of mostly ballads. 
I've chosen songs that I've loved for years, encountering some of them here as a performer for the first time. My hope was to explore them as deeply, authentically, and spontaneously as possible—to share how the music and often exquisite lyrics of these songs have touched and intrigued me.

The pieces on this CD come mostly from the American Songbook, with a contribution from Jobim, and two originals. They all express a fundamental desire we share as humans: the yearning for an intimate connection. Some celebrate the rapture of love ""found."" Others explore the heartbreak of love ""lost.""

My hope is that you will be rewarded by deep listening to this album, and also find it a worthy companion to activities of daily life—a fine meal, perhaps; moments of contemplation; and most especially, being with someone you love."
Reviews:
Denny Zeitlin has balanced careers as a psychiatrist, medical school professor, and jazz pianist/composer since earning his MD at Johns Hopkins in 1964. Equally at home performing with his working trio and as a solo pianist, Zeitlin focuses on the latter in this striking session which he recorded himself in his home studio. His imaginative arrangements of the familiar standards that make up much of this collection put them into a new light, perfect for late-night listening with someone special. "Body and Soul" has been recorded so frequently in the decades since Coleman Hawkins' landmark 1939 record that it would seem that there is little left to explore within it, but Zeitlin's lush reharmonization reveals new glistening facets in this timeless gem. "Good-Bye," long associated with Benny Goodman as his sign-off theme, packs an even greater emotional punch with Zeitlin's deliberate, thoughtful setting. Jazz musicians have often turned the '40s ballad "I Hear a Rhapsody" into an uptempo swinger, though Zeitlin's introspective rubato treatment returns it to its romantic roots, seducing the listener with his lyrical playing. The pianist's fresh rendition of the poignant ballad "You Don't Know What Love Is" begins with him improvising on its bridge and slowly working his way into it, adding a subtle Latin undercurrent as he reharmonizes its familiar theme. Zeitlin also revisits two of his originals, the mysterious "Time Remembers One Time Once" and the richly textured "Wherever You Are." This compelling solo piano CD is destined to become one of Denny Zeitlin's landmark recordings.

- Ken Dryden - Allmusic.com

Ronnie Scott's, Upcoming Highlights

Monday 3rd - Tuesday 4th September
Claire Martin and Sir Richard Rodney Bennett 

Sophisticated, top-drawer vocal duo featuring peerless jazz singer Martin, and hugely gifted composer, pianist and knight of the realm, Bennett. United by their love of great songs and with just their two voices and a piano, this promises to be an intimate, charming and hugely enjoyable exploration of the Great American Songbook and beyond, as heard to great effect on their superb recent album Witchcraft.

Wednesday 5th - Thursday 6th September
The Jay Phelps Big Band featuring special guest vocalist Clare Teal 

Young trumpeter and band leader Phelps knows his history. One time co-band leader of hell-raising jazz radicals Empirical, his debut solo album 'Jay Walkin' displays a thorough knowledge and love of the golden age of big band jazz. Award winning jazz vocalist Clare Teal will join his all-star 17-piece band to present some of the great jazz classics from legendary leaders Duke Ellington, Count Basie, Jimmy Lunceford, Dizzy Gillespie and Lionel Hampton in an exuberant night of swing, blues and be-bop. One of the pioneering creative forces in UK contemporary jazz, his new band and some iconic jazz landmarks recreated afresh - expect sparks to fly!

'The young bandleader shows great maturity in his choice of music, his arrangements and his ability to control 17 different jazz musicians while also delivering some exceptional solos of his own'.
Bruce Lindsay - All About Jazz


Sunday 9th September
Jason Rebello Band feat. Joy Rose 

Sublimely gifted British piano player, perhaps best known for his work as a sideman for Sting, Jeff Beck as well as jazz luminaries Wayne Shorter, Art Blakey and Branford Marsalis, brings an all-star band for an evening of powerful jazz, funk and fusion. With Jason Rebello on keyboards, hard-driving drummer Troy Miller, fine bassist Karl Rasheed-Abel, guitarist Paul Stacey and superb vocalist Joy Rose.


Wed 19th and Thur 20th September LATE LATE SHOW SPECIAL (10.45 Doors)
THE ESTABLISHMENT 

The Establishment. Live at Ronnie Scott's. Keith Allen presents a late-night show of hard-core comedy and cabaret. Wednesday 19th and Thursday 20th September. 11.30pm.
Founded by Peter Cook in 1961, "The Establishment" was the Soho club from which the satire boom was launched. Featuring uncensored, live, stand-up comedy, it gave a platform to radical, political, and anarchic performers (everyone from Lenny Bruce to Barry Humphries), and was the inspiration for "That Was the Week That Was" (first broadcast in 1962), and Beyond The Fringe which ran for 18 months on Broadway...




Every Friday 10-11pm!
The Ronnie Scott's Radio Show on Jazz FM

If you haven't tuned in to our weekly show on Jazz FM yet, then now is the time to get hooked.

Every Friday night between 10-11pm Jumoke Fashola presents the Ronnie Scott's Radio Show, featuring some classic Jazz, back stage interviews, all topped off with exclusive live recordings from the club.

THIS WEEK: Al Jarreau Special

Seven-time Grammy Award winning singer Al Jarreau is our very special guest on this weeks Ronnie Scott's Radio Show, after a one off sold out performance at the club. The only person to ever win a Grammy for best jazz, best pop and best R'n'B vocals at separate points in his career, Al Jarreau's recording career spans an enormous five decades, and he gave Jumoke Fashola an exclusive, very entertaining and rather moving interview backstage before the show. Music comes from Jarreau's latest album featuring the Metropole Orchestra, some classic live performances, and of course a personal choice of Al Jarreau's. 


You can tune in tonight online at www.jazzfm.com, on DAB Digital Radio, on Sky channel 0202 or Freesat channel 729. Past shows can be heard on-demand: (at this link).

The Ronnie Scott's Radio Show. Every Friday night at 10pm. On Jazz FM.

Sunday 23rd September
Funmi Olawumi 

Traditional and contemporary Yoruba music combine in the soulful voice of Funmi Olawumi, the founder of the Yoruba Women Choir, who creates Faaji music from a refreshing mix of influences, from juju, highlife and afrobeat to fuji. Faaji is a Nigerian-Yoruba word for having a good time and Funmi Olawumi and her 12-piece band create hypnotic dance music that galvanizes and uplifts in a remarkable way.

Thursday, August 30, 2012

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08/31 Fri Barbara Rose, Pianist & Vocalist at Oyster Point Hotel, Red Bank 7:00 pm to 12:00 am Style: Mixed,Cover: None, Celebrate the American Songbook with the most gifted, former child piano prodigy, on the East Coast. Barbara's piano style is reminiscent of Thelonius Monk. Call for Dinner Reservations. 732-530-8200Learn more Hear samples , (732/848)

08/31 Fri John Bianculli at The Italian Bistro 7:30 pm to 10:00 pm Style: Piano, Cover: None, 441 Raritan Ave Highland Park, NJ 08904 732-640-1959 Learn more Hear samples , (732/848)
08/31 Fri Mickey Freeman Trio at The Cosy Cupboard Tearoom 7:00 pm to 10:00 pm Style: Vocal, Cover:None, With Mitch Schecter on Piano and Rick Crane on Bass. This "cozy" little place is located at 4 Old Turnpike Road in Convent Station (one block off Madison Ave. in Morristown). Reservations are highly recommended...973.998.6676 , (862/973)
08/31 Fri OPEN JAZZ JAM at Moores Lounge aka Bill & Ruth, Jersey City, NJ 8:30 pm to 12:30 am Style: Jam Session, Cover: None, Musicians, Vocalists, Spoken Word Artists, Dancers and. Jazz Music Lovers are welcome. No Cover, No Minimum. Delicious fish sandwiches available for purchase. , (201/551)
08/31 Fri Robert Page Trio at Moonstruck Asbury Park 6:00 pm to 10:00 pm Style: Mixed, Cover: None, , (Unknown)
08/31 Fri Stephen Fuller and Alan Rosenthal at Hibiscus American and Caribbean Cuisine 7:00 pm to 10:00 pm Style: Mixed, Cover: None, Reservations suggested. Learn more Hear samples , (862/973)
08/31 Fri The Mike Bond Group at Sophie's Bistro - 700 Hamilton St. Somerset, NJ 7:30 pm to 10:30 pm Style:Mixed, Cover: None, The Mike Bond Group Pianist Mike Bond and his group. Sophie's Bistro - 700 Hamilton St. Somerset, NJ No cover charge. Learn more , (Unknown)
09/01 Sat B.D. Lenz at Jazz it Up Wine Festival 12:30 pm to 4:30 pm Style: Fusion, Cover: None, with Abe Fogle (dr), Nick Rolfe (keys), Geoff Mattoon (sax), & James Rosocha (bass) Learn more Hear samples , (609/ )
09/01 Sat B.D. Lenz at Stanhope House 8:00 pm to 9:30 pm Style: Blues-Electric, Cover: None, Stanhope House band! Learn more Hear samples , (908/ )
09/01 Sat Barbara Rose, Pianist & Vocalist at Oyster Point Hotel, Red Bank 7:00 pm to 12:00 am Style: Mixed,Cover: None, Celebrate the American Songbook with the most gifted, former child piano prodigy on the East Coast Barbara's piano style is reminiscent of Thelonius Monk. Learn more Hear samples , (732/848)
09/01 Sat Carrie Jackson & Her Jazzin' All-Stars at The Mill at Spring Lake Heights 8:00 pm to 11:00 pmStyle: Smooth Jazz, Cover: None, Join us for dinner or just join us for drinks, every week for the "Saturday Night Jazz Sessions"! Call 732.449.1800 for reservations. Learn more Hear samples , (732/848)
09/01 Sat Jim Jasion - Piano - Vocal at Wizard Of Odds - Antiques and Such 10:00 am to 2:00 pm Style: Mixed,Cover: None, 7601 South Long Beach Boulevard Long Beach, NJ 08008 - Piano - Vocals - Broadway and the Great American Songbook , (609/ )
09/01 Sat Jim Jasion - Solo Piano at Wizard of Odds - Antiques and Such 5:00 pm to 6:00 pm Style: Straight-ahead, Cover: None, 7601 South Long Beach Boulevard Long Beach, NJ 08008 - Jazz and Broadway - Vocals from The Great American Songbook , (609/ )
09/01 Sat Lou Volpe Jazz Guitar at The Pointe 7:30 pm to 10:30 pm Style: Smooth Jazz, Cover: None, Lou Volpe plays solo at this fine restaurant waterside with views of Lady Liberty. Learn more Hear samples , (Unknown)
09/01 Sat We are Closed Today at Candlelight Lounge 3:30 pm to 7:30 pm Style: Contemporary/Post Bop,Cover: None, We are closed today, see you next week with Madame Pat Tandy , (609/ )
09/02 Sun Lou Volpe Jazz Guitar at The Waterside 12:00 pm to 3:00 pm Style: Smooth Jazz, Cover: None, Lou Volpe plays solo at the Jazz Brunch at this beautiful waterside restaurant opposite the 79th St. boat basin with beautiful views of the harbor. Learn more Hear samples , (Unknown)
09/02 Sun Pam Purvis and The Blue Skies Band at Langosta Jazzy Brunch 1:00 pm to 4:00 pm Style: Straight-ahead, Cover: None, Located right on the boardwalk, Langosta is a terrific venue. Learn more , (Unknown)
09/02 Sun Somerset Jazz Consortium Sunday Open Jam Session at PJ's Coffee - 315 Raritan Avenue, Highland Park NJ 1:00 pm to 5:00 pm Style: Straight-ahead, Cover: None, Jim Jasion-Piano, Jimmy Sica-Drums, Jean-Louis Saillot-Electric Bass, Chris Allen-Guitar - Straight-Ahead Jazz , (732/848)
09/03 Mon 10th Street Live Open Mic at 10th Street Live 8:00 pm to 1:00 am Style: Mixed, Cover: None, Open mics are a great way to share your singing, songwriting, and musical talent, and give you real world performing experience in front of a live audience. Come early and enjoy dinner and a drink. Learn more , (908/ )
09/03 Mon SJC Starbucks Monday Night Band ( Horn Squad) at Starbucks-693 Edgar Rd (Rts 1&9) Linden, NJ 7:00 pm to 9:00 pm Style: Straight-ahead, Cover: None, Jim Jasion-Piano, Daijiro Okada-Guitar, Aaron Moment-Bass - Straight-Ahead Jazz and vocals , (908/ )
09/03 Mon Webb T Fleet at Candlelight Lounge 3:30 pm to 7:30 pm Style: Contemporary/Post Bop, Cover:None, Fee Buffet and exciting jazz, , (609/ )

Palestinian guitarist Michel Sajrawy .....


Perfect Union: The Arab-Jazz Merger of Guitarist Michel Sajrawy Dances on Arabop

Palestinian guitarist Michel Sajrawy was shredding in a Nazareth basement with his buddies when he found the answer: a guitar technique that let him play both Arab and Western melodies with perfect flexibility.

“Suddenly I came up with a maqam-based solo, in the middle of a rock song,” Sajrawy recalls. “My musician friends were fighting me, shouting, ‘It’s maqam! You should play traditional rock!’ I have a unique way that makes me produce these sounds on ordinary guitar, with total freedom to play everything from maqamat to bebop lines.”

After years of refining his approach on stage and in the studio, including on two well-received albums (Yathrib and Writings on the Wall), Sajrawy has brought his explorations to thoughtful fruition on Arabop (U.S. release: October 9, 201 2), a series of polished tunes that organically unite the modes and forms of Arab music from Egypt to Saudi Arabia, and the high-energy creativity of bebop. Whether rethinking Arab classics (the spitfire “Longa Farah Faza”) or crafting originals that move fluidly between jazz and Arab idiom (“Arabop”), Sajrawy’s focus, drive, and innovative touch show how in the right hands, east and west do more than meet; they merge.

“I want to have my own style and flavor,” Sajrawy notes. “I don’t want to sound like another musician. I want to reflect the culture of the region I live in.”

{full story below}

As a Palestinian Christian with an Israeli passport and a British conservatory education, Sajrawy finds that uniting disparate cultural and sonic worlds comes second nature. Yet to find the right way to express this intersection—where Pat Martino meets the chanting of the Koran, say&mdash ;took extensive practice.

Instead of using a fretless guitar or adding additional quarter-tone frets, Sajrawy found he could express the maqamat modes, rich with evocative gradations in tone and tuning, on a regular old guitar. Additional frets, especially high on the neck, hamstrung him, and he found the sound of a fretless did not have the right feel.

“How can you make these tones on a fretted instruments? I didn’t find solution in changing the strings. I’m playing a standard guitar, but I’m free to play the maqam on the inside position, which is narrow,” he explains. “How can you put your finger there, if you add more frets? It’s not practical. You’re limited. You can’t fuse things.”

Sajrawy figured out how to bend notes and play modes in complex ways without altering his instrument, for Arabop, the well-loved Stratocaster he had played since his teen years. The focus on techniqu e over modifications allows the guitarist to shift smoothly between scales, approaches, and idioms. And Sajrawy has many at his disposal, in addition to jazz and rock, from folk sounds from Syria to klezmer-inflected moments.

The darbuka-powered “Tojann” dances with gritty, modal play; Sajrawy’s guitar finds both precision and expressiveness, over side jazz lines and passionate drumming. “Syncretic Beliefs” harnesses melodies inspired by Koran recitations, and free and evocative percussion and upright bass, to complement Sajrawy’s rippling, quicksilver guitar. Arabop moves from driving to drone-rich, from lush to lyrical.

Recruiting an ensemble of similarly broad-minded musicians from the Northern Israeli scene (Nazareth is a cultural hub for the region) while drawing on his extensive international performance experience, Sajrawy feels integrating sounds and welcoming listeners from both East and West is key to his a rtistic vision.

“I practice jazz improvisation, dig into the history and practice of both worlds, East and West” reflects Sajrawy. “My passion is in both places. I really love the music of my culture, and I really love jazz. I feel both in my blood. I don’t want to stop, to choose.”


Sharón Clark
Blame It On My Youth

Wednesday Sept. 26 and Thursday Sept. 27 - 7pm
Monday Oct. 1 and Wednesday Oct. 3 - 9:30pm

Chris Grasso, piano
Neal Miner, bass
Lenny Robinson, drums

34 West 22nd St.
New York, NY
www.metropolitanroom.com

One of today's most innovative jazz vocalists reimagines songs of the 60s and 70s.  Discover the widely acclaimed DC sensation and see why JazzTimes calls Sharón Clark "a revelation."

"I never thought I'd hear a singer with the range, musicality, and command of tone and timbre that was Sarah [Vaughan] at her best, but now I have."  -- JazzTimes

ASSAF KEHATI: Jazz guitarist and composer Assaf Kehati arrived to the USA in 2007 and after a short time he has made waves in the jazz scene by working with such names as Ran Blake (piano), George Garzone (sax), Eli Degibri (sax), Ziv Ravitz (drums), Donny McCaslin (sax), Seamus Blake (sax) and legendary drummer Billy Hart (Miles Davis, Wes Montgomery) and by performing in such venues as Blue Note, NYC; Regattabar, Boston; Washington DC Jazz Festival; MuzEnergo Jazz Festival, Russia; New England Cable News, MA; Tel Aviv Museum, Israel; and Toronto Jazz Festival.


THE MUSIC: Kehati has recorded two CDs – A View From My Window (2010) and Flowers and Other Stories (2011). His compositions are inspired by the daily and trivial, yet wonderful and significant experiences of life: from a winter, snow-laden view of Fenway Park from his apartment porch (A View From My Window), to the mundane but satisfying life of a snail (Sunshine Berale), to a girl seeking love in a land beyond the oceans (The Snow and the Sun), and to a story about the universal character, Mr. Mario that travels the world like a gypsy to places like Africa, the Middle East and the Pyramids in Egypt (Mr.Mario).

Press Quotes:

• “An impressive musical production from start to finish”.
- CYRUS RHODES, MUSES MUSE (2011)

• “A new chapter of modern jazz”.
- EDWARD BLANCO, EJAZZNEWS (2011)

• “A master musical sculptor”.
- DAN BILAWSKY, ALL ABOUT JAZZ (2011)

• “This quartet headed up by Kehati is simply amazing!”.
- MICHAEL MULLINS, SKOPE (2011)

• “You’ll savor the exotic-sounding intimacy of this group”.
- KEN FRANCKLING, JAZZ NOTES (2011)

• “Substantial depth in the genre”.
- CHUCK VECOLI, JAZZREVIEW (2011)


More Quotes (links to full reviews are below):

Ligia Piro....


Wednesday, August 29, 2012

No words, just music

Wearing a face shield, DJ Squarepusher performs at the Hard Summer Music Festival in Los Angeles
LOS ANGELES - The cavernous dance club in downtown L.A. is hopping, and the weekend is still a day away. The club is ordinarily a hotbed of thumping house music, but tonight, the headliner - Houston-born jazz pianist and bandleader Robert Glasper - is switching things up.
Behind a bank of keyboards, Glasper leads his quartet through a restless swirl of searching piano melody, causing the crowd to sway under the hazy colored lights. As the song gathers into focus, one musician begins repeating an unmistakable, 40-year-old refrain, his voice shaded by electronics: "A love supreme . . . A love supreme . . . "

This introduction of John Coltrane (or at least the sounds he inspired) into a modern dance club was a gratifying, chocolate-in-my-peanut-butter moment, but it isn't a singular event.

The night's opener, British electronic producer and DJ Quantic, made for an easy transition to Glasper, with a live band swerving through funk and soul-jazz.

As both artists expertly blended genres to reach new audiences, their sound pointed to that natural link between jazz and EDM, or electronic dance music.

With fans turning out by the thousands for sprawling dance festivals in celebration of the beat, it's become clear that lyrics are no longer necessary to pull in a younger crowd.

Simply put, instrumental music is becoming something less exotic. EDM, which is often lyricless or dependent on a vocal loop that serves more as an instrument than a worded sentiment, is now one of the top-grossing genres of the music world.

As fans of Miles Davis and Charlie Parker learned before them, listeners drawn to the sounds of DJs such as Tiesto and Deadmau5 know that lyrics sometimes get in the way of expressing feelings in music. And it bears repeating: Jazz began as dance music.

And with artists such as Quantic and Glasper folding strains of jazz into a mix that sounds natural on the dance floor, there's growing potential for EDM to serve as a gateway drug into jazz.

Read more: http://www.philly.com/philly/entertainment/20120829_No_words__just_music.html#ixzz24vpC9mjl
Watch sports videos you won't find anywhere else

Vocalist Sharon Marie Cline....

Sharon Marie Cline is one who stays focused on her dreams, furiously working all facets of her career, her latest goal penning her new single “This Is Where I Wanna Be”.

(PRWEB) August 29, 2012
Sharon Marie Cline is taking all the necessary steps to embodying the new vision of a global music community all her own. Focused on giving her fans what they want, Sharon Marie opened her channels of heart to penning her new single “This Is Where I Wanna Be” with pianist and Music Director Rich Eames. Perfect caption for a driven musical powerhouse who has found her nitch and wants to take it global. Not only does Cline have her own social network that garners visitors from all over the world, she maintains a healthy marketing strategy to have her fans jump on her bandwagon with each offering she provides from live performance to her upcoming CD “This Is Where I Wanna Be”. With great musicians supporting her musical essence, Rich Eameson piano, John Belzaguy on bass (formerly with Natalie Cole and Nancy Wilson) Jon Stuart on drums and Rob Hardt on flute (currently with Pancho Sanchez and formerly with Strunz and Farah ) she can’t go wrong.
“This album is my affirmation. My affirmation of Love and Dreams. It's an optimistic offering to the world. I guess I feel, what better gift to offer the world right now but my particular expression of Love, Romance and Joy...”says Sharon Marie.
Always on the jazz club scene, from Los Angeles to Miami, Sharon Marie’s upcoming gigs include Llew Matthews (Nancy Wilson's music director) and Jon Laskin on bass at Jazzy’s Restaurant, August 31st in Temecula, CA, then off to a mini-tour to Miami in September. Looking to perform on jazz festival stages, tour with her own ‘Bad Boyz Of Jazz” as well as seeking non-exclusive booking agents for worldwide performances from studio sessions to concert halls, Sharon Marie has her heart set on a worldwide musical community enjoying her music. Her brilliant interpretations and her smooth mellifluous sound leave a lasting impression on her listeners that is truly unforgettable!
“Sharon Marie Cline is the perfect example of taking your career and working it from every side. With the backdrop of her slogan “My Heartsong” as the wellspring of her creating her own social network, to taking her hand to songwriting, to continually connecting with her fans at her events it takes consistency to maintain your fan-base and that is the golden ring Sharon strives for as she breathes life into her dreams”. The musical conversation on this tune, is warm, melodic, rhythmically cohesive and lyrically appealing, Sharon Marie is forever growing into her golden shoes” says Jaijai Jackson of The Jazz Network Worldwide Social Network. The Jazz Network salutes Sharon Marie as she kicks off her crowd-funding campaign with indiegogo.com at http://www.indiegogo.com/sharonmariecline?show_todos=true&a=264134#_=_
Be sure to come by and listen in on “This Is Where I Wanna Be” at The Jazz Network Worldwidehttp://www.thejazznetworkworldwide.com and consider joining and adding your voice to Sharon Marie Cline’s heartsong at http://www.sharonmariecline.com.
From: http://news.yahoo.com/featured-week-jazz-network-worldwide-vocalist-sharon-marie-073307854.html?_esi=1