Yusef Lateef, the Autophysiopsychic’s valedictory

by Howard Mandel

An elder of African-American culture, a master improviser, a heroic performer, recording artist and educator, a genius who denounces the term “jazz” (but is an NEA Jazz Master) and reviles all the “vulgarity” which has traditionally been associated with the music but has never abjured blues, grit and funk — multi-reeds specialist Yusef Lateef at age 92 earned the reverent attention of a full house at Roulette in Brooklyn on April 6.  

Performing a set of more than an hour’s length with only percussionist Adam Rudolph and a bit of pre-recorded material to support him, Lateef sang, recited poetry, played oboe, flute, small wind instruments and tenor saxophone with a directness and wisdom that has no match today. Looking serene and elegant, he engaged in free-form sound painting in which each phrase, intonation, squawk and whisper of overtones seemed to be meaningful. Dr. Lateef (he received an Ed.D. in Education from University of Massachusetts/Amherst in 1975,  his dissertation on Western and Islamic education and earned a Ed.D. in Education from the University of Massachusetts Amherst in 1975, and taught there) remained seated throughout his appearance, and does not have the hearty tone and fullness of breath of a younger man but the honesty of his music was unwavering.

He sounded by turns solemn, rude, plaintive and gruff;  his poetry spoke of the dominion of Providence;  his message was to love live, to avoid moments that are without love and to hold off despair. The most affecting episode of this concert, which was uninterrupted until by a standing ovation before the duet’s encore, was Lateef’s vocal call to “cross the river.” He sees the other side and is, evidently, unafraid.

Read more: http://www.artsjournal.com/jazzbeyondjazz/2013/04/yusef-lateef-the-autophysiopsychics-valedictory.html